“For me, photography is about bearing witness, and through an image communicating the emotion of that moment to people who weren’t there.”
Known worldwide for designing live-fire sculptures for Michelin-starred restaurants and the best backyard chefs across the globe, Grillworks’ CEO & Owner, Ben Eisendrath, shared a glimpse into his photographic journey starting from roots in journalism, leading to Leica, and documenting his world in our latest #LeicaBlog: bit.ly/LeicaBlog_Ben
#LeicaCameraUSA #TellYourStory #LeicaM #WorldDeservesWitnesses
同時也有3部Youtube影片,追蹤數超過392的網紅Sincere Tanyaシンシア ターニャ,也在其Youtube影片中提到,"Everything You Do" is out now ⬇︎ 各配信サイトはこちら https://linkco.re/Q2U5mrTr? Last year November, my shooting crew and I took a trip to the beautiful alps...
「emotion in photography」的推薦目錄:
- 關於emotion in photography 在 Leica Camera Facebook 的最佳解答
- 關於emotion in photography 在 譚蕙芸 Facebook 的精選貼文
- 關於emotion in photography 在 Facebook 的最讚貼文
- 關於emotion in photography 在 Sincere Tanyaシンシア ターニャ Youtube 的最佳解答
- 關於emotion in photography 在 陳嘉 CHANKA Youtube 的最佳解答
- 關於emotion in photography 在 陳嘉 CHANKA Youtube 的最佳解答
- 關於emotion in photography 在 Capturing Emotion in Photography - Pinterest 的評價
- 關於emotion in photography 在 Raw Emotion Photography - Home | Facebook 的評價
emotion in photography 在 譚蕙芸 Facebook 的精選貼文
[細小的聲音]
日本化工廠於七十年代被揭發排放含水銀污水數十年,引致附近居民中毒的「水俁病」事件,因為一張經典新聞照片而轟動全球。照片裡,一名母親在日式浸浴中抱着十五歲的殘障女兒,讓人留下深刻印象。
拍攝該照片的是美國新聞攝影師W. Eugene Smith。他於第二次世界大戰已隨美軍於沖繩戰役嚴重受傷,接受幾十次手術。後來與日本人太太到水俁拍攝村民抗爭,亦被工廠有關的惡棍毆打至一隻眼失明,神經線受傷致一度要用口部操作攝影機才能繼續拍攝。
即使替美國著名雜誌《LIFE》拍得新聞攝影經典作品,生活還是潦倒。其基金會網頁指出,他因早年採訪受傷影響健康,最終於59歲病重去世時,銀行戶口只剩下18蚊美金。
如此傳奇一生,被搬上大銀幕,美國影星Johnny Depp演出的《毒水曝光》。故事只集中在主角回到日本拍攝水俁病的事件,男主角酗酒、固執又自我。始終不是紀實片,難免戲劇化。
但對於一般人,由此片去了解如此沉重歷史事件,去進入新聞攝影記者的世界,也是一個很好的起點。一個白人攝影師空降到異文化,要把別人的瘡疤挖出來被你拍攝,中間必然有個取信的過程。
他原來計劃留在日本三個月,最終逗留了三年,但把自己的生命情感也投入到被攝對象身上,拍出來的作品才能打動人。
W. Eugene Smith曾寫道,「新聞攝影是一把細小的聲音,最理想的時候,偶爾一張圖片或一組圖片可以讓我們的感觀覺醒。大部份情況視乎觀看的人;有時,相片可以蘊釀足夠情緒讓思想得以改變。」
(“Photography is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” )
emotion in photography 在 Facebook 的最讚貼文
【Past Events of the Future】
"Feather-light press of the shutter, an extraordinary instant before my eyes is captured with a snap of my fingers. Within that one-thousandth of a second, Earth leaves behind the image it packed to go as it spins along its axis; or perhaps it was a temperate, memorable moment of the present being condensed into a singular frame. Yet, myths surrounding that “present” seem to be our most deeply-rooted misunderstanding of photography.
My fondest works of photography often tell of the rectangular world perceived by the camera’s viewfinder of some ongoing moment on this planet, usually just after or prior to the shutter button’s release. Discovered by the determined photographer’s razor-sharp eyes are the ripples in the wake of story fragments, or details to be yearned after in the future.
There is no present tense in the world of photography—its grammar underscores that moment when the past and the future collide, that wonderful process of blurring the divide between reason and emotion with time.
There exists no other language in this world in which concatenation of past and present tense is permitted, and yet a photograph tells its tale with such nonchalance. On wafer-thin photo paper, a fortuitous event of both the past and the future is deftly pieced together—like the preparation of paints on an artist’s palette or that of a mother’s delicate touch when braiding her daughter’s hair. With such devotion, affection, and selflessness, a photograph can ceremoniously record the fingerprints of time, hazy like moonlight, events of the future already satisfied…
It is my belief that no photo is able to elaborate on a story about the “now”, much like city maps that indicate neither the entrance nor the exit for curious eyes somehow."
- Simon Chang (English translation by Joan Wang)
- - - - - -
【關於未來的往事】
輕觸快門,彈指間截取眼前某個獨一無二的瞬間,那千分之一秒地球自轉時忘記打包帶走的畫面,或凝結當下某個帶有溫度並值得紀念的瞬間 - 關於那個 ”當下” 的迷思,似乎是我們對攝影最根深蒂固的誤解。
那些自己熱衷的攝影作品,通常講述的是快門釋放後或之前,地表上某個角落,透過相機觀景窗所見的那個長方形世界,執著的攝影者眼尖地發現了某段故事曾留下的波紋與未來將被懷念的細節。
攝影世界裡沒有現在式,攝影語法強調過去與未來相遇的剎那,理性與感性的分野頓時間被模糊了的奇妙過程。
世上也沒有任何一種語言其文法允許過去式與未來式併置。但一幅攝影作品卻可以如此瀟灑地說故事,就透過薄薄的一張相紙,輕巧地湊合了過去與未來的一樁喜事,像是畫家作畫時調色盤上顏料的配製,也如同母親溫柔的手指替女兒編辮子;如此隨心所致,深情而且無私,攝影作品行禮如儀捕捉了朦朧如月光般的時間指紋,那些關於未來的往事…
我相信沒有任何照片能夠闡述一個關於 “現在” 的故事,就像坊間的地圖也從來不替讀者標記一座城市出口與入口的位置
- 張 雍
- - - - - -
Peresno lahek premik zaslonke, neverjeten trenutek pred svojimi očmi ujamem s pritiskom prstov. V tisti tisočinki sekunde Zemlja za sabo pusti že pripravljeno podobo, medtem ko se sama vrti okoli svoje osi; ali pa je šlo za blag, nepozaben trenutek sedanjosti, zgoščen v eno samo podobo. Pa vendar se zdi, da je naše nerazumevanje fotografije najbolj globoko utemljeno v mitih, ki obkrožajo to »sedanjost«.
Moja najljubša fotografska dela velikokrat pripovedujejo o pravokotnem svetu, kot ga prikazuje objektiv fotoaparata, o nekem trenutku v teku, ki se ponavadi zgodi tik pred ali po pritisku sprožilca. Odločne in ostre oči fotografa razkrivajo posledice fragmentov zgodbe, ali detajle, k katerim lahko stremimo v prihodnosti.
V svetu fotografije ne poznamo sedanjika – njegova slovnica poudarja tisti trenutek, ko se preteklost in prihodnost križata, tisti čudoviti proces brisanja meja med razumom in čustvi skozi čas.
Na svetu ni drugega jezika, v katerem bi bila dovoljena združitev preteklika in prihodnjika, pa vendar fotografija svojo zgodbo govori s takšno brezbrižnostjo. Naključni dogodek preteklosti in prihodnosti je na skoraj prosojnem fotografskem papirju spretno sestavljen – kakor priprava barv, ki jih umetnik nameša na paleto ali materin nežni dotik, ko hčeri spleta lase. S takšno predanostjo, ljubeznijo in nesebičnostjo fotografija beleži že udejanjene dogodke prihodnosti, odtise časa, meglene kakor mesečina...
Osebno verjamem, da nobena fotografija ne more razložiti »trenutnega«, podobno kot zemljevidi mest, na katerih še tako radovende oči ne najdejo označenega ne vhoda ne izhoda."
- Simon Chang (Slovenski prevod by Hana Čeferin / Galerija Fotografija)
* * * * * *
* TAM-TAM's Street Gallery enters 2021 with an exhibition by documentary photographer Simon Chang, which was co-produced with the Photography Gallery. A series of color photographs on three canvases of Vegova Street in Ljubljana will be on view between 12 January and 8 February 2021.
https://tam-tam.si/simon-chang-pretekli-dogodki-prihodnosti/
https://galerijafotografija.si/artists/67-simon-chang/
emotion in photography 在 Sincere Tanyaシンシア ターニャ Youtube 的最佳解答
"Everything You Do" is out now ⬇︎
各配信サイトはこちら
https://linkco.re/Q2U5mrTr?
Last year November, my shooting crew and I took a trip to the beautiful alps of Japan and created an aesthetic video of the views. I love the mountains. A trip back to nature always makes me feel grateful, content, and gives me a sense of nostalgia. My hopes were to recreate such emotion in the song and video.
I hope you enjoy!
Music: Sincere Tanya and Kiyomaro
Lyrics: Sincere Tanya and Kiyomaro
Produce: Kiyomaro
シンシア ターニャ / Sincere Tanya
Instagram: https://www.instagram.com/sinceretanyaa/
Twitter: https://www.twitter.com/sincere_tanya
Kiyomaro
Instagram: https://www.instagram.com/kiyomaro556/
------------------------------------
[Videography]
Directer Of Photography:Wataru Sato
twitter: https://www.twitter.com/locowataru310
HP: https://www.locowataru5.net
Still Photography: Kazuyuki Nagata
instagram: https://www.instagram.com/wacoh_
HP:https://wacoh-jp.com/
Camera Assistant: Asami Nishizu
twitter: https://www.twitter.com/acchan0831
------------------------------------
[Lyrics]
Just what I can see
Just what you can be
Whispers what you lost
Memories leaking
Touch all you cannot see
Hide all that you can be
Remembering the cost
We can reach what we please
Every morning I'm
Imagining what's happening
Looking at the sky
I'd whisper a "hello"
Counting all times I've cried
Counting seconds of it all
I'm thinking all the time
How blessed I am being with you
Counting all times I've laughed
Counting seconds of it all
Everyday just keeps on going
But I know I will be walking it with you
The road that we walk on
Every step I take with you
I know how to hold on
And I hope you feel it too
Every word that you're speaking
Every sound your movement makes
Your everything's uplifting
And you're leading me the way
次の朝
目覚めた君にも
風にのる
この歌届くかな
あふれそうなくらい
集めた日々が
色めいてく
秋に想う木々のように
Times like this
I'm swimming in my memories
I think a bit
How I love you next to me
Times like this
I'm so glad to be with you
This happiness
I'm so glad to share with you
君と歩く足音のリズム
愛の音になって
やまびこと重なる
君の言葉
一つ一つが
歌声に変わって
空は染まってゆく
emotion in photography 在 陳嘉 CHANKA Youtube 的最佳解答
Dear All,
I am more than happy to announce that our team is launching an exciting campaign with lots of collaborations! Here you go the second piece of our work.
"音樂影像(Music Video)不是音樂的襯托。她是獨立的作品,同時讓人能"看見"音樂及一切從音樂開展的可能性。"
【Please support us】:
https://tickcats.co/ticket/everyday-i...
第二部曲 | Everyday I Die A Little Bit Inside
活著 vs 死亡 :內心矛盾 vs 身體表達【現代編舞家/舞蹈家】
故事內容 : 從AI的逝去,回歸到人類。精神支配身體,續Reminiscence的意念,一個從肉身展現心理消逝的過程。我們每一個情緒變化,都在皮膚、肢體、呼吸和心跳的頻率上展現。由肉身糜爛反射到心理絕望與死亡⋯這⋯到底如何影響我們每一天?到底⋯累贅的是肉體,還是過盛的情感?
Chapter two | Everyday I Die A Little Bit Inside
Alive vs dead: the dilemma and body language 【Choreographer/Contemporary Dancer】 From the death of AI back to talking about human beings. Mind controls the body. Like in the previous chapter Reminiscence, this is about the process of emotional regression, expressed through the body. Our every emotion is printed on our skin, our body, our every breath taken, and our heartbeat frequency. From the deterioration of our body to depression and death... How is this affecting our daily life? Is the redundancy our body or our emotion that is too strong to handle?
【Lyrics】
Everyday I die a little bit inside
With no one else can ever tell
I sing my lullaby
Every time I die a little bit inside
Not even me could recognise
Who the hell am I
Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning
Oh save me
I dunno where I can be
In this world
Falling slowly
Everyday I try a little bit harder
I learn to say black is white
Before I see any colours
Every time I smile a little bit harder
I stay the same face to face
With all all of the fake love and laughters
Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning
Oh save me
I dunno where I can be
In this world
Falling slowly
And kill my spirit
Falling slowly
Oh save me
I dunno where I can be
In this world
Falling slowly
Falling slowly
_________________________
【Video】
Choreographer/Dancer Tung Chiu
Director Deshawn Leung
Exclusive Director Faith Ma
Producer Tiffany So
Assistant Producer Bryan Chan
Director Of Photography Deshawn Leung
Cinematographer Faith Ma
Ho Shun
So Kin
Mahpee Ng
Focus Puller Kuen Chung
Johnny Liu
Assistant Camera Mahpee Ng
So Kin
Ho Shun
Tacky Nam
Gaffer So Kin
DMX Control Benny Leung
Best Boy Donald Fong
Yukki Tai
Ken Chan
Calvin Leung
Seasun Chan
Art Director Charlotte Lee
Costume Designer W26
Makeup Artist Agnes Young
Still Photographer Wong Ho Fung
Hui Hong Nin
Editor Deshawn Leung
Faith Ma
Colorist Faith Ma
Online Editor Yippy Yip
Special Thanks
留白 Lau Bak Freespace Livehouse
香港沙龍電影有限公司
One man army Equirment rental
Jasmine Cheung
Alex Chu
Vivian Kwong
Represent
百勝
______________________
【Music 】
Written by CHANKA
Arranged by CHANKA
Recorded by MAEL
Mixed & Mastered by Lok Chan
-
#CHANKA #陳嘉 #Reminiscence
-
Now available on:
Spotify: https://spoti.fi/3kl1diC
Apple Music: https://apple.co/2UfKsdZ
MusicOne: https://bit.ly/3pjOMaj
KKBOX: https://kkbox.fm/3P149C
Joox: https://bit.ly/2IpxeZX
Tidal Music: https://bit.ly/3bRhaub
_________________________
CHANKA 陳嘉:
https://www.instagram.com/wander.chanka/
https://www.facebook.com/wander.chanka/
wanderchanka@gmail.com
-
Have a listen of some of my other works :
"Silence" : https://youtu.be/1Hkk7l4zk9k
"Young" : https://youtu.be/kolrKYxvvf8
"Ocean" : https://youtu.be/GOTdDrC1G-E
“Reminiscence(End Game Version)” : https://youtu.be/3SWolTFXHcg
-
emotion in photography 在 陳嘉 CHANKA Youtube 的最佳解答
Dear All,
I am more than happy to announce that our team is launching an exciting campaign with lots of collaborations! Here you go the second piece of our work.
"音樂影像(Music Video)不是音樂的襯托。她是獨立的作品,同時讓人能"看見"音樂及一切從音樂開展的可能性。"
【Please support us】:
https://tickcats.co/ticket/everyday-i-die-a-little-bit-inside/
第二部曲 | Everyday I Die A Little Bit Inside
活著 vs 死亡 :內心矛盾 vs 身體表達【現代編舞家/舞蹈家】
故事內容 : 從AI的逝去,回歸到人類。精神支配身體,續Reminiscence的意念,一個從肉身展現心理消逝的過程。我們每一個情緒變化,都在皮膚、肢體、呼吸和心跳的頻率上展現。由肉身糜爛反射到心理絕望與死亡⋯這⋯到底如何影響我們每一天?到底⋯累贅的是肉體,還是過盛的情感?
Chapter two | Everyday I Die A Little Bit Inside
Alive vs dead: the dilemma and body language 【Choreographer/Contemporary Dancer】 From the death of AI back to talking about human beings. Mind controls the body. Like in the previous chapter Reminiscence, this is about the process of emotional regression, expressed through the body. Our every emotion is printed on our skin, our body, our every breath taken, and our heartbeat frequency. From the deterioration of our body to depression and death... How is this affecting our daily life? Is the redundancy our body or our emotion that is too strong to handle?
【Lyrics】
Everyday I die a little bit inside
With no one else can ever tell
I sing my lullaby
Every time I die a little bit inside
Not even me could recognise
Who the hell am I
Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning
Oh save me
I dunno where I can be
In this world
Falling slowly
Everyday I try a little bit harder
I learn to say black is white
Before I see any colours
Every time I smile a little bit harder
I stay the same face to face
With all all of the fake love and laughters
Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning
Oh save me
I dunno where I can be
In this world
Falling slowly
And kill my spirit
Falling slowly
Oh save me
I dunno where I can be
In this world
Falling slowly
Falling slowly
_________________________
【Video】
Choreographer Tung Chiu
Director Deshawn Leung
Exclusive Director Faith Ma
Producer Tiffany So
Assistant Producer Bryan Chan
Director Of Photography Deshawn Leung
Cinematographer Faith Ma
Ho Shun
So Kin
Mahpee Ng
Focus Puller Kuen Chung
Johnny Liu
Assistant Camera Mahpee Ng
So Kin
Ho Shun
Tacky Nam
Gaffer So Kin
DMX Control Benny Leung
Best Boy Donald Fong
Yukki Tai
Ken Chan
Calvin Leung
Seasun Chan
Art Director Charlotte Lee
Costume Designer W26
Makeup Artist Agnes Young
Still Photographer Wong Ho Fung
Hui Hong Nin
Editor Deshawn Leung
Faith Ma
Colorist Faith Ma
Animator Yippy Yip
Special Thanks
留白 Lau Bak Freespace Livehouse
香港沙龍電影有限公司
One man army Equirment rental
Jasmine Cheung
Alex Chu
Vivian Kwong
Represent
百勝
______________________
【Music 】
Written by CHANKA
Arranged by CHANKA
Recorded by MAEL
Mixed & Mastered by Lok Chan
-
#CHANKA #陳嘉 #Reminiscence
-
Now available on:
Spotify: https://spoti.fi/3kl1diC
Apple Music: https://apple.co/2UfKsdZ
MusicOne: https://bit.ly/3pjOMaj
KKBOX: https://kkbox.fm/3P149C
Joox: https://bit.ly/2IpxeZX
Tidal Music: https://bit.ly/3bRhaub
_________________________
CHANKA 陳嘉:
https://www.instagram.com/wander.chanka/
https://www.facebook.com/wander.chanka/
wanderchanka@gmail.com
-
Have a listen of some of my other works :
"Silence" : https://youtu.be/1Hkk7l4zk9k
"Young" : https://youtu.be/kolrKYxvvf8
"Ocean" : https://youtu.be/GOTdDrC1G-E
“Reminiscence(End Game Version)” : https://youtu.be/3SWolTFXHcg
-
emotion in photography 在 Raw Emotion Photography - Home | Facebook 的必吃
Raw Emotion Photography. 3490 likes · 15 talking about this. R.E.P is created to give you the best possible photos in and around durban, in the car and... ... <看更多>
emotion in photography 在 Capturing Emotion in Photography - Pinterest 的必吃
Apr 23, 2015 - The most obvious way to portray emotion in a photograph is to shoot someone who's obviously feeling a strong emotion. ... <看更多>