關於 paris portrait photographer ，我們在網路上蒐集到這些相關的討論、資訊與評價

Merci my best and best!
#Repost @chinchollekim with @make_repost
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NEW #fashionportrait with fabulous #topmodels @chinhsi @marilynagencyparis
#photographer @gregoryboussac
#nudemakeup #freshmakeup using @embryolisse @elizabetharden @makeupforever @armanibeauty @patmcgrathlabs_contact #windyhair #hair #portrait #asianmodel #model #taiwanmodel #hairbykimchincholle #makeupby #kimchincholle . #makeup
#jewelry @chanelofficial

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《人生很難，但可以用自信的台步踢破鐵板》

作者 金禧 @chinhsi
時報 出版 @readingtimes_igofficial

｜博客來 @bookstw ｜https://bit.ly/2D8L3cI
｜誠品 @eslite_global ｜ https://www.eslite.com/product/1001110932866655
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- Luyện đọc đầu ngày: ALEXANDER HENDERSON (1831-1913)

Born in Scotland, Henderson emigrated to Canada in 1855 and became a well-known landscape photographer.

Alexander Henderson was born in Scotland in 1831 and was the son of a successful merchant. His grandfather, also called Alexander, had founded the family business, and later became the first chairman of the National Bank of Scotland. The family had extensive landholdings in Scotland. Besides its residence in Edinburgh, it owned Press Estate, 650 acres of farmland about 35 miles southeast of the city. The family often stayed at Press Castle, the large mansion on the northern edge of the property, and Alexander spent much of his childhood in the area, playing on the beach near Eyemouth or fishing in the streams nearby.

Even after he went to school at Murcheston Academy on the outskirts of Edinburgh, Henderson returned to Press at weekends. In 1849 he began a three-year apprenticeship to become an accountant. Although he never liked the prospect of a business career, he stayed with it to please his family. In October 1855, however, he emigrated to Canada with his wife Agnes Elder Robertson and they settled in Montreal.

Henderson learned photography in Montreal around the year 1857 and quickly took it up as a serious amateur. He became a personal friend and colleague of the Scottish-Canadian photographer William Notman. The two men made a photographic excursion to Niagara Falls in 1860 and they cooperated on experiments with magnesium flares as a source of artificial light in 1865. They belonged to the same societies and were among the founding members of the Art Association of Montreal. Henderson acted as chairman of the association's first meeting, which was held in Notman's studio on 11 January 1860.

In spite of their friendship, their styles of photography were quite different. While Notman's landscapes were noted for their bold realism, Henderson for the first 20 years of his career produced romantic images, showing the strong influence of the British landscape tradition. His artistic and technical progress was rapid and in 1865 he published his first major collection of landscape photographs. The publication had limited circulation (only seven copies have ever been found), and was called Canadian Views and Studies. The contents of each copy vary significantly and have proved a useful source for evaluating Henderson's early work.
In 1866, he gave up his business to open a photographic studio, advertising himself as a portrait and landscape photographer. From about 1870 he dropped portraiture to specialize in landscape photography and other views. His numerous photographs of city life revealed in street scenes, houses, and markets are alive with human activity, and although his favourite subject was landscape he usually composed his scenes around such human pursuits as farming the land, cutting ice on a river, or sailing down a woodland stream. There was sufficient demand for these types of scenes and others he took depicting the lumber trade, steamboats and waterfalls to enable him to make a living. There was little competing hobby or amateur photography before the late 1880s because of the time-consuming techniques involved and the weight of the equipment. People wanted to buy photographs as souvenirs of a trip or as gifts, and catering to this market, Henderson had stock photographs on display at his studio for mounting, framing, or inclusion in albums.

Henderson frequently exhibited his photographs in Montreal and abroad, in London, Edinburgh, Dublin, Paris, New York, and Philadelphia. He met with greater success in 1877 and 1878 in New York when he won first prizes in the exhibition held by E and HT Anthony and Company for landscapes using the Lambertype process. In 1878 his work won second prize at the world exhibition in Paris.

In the 1870s and 1880s Henderson travelled widely throughout Quebec and Ontario, in Canada, documenting the major cities of the two provinces and many of the villages in Quebec. He was especially fond of the wilderness and often travelled by canoe on the Blanche, du Lievre, and other noted eastern rivers. He went on several occasions to the Maritimes and in 1872 he sailed by yacht along the lower north shore of the St Lawrence River. That same year, while in the lower St Lawrence River region, he took some photographs of the construction of the Intercolonial Railway. This undertaking led in 1875 to a commission from the railway to record the principal structures along the almost-completed line connecting Montreal to Halifax. Commissions from other railways followed. In 1876 he photographed bridges on the Quebec, Montreal, Ottawa and Occidental Railway between Montreal and Ottawa. In 1885 he went west along the Canadian Pacific Railway (CPR) as far as Rogers Pass in British Columbia, where he took photographs of the mountains and the progress of construction.

In 1892 Henderson accepted a full-time position with the CPR as manager of a photographic department which he was to set up and administer. His duties included spending four months in the field each year. That summer he made his second trip west, photographing extensively along the railway line as far as Victoria. He continued in this post until 1897, when he retired completely from photography.

When Henderson died in 1913, his huge collection of glass negatives was stored in the basement of his house. Today collections of his work are held at the National Archives of Canada, Ottawa, and the McCord Museum of Canadian History, Montreal.

Extensive (adj): rộng
Outskirts (n): ngoại ô
Apprenticeship (n): thời gian học nghề
Excursion (n): chuyến du ngoạn
Artificial (adj): nhân tạo
Influence (n) /ˈɪnfluəns/ : sự ảnh hưởng
Artistic (adj) /ɑːˈtɪstɪk/ : đẹp
Rapid (adj) /ˈræpɪd/ : nhanh chóng
Significantly (adv) /sɪɡˈnɪfɪkəntli/ : đáng kể
Specialize in (v) /ˈspeʃəlaɪz//ɪn/ : chuyên
Numerous (adj)/ˈnjuːmərəs/ : nhiều
Sufficient (adj) /səˈfɪʃnt/ : đủ
Demand (n)/dɪˈmɑːnd/ : nhu cầu
Exhibition (n) /ˌeksɪˈbɪʃn/: triển lãm
Wilderness (n) /ˈwɪldənəs/ : vùng hoang vu
Commission (n) /kəˈmɪʃn/ : nhiệm vụ
Administer (v) /ədˈmɪnɪstə(r)/: điều hành
Huge (adj) /hjuːdʒ/ : to lớn

Các bạn cùng tham khảo bài đọc này nhé! Trích từ Cambridge IELTS14 - giải chi tiết, có ai chưa có bản này không?

“隔離做什麼” - 與我互動💙

大家好嗎？ 您是否正在隔離，居家檢疫，或在家上班呢？
在全球Covid-19疫情肆虐，你所在的國家和家庭裡的情況是如何？
在這個世界艱難的時期，長期的隔離對人的身心會有一定的影響，在家上班也可能碰到不同情況，讓我們保持互動並相互支持。

我想為你畫張插畫，歡迎與我互動~

HOW🤔
傳一張你的照片給我，並告訴我你在隔離期間做什麼，與我們分享你的想法和做法，在家中做什麼可以保持身心健康，甚至發展出新的技能，或是在家工作的任何困難或有趣的情況。 讓我們交換訊息，激勵人們一起度過這個難關。

WHEN📆
從4月13日開始，每天我會挑選一張照片畫出你和你的隔離活動或是在家工作情況，一共進行14天，並將其發佈在我的Instagram/FB上，當然也會傳給你收藏（數位檔案）。

被選中的你將擁有我繪製的“隔離做什麼”個人插畫。 所以，發揮你的創意，我會選擇最富啟發的想法，同時也是我還沒畫過的主題。 （您可以在我的FB/Instagram頁面上找到我分享過的隔離做什麼插畫系列）
現在就快點傳照片給我吧~

“隔離做什麼" - 與我互動插畫，每天會在我的Instagram首發，還沒追蹤我Instagram的朋友們快去follow喔 !
https://www.instagram.com/jocelyn.kao.illustration/
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"quarantine to do list" project
- interact with me💙
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How are you, everyone? Are you experiencing lockdown, quarantine, or work from home?
How do you do in this period of Covid-19 crisis in your country and household? During this difficult time of the world, let's stay connected, be supportive and interact with each other.
Let me draw you an illustration, and tell me what you do in quarantine.
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HOW🤔
Send me a photo of you through message, and tell me what you do in quarantine or work from home, share with us your idea and thoughts what to do to keep yourself healthy and positive, or any interesting experience during WFH. You could tell me your profession and where you are in the world if you want. We could cheer people up and getting through this time together.
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WHEN📆
Starting at 13th April, I will pick one photo + it's idea to draw every day for 14 days, and post on my Instagram / FB (Jocelyn Kao Illustration) , of course will send it to you (digital file)
So, be creative, I will pick the most inspired ideas. So hurry up and send me your photo📷
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Check out the example👉my beautiful friend, a photographer in Paris - taking creative self-portrait photo during quarantine.📸
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#quarantine #project #interactwithme #letmedrawyou #illustrations #whattodoathome #wfh #ideas #cheerup #creativety #inspiration #postivethinking #covid19art #moreillustrations #illustrationhowl #illustrationartists #jocelynkaoillustration #photographerinparis #selfportait #photography @i_am_naomiwu 📸
@stalk.yu ✨