關於 universal opening times ，我們在網路上蒐集到這些相關的討論、資訊與評價

There are things that you only realize when you’re back in your homeland. Watching the beauty of the sunrise over the sea from my home island of Awaji, I sensed hope. The overwhelming beauty of the sea and the sun is a universal experience unchanged since ancient times. When our way forward was unclear, and anxiety was spreading, it brought me a firm feeling of hope. To ensure that I never forget that emotion, I created the work titled inori as public art on Awaji Island, and am now involved in a number of different Awaji projects. Each incorporates my prayers that the hope will continue for ever.
One of those initiatives has now come to fruition. As a project for the regeneration of the traditional performing art of Awaji Ningyo-Joruri, I have been working on the production of a puppet play, Ebisu-mai Plus, to be performed in public at the Awaji Puppet Theatre from March 21 to May 30, 2021. (The opening performance on March 20 is already sold out.) The play will also be streamed live on the “Culture Room by Asami Kiyokawa” YouTube channel. Subscribe to the channel in advance to be sure not to miss it. And if you have the opportunity, please come to the Awaji Puppet Theatre.🌊🌊🌊

https://youtu.be/GmA_FYi4pts

🇺🇸 Day 5 🇺🇸
Universal Studios Hollywood 💃🏼
Had breakfast, ham and egg sandwiches 🥪, at home. And hit the road around 9:30. Got there around 10:30 and got in the theme park around 11:00.
I don’t know if it was because of the shoot out couple of days ago, but their security check was thorough. There’s even real police officers 👮‍♀️ 👮 at the gate which it usually was just some park staffs. Some people even got body searched 😱
We bought the Express Tickets so we got in every single rides and shows. If it said 45mins wait, it would only take us 2mins to get in.
By the way, The Express Tickets cost an extra 60USD(estimated 1800NTD) than the regular tickets.
They replaced some of the old rides and shows. I think it was a pretty good discussion, just my opinion.
There’s this new attraction, The Walking Dead. It’s basically a walked-in hunted house, but replace those ghosts and monsters into The Walkers. I watched the official review so I knew what was going on in it. The first time I went in with my sister. It was good. And at the end of the day, I dragged my mom into the attraction, she kept on screaming and I kept on laughing about her screams, lol 🤣 She screamed so loud that there’s echoes in the rooms 🤪 During the walk, I intentionally scooped my mom toward those Walkers, which were dressed up by real people, those Walkers grabbed her repeatedly because she was screaming her lungs out. I just couldn’t stop laughing 😂 😝 my mom literally screamed on every corner and even screamed when she saw a security personnel 🤣 She grabbed my arm so tight and squatted half way(her head was around my elbow) for the entire walk, which was just 3-5mins 😂
It was a great day at Universal Studios Hollywood 🤩
We’re going to Disneyland tmr, and we have to get going around 7am in order to be there at their opening. There’s two separate parks, the original Disneyland with the castle in it and the California adventure. We’ll have to try to get every ride in one day on both parks. Good luck to us 😜 Since we went to California’s Disneyland so many times that I couldn’t count(we can practically walk the park without maps 🗺), I think we can manage that 😁
Going to bed now, it’s almost 12:30am here.
Good night 🌙 😴 💤 to California and good afternoon for those who are in the time zone of GMT/UTC +8h 😉

*此為英文版介紹，中文介紹請參閱關於及討論區
*特別感謝中翻英翻譯 / 林養璇

ihategoodbye SU MISU solo-exhibition (ENGLISH)

SU MISU solo-exhibition 10/29~10/30 in Taipei,Taiwan
TWO days exhibit only at Nanhai Gallery.

･ﾟ･。ﾟ+ﾟ･*Sponsored by the Ministry of Culture･ﾟ･｡ ﾟ+ﾟ･*

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This is SU MISU’s Solo photo exhibition after showing in Kaohsiung and Taichung. The event lasts only two days to mirror how fast time passes with different events taking place in a marathon style over a limited time period, including an opening tea party, the artist’s talk, DJ and live performances. In addition to viewing the exhibition, the audience is invited to contribute - there is a temporary photo studio built in the space for the audience to participate in both viewing and producing this limited work in this particular time and place.

░『Today』10/29 Sat.Opening Ceremony Party
15:30 Opening
DJ∞LIVE SHOW∞Drinks and Desserts 　

DJ. HsinHsin
DJ. Xanthe Yang
DJ. AoWu
DJ. Plus Minus
DJ. Yu Hong
PERF. Mai Maya x Su Misu

░『Tomorrow』10/30 Sun. Closing Party
14:30 Opening

14:30-19:30 Live Event《Flash Mob Photo Studio-･ﾟ･｡･ﾟﾟI am a fake, but my heart is true..･ﾟ･｡･ﾟﾟ･*:.｡ True Heart Never Lies》
✺Event Details: TBA

19:30-20:30 Artists Talk and Tour
In Conversation with｜Nawakiri Shin, Auther of《繩縛本事》、kanghao, Co-Creater of《@sisterssaying》

░░Free Entrance░░
SPECIAL THANKS REWARD♡ Bring your ihategoodbye photo album to redeem the newest limited edition poster magazine（We will snip off the corner of your book☺）o。。.ﾟ*。

░░About Book 《ihategoodbye.》
This is a product of this passing stage. It contains two seperated parts, the visual and the text. To me, taking photographs is no longer as simple as recording what everyone appears to be; but a way of looking at my past/dead images and accepting my alienated/live existence. From a perspective of the main narrator,I looked closely at how I felt that I did not want to be parted with the "that-has-been" moments just before pressing the shutter.

The first "ihategoodbye" says good bye to the past. The aura has gone in a twinkling. The still images stay. Time moves, and the image passes (away).
The second "ihategoodbye" says I do not want to see you. Not wanting to be parted because what was photographed is the "old you", but what I see is the "new you". You are still on-going. The virtual images reflect the reality, nontheless, are added with the unstability of alienation and enstrangement. As per J. Lacan's Theory of Mirror Stage, similar to images in the mirrors, one may falsely recognize the images in the photographes as oneself, but the images are never as real as the ever changing realities.

The text, Diary, is the record of an intimate relationship between 2010 to 2012. BDSM practitioners are almost always particular about privacy, so that the images were transformed into words. The words may then be visualised and evolved into images.

At last, this is a collection of the fragments of the past. This is the ultimate relic that says, "Good bye".

░░SU MISU’s Introduction｜
Born in Taipei, she is a photographer and BDSM model. Su Misu is known for her practice in exploration of gender, BDSM and sexual minority topics etc... And coming from the medical background, she’s therefore also interested in the “Synthetic”, the “Unnatural”, and all sorts of embodiments. Using photography to discuss the struggle between the real and the illusory. Besides photography, she is also a performance artist, and is an event planner.

░░Host｜SU,
░░Co-Host and Exhibition Location｜Nanhai Gallery
地址:台北市中正區重慶南路二段19巷3號
Address: No.3, Ln. 19, Sec. 2, Chongqing S. Rd., Zhongzheng Dist., Taipei City 100, Taiwan (R.O.C.)
░░Advisor｜Ministry of Culture、National Culture and Arts Foundation

░░About video｜
The image begins with the Bodhisattva in Taoism. In 2006 33% of the population of Taiwan is Taoist; tied with Buddhism, they are the two main religious beliefs.

Bodhisattva is often depicted not only as both male or female, but also genderless. According to , there are thirty three incarnations of Guan yin Bodhisattva, but in Sanskrit there is a distinction between male, female, and neuter. Nowadays the female incarnation is called “Gyoran Kannon (Fish-Basket Guan yin)”. “Women since ancient times always suffered more than men. The character of a woman is merciful and compassionate, and so motherly love is rare in male-oriented society.”《The Universal Door of Guan Shi Yin Bodhisattva》 explained why the incarnations are often depicted in women's image. Therefore the “incarnation/ metamorphosis at will” of Guan yin in the East emphasized the identification of intersectionality. By starting with Taoist deities and Bodhisattva, consumerist misappropriations are rapidly distributed by the pervasive internet and capitalist society. These materialist pursuits inherent in capitalism, because religious fanaticism also derives from the emptiness of the soul, increase religious “Disenchantment” in modern society.

░░Work Team｜
Art direction/Photography ｜Su Misu
director of Photography｜Yeh Che
Sound｜Xanthe Yang
Movie assistant｜Tao Zen Shuo/Hsu Jun Yi
Photo assistant｜Oscar Ko
Stylist｜Lu Yin Yin
Makeup｜Suan6
Hair｜Blue Vegetable
Models｜Lu Yin Yin/Gao Xiao Gao/ Noah Huang /Yun Yun Hu/Yamaneko/ Poppyfuks/Mai Maya/Su Misu
Installation art｜RuRu Kuo
Scenery｜Chen Ming Shan Taiwan Folk Scenery Painting Studio
Special thanks｜Liu Ching Hao