關於 vain in chinese ，我們在網路上蒐集到這些相關的討論、資訊與評價

小帮手：

【云剧场🤩线上观剧】✨✨✨
✨Cloud Theatre, enjoy theatre online!✨

🌟星音符为您诚意打造《红楼梦》话剧，根据史实与原著改编
——让您深刻体验古典名著的艺术魅力🤩13场演出场场满座，好评如潮！

💝演出购票处 Cloud Theatre ：
https://www.cloudtheatre.com/my/shows/the-bream-of-red-mansions/
此次在云剧场上演，票券收入100%捐作抗疫物资❤️

🌹中国古代四大名著之首《红楼梦》话剧🌹
💥必看10大重点💥
✨《红楼梦》在大马首度以话剧演出
✨《红楼梦》根据史实和原著改编
✨知名艺人锺洁希与多位资深演员同台，演员阵容多达26人
✨男主角为全球万里挑一的林霆坚，为寻找贾宝玉剧组发动了全球《寻找贾宝玉》的活动
✨最新3D科技绝美LED背景视觉影像
✨星音符特邀美籍音乐制作人为《红楼梦》话剧操刀，由女主角锺洁希演唱插曲《黑夜将残的炉光》，并与男主角林霆坚深情对唱主题曲《心念》
✨逼真的音效与专业背景音乐配搭
✨精致的古风道具布置
✨精美雅致大气有诚意的古代服装
✨《红楼梦》话剧票券收入100%捐作抗疫物资

🌷由锺洁希领衔主演女主角——出淤泥而不染的林黛玉，💘男主角为全球万里挑一，犹如贾宝玉再现的——林霆坚。为您演绎一场刻骨铭心、至真至爱、荡气回肠的爱情故事❤

📅演出日期：
🤩『第一场』18/09/2021 (六) 8:00p.m. (GMT+8) 【供48小时内观看】
🤩『第二场』27/09/2021 (一) 8:00p.m. (GMT+8) 【供48小时内观看】

🗨 [ 此剧语言为中文，备有中英文字幕]
📲【询问联络】03-55690139 (Ann) https://bit.ly/3yyzYJk

《红楼梦》话剧——谁为情种？
❤眼空蓄泪泪空垂，暗洒闲抛却为谁~

Cloud Theatre, enjoy theatre online! ✨✨✨
The play “The Dream of Red Mansions” was met with overwhelming response, selling out tickets to 13 full houses!

Ticketing platform: Cloud Theatre
https://www.cloudtheatre.com/my/shows/the-bream-of-red-mansions/
🤩100% of the proceeds from the tickets will be donated as Covid-19 medical supplies. Together, let’s do our part and show our love!

🌹 “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 🌹
💥10 reasons why you must watch: 💥
✨This marks the first public performance of the stage play “The Dream of Red Mansions” in Malaysia.
✨ “The Dream of Red Mansions” is based on the original historical novel.
✨Well-known artist Jessie Chung takes the stage with 26 experienced actors.
✨Lead actor Terry Lim, a one-in-a-million actor who portrays Jia Baoyu, was chosen through a worldwide search for a Jia Baoyu lookalike.
✨Stage backdrops created through the latest 3D technology for stunning, lifelike environments.
✨Symphony Theatre invited an American composer to create the soundtrack for “The Dream of Red Mansions,” while lead actress Jessie Chung performed the soundtrack song “A Dying Light in the Dark” and the theme song, “Hearts Apart”—an emotional duet—with lead actor Terry Lim.
✨Accompanied by realistic sound effects and professional background music.
✨Stage design incorporates exquisite ancient Chinese elements and props.
✨Actors wear elegant, refined, majestic and authentic period costumes.
✨100% of the proceeds from the tickets will be donated as Covid-19 medical supplies. Together, let’s do our part and show our love!

🌷Jessie Chung takes the stage as lead actress, portraying the pure and unadulterated Lin Daiyu, while Terry Lim, the lead actor, was chosen out of a ton of applicants from around the world. Come and enjoy a performance of an unforgettable, passionate, and heart-rending love story.

📅Performance Dates:
🤩 First performance:
Saturday, September 18, 2021, 8:00 p.m. (GMT+8)

🤩 Second performance:
Monday, September 27, 2021, 8:00 p.m. (GMT+8)

🗨 (Performed in Mandarin, with Mandarin and English subtitles available.)
📲 Contact us: 03-55690139 (Ann) https://bit.ly/3yyzYJk

“The Dream of Red Mansions,” calling all lovers…❤
“Vain are all these idle tears, tears shed secretly—for whom?”

「地獄空」攝影集即將在八月中元節前出版，由知名設計師與攝影家黃子欽設計，內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等，感恩十方大德助印，希望疫情退散，平安喜樂，後記如下：

野放台灣五十餘年，貪狼獨坐，三方四正殺破狼格局，少年多舛，白手起家，隨展覽雲遊四海，如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返，遂設幻影堂自詡堂主，一日三省「凡所有相皆是虛妄」，常宅於暗房沖片放大通宵、鍾情黑白世界之單純，彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘，了悟人生一瞬、眨眼即逝，雖非仙人，亦無道骨，初聞離垢地生清淨心，但離華嚴「不動地」尚遠，待修持也。
2017年盛暑拍畢《巨神連線》，心律不整差點心肌梗塞向閻羅王報到，意識死神隨伺在側，人生苦短，如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解，蒙釋迦摩尼佛開示飆淚三晝夜，聞佛法數載始知自我渺如塵埃，甚感慚愧。閒暇乃參訪名寺古剎，禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘，台灣宮廟千奇百怪、宗派錯綜複雜（佛教、道教、一貫道、天主教、基督教、齋教、回教＆大同教、儒教鑾堂、天帝教＆天德教、慈惠堂＆勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……）、神棍橫行（依人不依法、偶像崇拜、斂財、邪淫），因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜，但地獄造景稀少，後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人，各寺造景巧妙、耐人尋味，意境乖張溢於言表，造型扭曲非常人所能塑也，然匠心獨運、自成一格，專研西方藝術數十載方知真誠樸拙最美，絲毫不輸喬托（Giotto di Bondone，1267～1337）乃至米開朗基羅（Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564）矣。

創立於1986年的石門金剛宮風景優美可眺望北濱，雖主祀四面佛，儒釋道眾神尊也不含糊，可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像，安太歲自不在話下，甲子太歲爺雙眼長出手掌印象甚深，1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍，行走暗黑通道觸動感應機關，只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地，十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台，粉嫩色彩搭配卡漫風格，尤為造型簡直恐怖到可愛透頂，該廟主祀森羅殿閻羅天子包拯（包青天），陽世冤屈者可至此參拜祭解，求破懸案者眾，逢中元普渡皆以紙紮船渡亡魂至彼岸，全台唯一閻羅天子巨像籌備中，四周環繞墓地，適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮（1971）地府則是首座電動地府，規模精小但驚嚇度破表，略顯破敗但五光十色仍蠻凶悍，出自已故台南大道長金登富之作，而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外，乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面，尊尊栩栩如生，續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道，造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」（阿彌陀佛、觀世音菩薩、大勢至菩薩巨像）旁設靜態十殿閻羅（1970年代初），雖略為陳舊然韻味猶存，續往上行可抵「證菩提道－釋迦如來應化事迹」雕塑園區，一攬世尊畢生精華。如來年邁時，琉璃國王為報長期被釋迦族輕蔑之傲慢心，世尊雖三次單獨伽跌坐 阻擋大軍進攻之路，但因緣果報無法逆轉，昔日婢女所生王子瞋恨無以復加，還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺，遂以缽盛救度五百族人，最終卻化為血水，佛言神通廣大仍不敵千百劫業力，因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐，目犍連遂展神通救渡，但所食尚未入口皆化為赤火，佛陀囑咐農曆七月十五日僧眾解安居自恣日，於盆中設甘露美食供養十方僧眾，因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌，既渡亡魂也自懺悔。

台南麻豆代天府規模宏大、造型豔麗，不但可遊十八層地獄尚可逛天堂（1979年興建，1983年開放)，燈光絢爛、聲響駭人，獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」，至ㄧ殿泰廣王照「孽鏡台」現造惡原形，睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪，觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生（胎、卵、濕、化）回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」，轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」，窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」，直透地心、內中陰森、不見五指、滿溢地漿，皆為極犯，另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」（查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司）後至「孟婆亭」飲「醧忘湯」忘盡前塵往事，依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺（紫河車）」入六道輪迴轉生投胎。據《十八泥犁經》記載，人過世後七七四十九天為「中陰生」，經閻羅王審判善惡業力判定去留或懲罰百千萬劫，犯五逆重罪則墮入「無間地獄（阿鼻地獄）」永劫不復。地藏王乃幽冥教主，統轄十殿閻羅，逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。

人類居於五趣（阿修羅、人、傍生、餓鬼、地獄）雜居地五濁惡世之堪忍世界，犯十惡業（殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴）者必墮三趣惡道。如何出「三界」（欲界、色界、無色界）二十八天？凡人無此意識，別說能破「十二因緣」（無明、行、識、名色、六入、觸、受、愛、取、有、生、老死）還滅門，更別想斷除「四聖諦」（苦、集、滅、道）集地八十一品見惑與八十八使思惑（五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑），了悟「五蘊」（色、受、想、行、識）本空、「十二入」（眼、耳、鼻、舌、意、色、聲、香、味、觸、法）空、「十八界」空，破俱生我執與分別我執、法執甚至空執，生十一處「善心所」（信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害），降二十六處「惡心所」（貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知），須知善根斷盡則陷永劫輪迴、無垠轉世之苦。

地獄可能空滅嗎？若地獄空乏人間多鬼怪，地獄淨空世間何嘗非淨土？若能證空性何處現地獄？

地獄曠古來便廣泛流傳各部族間，老死生滅為自然運行之基礎、宇宙意識之核心，然今文明昌盛如咱城邦並非慾望消弭之所，惡性所及實無可根除，礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層，乃遁於壓抑、束己情懷，暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄，心多妄念，妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間，會靈於曠野密林以增性靈乃出世高人修煉之舉，我等凡人擅闖宛如迪士尼般之人造地獄，三魂七魄尚不足以出竅，驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧，豈不謬哉？

病毒肆虐年半有餘，全球確診者逼近一億八千萬，枉死者近四百萬，堪比戰爭規模，望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空，唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。

姚瑞中寫於2021年端午節

Postscript

I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.

In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).

Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.

Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.

Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.

The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.

June 2021,

Yao Jui-chung

在中國政府禁止維吾爾書籍、夷平穆斯林墓地的時候，詩歌仍然是維吾爾人民堅持和抵抗的一種強大形式。

「在這個被遺忘的地方，我沒有愛人的撫摸/每個夜晚都有更黑暗的夢，我沒有護身符/生命就是我唯一所求，我沒有別的渴望/無聲的想法折磨著我，我沒有任何希望。我曾經是誰，我變成了什麼，我不知道/能向誰傾訴我的心願，我無法訴說/我的愛，命運的心意難測/我渴望走向你，我沒有行動的力氣從裂縫和罅隙，我看到季節的變化/為尋找你的消息，我徒勞地尋找花蕾/我從心底渴望和你在一起/有什麼道路通往這裡，為什麼我沒有回家的路。」
——這是維吾爾詩人加拉里丁在中國拘禁營中寫的詩。

世界可以從一個將藝術作為威權主義解藥的文化中學到很多東西。在鐵絲網和哨塔之後，詩人與詩歌提醒我們，當這種文化被消滅之時，我們決不能默默地站在那裡。

更多故事：https://cn.nytimes.com/opinion/20201124/uighur-poetry-xinjiang-china/zh-hant/

Today, as the Chinese state bans Uighur books and paves over Muslim graveyards, poetry remains a powerful form of persistence and resistance for the Uighur people.

“In this forgotten place I have no lover’s touch. Each night brings darker dreams, I have no amulet. My life is all I ask, I have no other thirst. These silent thoughts torment, I have no way to hope. Who I once was, what I’ve become, I cannot know. Who could I tell my heart’s desires, I cannot say. My love, the temper of the fates I cannot guess I long to go to you, I have no strength to move. Through cracks and crevices I’ve watched the seasons change. For news of you I’ve looked in vain to buds and flowers. To the marrow of my bones I’ve ached to be with you. What road led here, why do I have no road back home.”
——Uighurs poet Abduqadir Jalalidin composed this piece in China’s internment camps.

The world has much to learn from a culture that has made art its antidote to authoritarianism.

Read the full article: https://www.nytimes.com/2020/11/23/opinion/uighur-poetry-xinjiang-china.html

《Midnight Sun》
VOICE / 夢喚
作詞 / Lyricist： aimerrhythm
作曲 / Composer：飛内将大
編曲 / Arranger：玉井健二、飛内将大
歌 / Singer： Aimer
翻譯：夏德爾
English Translation: Nakari Amane (Dreamsland lyrics)

背景 / Background - 与众不同 - 白の狐 :
https://www.pixiv.net/artworks/75690947

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中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2642775

英文翻譯 / English Translation :
https://dreamslandlyrics.blogspot.com/2014/06/aimer-voice-lyrics.html

日文歌詞 / Japanese Lyrics :
一人では長すぎる夜　ねえ　今夜夢は見られるの?
叶わない願いを胸に　漏れるため息が虚しい

できるなら こんな感情(おもい)は 失くしたってかまわない

どうして 涙を流してるんだろう?
どうして 悲しい顔なの?
どうして 忘れてしまわないんだろう?
どうして 声にならないんだろう?
わからない ただそばにいたかっただけだよ?

誰のものでもない不安が　光る街並を 滲ませる
あふれだす記憶を置いて　行き交う人波は 知らん顔

届かない こんな声なら 失くしたってかまわない

どうして 涙が止まらないんだろう?
どうして 触れてほしいんだろう?
どうして 綺麗になりたいんだろう?
どうして 声が聞きたいんだろう?
わからない ただそばにいたかっただけだよ?

どうして 涙を流してるんだろう?
悲しく言葉は宙を舞う
どうして 忘れてしまわないんだろう?
どうして こんなに苦しい?
わからない　ただそばにいたかっただけ

どうして 涙が止まらないんだろう?
どうして 心が痛むの?
どうして こんなに声が聞きたいんだろう?
どうして 声にできないんだろう?
わからない

ただそばにいただけなんだと

中文歌詞 / Chinese Lyrics :
對一個人太過漫長的夜，今晚，到底能不能有個美夢？
將無法實現的願望深埋胸口，只有漏出的嘆息，撫慰著這樣的空虛

若是可以，我寧願不要這樣的夢

到底是為什麼，我流著眼淚？
為什麼，板著一臉的悲傷？
是為什麼，無法忘卻這些記憶？
又是因為什麼，無法喊出這份思念？
為什麼會如此痛苦，我明明，就只是想要在你的身旁而已啊？

那份，不屬於其他人的不安，模糊了街道的燈火通明
將無法埋藏的記憶留在來往的人群，卻也沒有任何人在乎

如果是無法觸及你的聲音什麼的，失去，也就都無所謂了

那麼到底為什麼，我無法停止哭泣？
是為什麼，會希望你能觸碰我呢？
究竟是為什麼，想要變得更漂亮？
又是為什麼，想要聽你的聲音？
為何如此難熬，我明明，就只是想要在你的身旁而已啊？

流下的眼淚，是為了什麼？
只有話語的哀傷在空中泅泳
無法忘卻，又是因為什麼？
如此難耐，到底是為什麼？
為什麼呢？我僅是希望你能在我的身邊而已——

為什麼無法壓抑淚水？
為什麼會如此的心痛？
如此渴望你的聲音，又是為什麼？
呼喚不出聲音，又到底是為什麼？
為什麼呢？

只因為，你現在，就在我的身旁

英文歌詞 / English Lyrics :
Night too long for me all alone
Hey, are you seeing dream tonight?
Hold these unfulfilled wishes in my heart
made my lament lost in vain

If I can,

I don’t mind of losing
these kind of feelings

I wonder why,
I’m shedding tears?
I wonder why
I’m looking so sad?
I wonder why,
I couldn’t forget you completely?
I wonder why,
I couldn’t put it into a voice?
I don’t understand
I just wanna be by your side?

These unknown anxieties,
blurred out the glowing streets
and left behind those overflowing memories
Just unfamiliar faces,
come and go within this crowd

If this voice

couldn’t reach you,
I don’t mind of losing it

I wonder why ,
these tears unstoppable?
I wonder why,
I want your touch?
I wonder why,
I wanna be beautiful?
I wonder why,
I want to hear your voice?
I don’t understand
I just wanna be by your side?

I wonder why,
I’m shedding tears?
Those sad words
dance in the air
I wonder why,
I couldn’t forget you completely?
I wonder why,
It’s so painful?
I don’t understand
I just wanna be by your side

I wonder why,
these tears unstoppable?
I wonder why,
My heart felt so painful?
I wonder why,
I’m so longing for your voice?
I wonder why,
I couldn’t put it into a voice?
I don’t understand
I just want to be by your side

你也可以擁有不動幸福 YOU TOO CAN ACHIEVE PASSIVE HAPPINESS

我們一出生，就從來沒有停止過去追求幸福。小時後，吃喜歡的食物，玩新的玩具，去新的地方，長大後，追求愛情、事業、金錢.......

但有的人，天生八字真的不怎麼樣，小時讀書馬馬虎虎，長大後，要財沒財，要事業沒事業，要愛情沒愛情，原生家庭又給不到她他溫暖。

於是，有些人把希望寄託在孩子身上，以為自己生孩子，也能夠製造一個快樂溫馨的家庭，是他們的人生終極目標。

但是他們都沒發現，他們的八字根本沒有這樣的命。夢想和現實起了對立，有了自己的家庭後，反而煩惱更多，快樂更少。

錢依然不夠用，伴侶原來不是稱職的家長，大家會為了孩子的事吵架、冷戰。

孩子健康又不好、情緒管理差、很難教，女傭讓他們很傷腦筋，兼顧家庭和事業也讓自己不停和時間賽跑，活得沒有自己，也不知道到底哪一天才會雨過天晴。

八字無法改，但是一命二運三風水，所以八字沒有的，聰明的人會用風水來補助自己的運。

我常跟客人說：不要傻傻地吃苦。很多時候，只要把居家風水搞好，很多的問題都能迎刃而解。這基礎做好了，就算您沒有去追求，幸福也會自動降臨您家。

風水如何能夠讓您心安的六種方式，且聽我在這影片的解說。

...................................

Since our birth, we have never stopped pursuing happiness. As kids, we cheer when we get to eat our favourite food, play new toys and see new places. As adults, we chase love, career achievements and  money. 

However, there are some people whose Bazi are really nothing to shout about. When they are young, their academics are so so. When they grow up, they want money but they don't get it. They want a good career, but no, it didn't happen. They crave a good relationship but nah, they never have it. And the family they grow in couldn't give them the warmth in their lives either.

Hence, some of them place their hopes on having children they think belong to them. They envision that they can finally create a loving and warm family. That shall be their ultimate life goal. That is why people work so hard for, isn't it?

But what they didn't realise is that their Bazi were not able to support them in their pursuits. Their dreams and the reality they face every day become a stark disparity. As they have their own families, instead of having more happiness, they get more troubled.

Money still remains scarce, and the spouse turns out be an incompetent parent, causing conflicts and cold wars in the marriage over the children. 

The children aren't any better off. Their health fluctuates, they are poor in emotional management, do not listen well to instructions. With both parents working, getting a good maid is necessary. Yet, this maid becomes another headache. Balancing both family and work starts taking a toll on them. Every day is a race against time. There's no living for yourself like what all those new age gurus preached. Worse is when they have no idea EXACTLY WHEN life will be better. 

We can't change our Bazi. So as the Chinese saying goes, first is our Destiny, second is our Luck, third will be our Feng Shui. Whatever our Bazi lacks, the smart person will make up for it by using Feng Shui to supplement their own luck. 

Don't suffer in vain, when a solution is actually within reach. In many situations, after the home Feng Shui is done right, many problems get resolved.  Once this foundation is laid right, even when you are not actively chasing for it like a mad hamster, happiness will descend into your home by default. 

So how exactly can Feng Shui give you a peace of mind? I talk about the 6 ways here in this video.

******************************

阿彌陀佛，你好！我是李季謙，來自新加坡的風水命理師。我將我的一生貢獻於弘揚佛法和中華玄學。這過程曲折離奇，卻也充滿了許多人生的領悟。

通過我的影音與寫作，我希望能與你分享，盼你也能夠突破自己命運的束縛，真正活得精彩：我命在我，不在天。

人生長短無所謂，最重要的是活得有價值，有貢獻。

***********

Hi, I am Lee Ji Qian, a Chinese Metaphysics practitioner from Singapore. This journey in propagating Buddhism and Chinese Metaphysics has been full of hard knocks and exciting discoveries.

Through my videos and online writing, I hope to share my journey with you. So that you too can break free from the limits of your destiny and truly live a life you can call exciting. My destiny is in my own hands, not Heaven. So is yours.

It does not matter whether we can live a long or short life.
What matters most is living a life of value and contribution.

??‍? 服務諮詢 FOR MY SERVICES：
http://www.qianyu.sg/consultations

? CONNECT WITH ME HERE:
http://www.facebook.com/qianyuSG
https://www.instagram.com/qianyusg/

*** 我使用的器材 OTHER TECH EQUIPMENT I USE ***

這支影片 FOR THIS VIDEO:
Iphone 6
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Royal Voice Lavalier Mic (out of production)
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相機 CAMERAS
Sony A6400: https://amzn.to/33NLssT
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有聲書錄音器材 AUDIOBOOK RECORDING
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其他配件ACCESSORIES:
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********************************

Music:
––––––––––––––––––––––––––––––

Light by Jorge Mendez https://youtu.be/52509xgZKDI


Lights by Sappheiros https://soundcloud.com/sappheirosmusic
Creative Commons — Attribution 3.0 Unported — CC BY 3.0
Free Download / Stream: https://bit.ly/LightsSappheiros
Music promoted by Audio Library https://youtu.be/-lbbHQbZNKg

––––––––––––––––––––––––––––––

《SSSS.GRIDMAN》
UNION
作詞：大石昌良
作曲：大石昌良
編曲：Tom-H@ck
歌：OxT
翻譯：CH

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purpose only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
https://www.facebook.com/chschannel/

Check my Facebook page for more information!
https://www.facebook.com/chschannel/

背景 / Background :
https://i.imgur.com/u3itMIC.jpg

翻譯連結 / Referenced Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4191229

日文歌詞 / Japanese Lyrics :
目を醒ませ 僕らの世界が何者かに侵略されてるぞ


作り物のようなこの日々に
僕らのS.O.Sが加速する
何かが違うと知りながら
見慣れた空　同じ景色に今日が流れてく


あの日の誓いってなんだっけ
教室で何を語ってたっけ
このままじゃ約束まで消えてしまう


目を醒ませ 僕らの世界が何者かに侵略されてるぞ
これは訓練でも　リハーサルでもない
覆われた日常というべールを　勢いよく剥がしたら
戦いの鐘が鳴る
それじゃとりあえず同盟を結ぼうか


君を“退屈”から救いに来たんだ！


ニセモノみたいな思い出に
「昔は良かった」って指を差す
虚しいだけと知りながら
悟ったフリ　見て見ぬフリで傷を隠してく


ヒーローになれやしないんだって
主人公は誰かやるでしょって
知らぬ間に諦めたりしないでよ


目の前の僕らの世界は何ものにも代えられない世界
それは子供も大人も関係ない
繰り返す日常というルールに　騙されそうになったら
反旗を翻そう
さあ僕たちだけの革命を起こそうか


A wish, wish come true 夜の星に願いを
君とつなげた夢のUNION


目を醒ませ 僕らの世界が何者かに侵略されてるぞ
これは訓練でも　リハーサルでもない
覆われた日常というべールを　勢いよく剥がしたら
戦いの鐘が鳴る
あの頃のように同盟を結ぼうか


君を“退屈”から救いに来たんだ！

中文歌詞 / Chinese Lyrics :
快醒來吧！我們的世界正在被什麼人侵略！


在這猶如設定般的日常中
我們發出的S.O.S也正加速傳出
雖然已知周圍的一切有所不同
但在這一如往常的天空、同樣的景色下，今天又流逝而過


那一天所發下的誓言是什麼？
在教室裡又說了些什麼？
再這樣下去就連約定都要消失了


快醒來吧！我們的世界正在被什麼人侵略！
這既不是訓練，也不是彩排
若是將那被名為「日常」包裹著的面紗，趁勢的扯下
戰鬥的鐘聲將會響起
總之先讓我們結成同盟吧


為了將你自無趣之中，拯救出來而來


對著猶如虛假般的回憶
「過去真的很美好呢」自己背地裡嘲弄著
雖然明白這麼做僅是徒然
卻仍裝作理解、裝作看穿一切似地，將傷口隱藏起來


說自己絕對成不了英雄什麼的
說英雄總會有別人來當什麼的
不要在不知不覺間放棄啊！


在我們面前的是什麼東西都取代不了的世界
不論你是小孩還是大人都無關緊要
若是被這稱之為「反覆的日常」的規則給欺騙的話
就舉起反抗的旗幟吧！
掀起一場只屬於我們的革命吧！


「期盼這份心願能夠成真。」向著夜晚的星空許下願望
這夢想的同盟，將你我聯繫在一起


快醒來吧！我們的世界正在被什麼人侵略！
這既不是訓練，也不是彩排
若是將那被名為「日常」包裹著的面紗，趁勢的扯下
戰鬥的鐘聲已經敲響
讓我們像「那時候」一樣，結成同盟吧！


為了將你自無趣之中，拯救出來而來

英文歌詞 / English Lyrics :
Open your eyes! Our world is being invaded by something!


On these fabricated-like days,
Our S.O.S signals are being sent rapidly
Knowing that there is something different
About the familiar sky...the usual scenery...the passing day.


What was the promise that day?
What did you talk about in the classroom?
As it is, that promise will end up disappear!


Open your eyes! Our world is being invaded by something!
This is neither a training nor a rehearsal!
Peeling off the "everyday" cover
And the bell that signals the fight rings!
Well then, for now, let us become one alliance!


I have come to save you from "boredom"


To those fake-like memories,
"Things were better in the past" - pointing out with your finger
Knowing how vain my action is,
I still pretend to not see those scars you hide behind the facade.


I did not want to be a hero,
The protagonist should have been someone else!
Don't just unknowingly give up!


Within our views, are our world that cannot be replaced by anything.
It doesn't matter if you are a child or an adult,
Don't be deceived by that day-repeating rule!
Let's raise the flag of resistance!
Now, we shalll make a revolution!


A wish, wish come true, upon praying to a star at night.
To connect with you, the dream of UNION.


Open your eyes! Our world is being invaded by something!
This is neither a training nor a rehearsal!
Peeling off the "everyday" cover
And the bell that signals the fight rings!
Just like back then, let us become one alliance!


I have come to save you from "boredom"