關於 big tone real name ，我們在網路上蒐集到這些相關的討論、資訊與評價

#ขาย MG ZS1 1.5 X Sunroof i-Smart รถปี 2018 เลขไมล์ 37,xxx กิโลเมตร

•เครื่องยนต์ : เบนซิน 4 สูบ
•ขนาด : 1496 ซีซี
•เกียร์ : อัตโนมัติ





รถราคา 🔥489,000🔥 บาท
รายละเอียดผ่อนดาวน์และเอกสารการออกรถ ติดต่อฝ่ายขาย
📞066-160-1119 เซลแป้ง 👈😉
📞066-162-1119 เซลโอ๋ 👈😉
📞 094-767-3773 เซลบี 👈😉

หรือติดต่อทาง Line : แอดตามเบอร์โทรศัพท์


รถ Suv i-Smart ดีไซน์ล้ำสไตล์อังกฤษ
ตัวท๊อปจัดเต็มด้วยระบบ I-Smart System มาพร้อมหลังคาซันรูฟเปิดปิดได้
เครื่องเสียงจอทัชสกรีนสั่งการด้วยเสียง(Smart Command)
พวงมาลัยมัลติฟังชั่น ออฟชั่นเต็มเกินราคา
เพิ่มความหรูหราด้วยพรมปูพื้นแบบหนัง
เชื่อมต่อแอปพิเคชั่นผ่านสมาทร์โฟนเพื่อเช็คสถานะรถ(Smart Connect) ระบบเช็คลมยาง TPMS แสดงผลที่หน้าจอเมื่อลมยางอ่อน
เบาะหนังและคอนโซลตกแต่งแบบทูโทน สีน้ำตาลและดำ
ลูกเล่นเยอะบรรยายไม่หมด
สนใจมาดูตัวจริงที่ร้านดีเจริญยนต์ ถ.กาญจนาภิเษก เขตบางแค หรือ ขอข้อมูลเพิ่มเติมได้ตามเบอร์ด้านล่าง
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รายละเอียดผ่อนดาวน์และเอกสารการออกรถ ติดต่อฝ่ายขาย
📞066-160-1119 เซลแป้ง 👈😉
📞066-162-1119 เซลโอ๋ 👈😉
📞 094-767-3773 เซลบี 👈😉

หรือติดต่อทาง Line : แอดตามเบอร์โทรศัพท์
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ทางร้านรับประกัน เครื่องยนต์ ระบบเกียร์ ระบบไฟฟ้าทั้งตัวรถ
3 เดือน หรือ 5,000 กิโลเมตร
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ช่วงนี้ลูกค้าที่สนใจรถยนต์ จะมีข้อเสนอพิเศษๆ แบบฟินๆ
หาที่ไหนไม่ได้แน่นอน อยากได้รถคันไหน ดันให้ทุกเคส!!!
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เรทผ่อนดาวน์
ยอดจัด 540,000
ผ่อน 11,342 x 48 งวด ดอกเบี้ย 3.90 %
ผ่อน 10,639 x 60 งวด ดอกเบี้ย 4.40 %
ผ่อน 9,556x 72 งวด ดอกเบี้ย 5.25 %

เอกสารที่ต้องใช้
-สำเนาทะเบียนบ้าน
-สำเนาบัตรประชาชน
-สเตทเม้นย้อนหลัง 6 เดือน
-สลิปเงินเดือน หรือหนังสือรับรองเงินเดือน สำหรับอาชีพพนักงานประจำ
-หรือเอกสารแสดงอาชีพที่ชัดเจน
-ใบเปลื่ยนชื่อหรือนามสกุล (ถ้ามี)
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• ตัวท๊อปมีหลังคาซันรูฟ
• ภายนอกภายในสุดหรู สวยเหมือนใหม่
• เบาะและคอนโซลตกแต่งแบบทูโทน
• ระบบ i-Smart
• ควบคุมเครื่องเสียงได้ที่พวงมาลัย
• เครื่องเสียงจอทัชสกรีนขนาด 8 นิ้ว สั่งการเปิดปิด/เล่นเพลงด้วยเสียงได้
• ระบบสั่งการด้วยเสียงภาษาไทย(Smart Command) สั่งการเปิดปิดซันรูฟ / ระบบแอร์/ระบบไล่ฝ้า เป็นต้น
• พรมปูพื้นทำจากหนังสวยหรู
• ระบบเช็คลมยางอัตโนมัติTPMS
• คอนโซลตกแต่งวัสดุ Softtouch
• สั่งการด้วยแอปพิเคชั่นบนสมาร์ทโฟน(Smart Check)
• ระบบปรับน้ำหนักตัวรถ 3 ระดับ Comfort/normal/Sport
• ล้ออัลลอยด์ 17 นิ้ว ทูโทน ดิสเบรค 4 ล้อ
• พร้อมใช้งานได้ทันที
• รถสภาพสวย
• ภายในสะอาด
• จอดอยู่ที่ร้าน มีช่างคอยดูตลอดเวลา
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เข้ามาชมรถตัวจริง ได้ที่ ร้านดีเจริญยนต์
ร้านดีเจริญยนต์ เปิดบริการทุกวันไม่มีวันหยุด
ร้านดีเจริญยนต์ เปิดตั้งแต่ 9.00 ถึง 18.00 น.
ร้านดีเจริญยนต์ ตั้งอยู่ถนนกาญจนาภิเษก
ร้านดีเจริญยนต์ อยู่ใกล้เดอะมอลล์บางแค
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ติดต่อเพื่อขายรถให้ร้าน(ฝ่ายจัดซื้อ รับซื้อบิ๊กไบค์)
Line : @dbigbike โทร. 099-004-0070 (เช่) และ 094-767-4774 (เกม)
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ร้านเปิดให้บริการทุกวัน ตั้งแต่เวลา 9.00 ถึง 18.00 น.
ร้านตั้งอยู่ ถนนกาญจนาภิเษก ใกล้เดอะมอลล์บางแค
แผนที่ https://www.dbigbike.com/
#Selling MG ZS1 1.5 1.5 Sunroof i-Smart Car Year 2018 Mileage 37, xxx km

• Engine: 4 cylinder gasoline
• Size: 1496 cc
• Gear: Automatic





Car price 🔥 489,000 🔥 baht
Details, installment, down payment and photocopy. Contact Sales
📞 066-160-1119 powder cells 👈😉
📞 066-162-1119 Cel O 👈😉
📞 094-767-3773 Selby 👈😉

or contact via Line: add by phone number


English stylish design Suv i-Smart
Full top with I-Smart System with SunRoof roof. Open and close.
Touch screen stereo (Smart Command)
Multi-function steering wheel. Full option. Over price.
Enhance luxury with leather floor carpet.
Connect application via smartphone to check car status (Smart Connect). TPMS tire check system displayed on screen when tire is weak.
Leather seats and console. Brown and black two-tone decoration.
I can't describe a lot of kids.
If you are interested, come to see the real one at Deecharoen car shop. Kanchanapisek, Bang Khae area or for more information at the number below.
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Details, installment, down payment and photocopy. Contact Sales
📞 066-160-1119 powder cells 👈😉
📞 066-162-1119 Cel O 👈😉
📞 094-767-3773 Selby 👈😉

or contact via Line: add by phone number
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The shop is guaranteeing engine, gear system, electrical system, whole car.
3 months or 5,000 km
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Customers who are interested in cars will have special offers recently.
I can't find it anywhere. I want any car. I push it for all cases!!!
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Installment rate down payment
The total number is 540,000
Installment 11,342 x 48 installments 3.90 % interest.
Installment 10,639 x 60 installments 4.40 % interest.
Installment 9,556 x 72 installments 5.25 % interest.

Documents to use
- Copy of house license plate
- Copy of national ID card
- State comment 6 months back.
- Salary slip or certificate of salary for full-time employee occupation.
- Or clear career document
- Lifter, name or surname (if applicable)
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• Top has a sun hole roof.
• Exterior, luxury interior, beautiful as new.
• Two-tone decorative cushion and console
• i-Smart system
• Stereo control at steering wheel
• 8 inch Touchscreen Audio. You can order to turn off / play music with sound.
• Thai voice command system (Smart Command) orders off Sunrove / Air conditioner / blemish reduction system etc.
• Floor carpet made of luxury leather.
• TPMS Automatic Wind Checking System
• Console Decorative Material Softtouch
• Order with a smartphone application (Smart Check)
• 3 level car weight adjustment system. Comfort / normal / Sport
• 17 inch alloy wheels two tones, 4 wheel brake.
• Available right away
• Good condition car
• Clean inside.
• Parked at the shop, got a mechanic to watch all the time.
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Come to see the real car at Dee Charoen shop.
Good Charoen motorcycle shop is open everyday. No holiday.
Dcharoroen shop open from 9.00 to 18.00
Dycharoen restaurant located at Kanchanapisek Road.
Dee Charoen Automotive shop near Bang Khae Mall.
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Contact to sell car to shop (Big Bike procurement department)
Line: @dbigbike call. 099-004-0070 (che) and 094-767-4774 (game)
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The shop is open everyday from 9.00 to 18.00
The shop is located in Kanchanaburik road near the mall Bang Khae.
Map https://www.dbigbike.com/Translated

【水世界】的前製設定與現場劇照

WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD

The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.

Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.

This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.

The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.

Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.

Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,

“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.

He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.

As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.

Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.

The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.

The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.

The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.

Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,

“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”

The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.

During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.

They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.

Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.

The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.

Shooting out on the open sea presented a series of logistical problem as Reynolds describes,

“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.

And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.

Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.

And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”

The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.

Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.

During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.

The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!

Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.

sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.

There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.

This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.

Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.

In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.

Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.

Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.

Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.

As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,

“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.

And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.

Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.

And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,

“Well, it didn’t suck.”

It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.

During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.

As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.

The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,

“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.

When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,

“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.

Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,

“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”

Written by John Abbitt | Follow John on twitter @UKFilmNerd

If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
If you want more deep dives visit
https://www.facebook.com/groups/crewstories/?ref=share

#ขาย MG MG3 Hatchback 1.5 V Sunroof รถปี 2017 เลขไมล์ 31,xxx กิโลเมตร

•เครื่องยนต์ : เบนซิน 4 สูบ
•ขนาด : 1497 ซีซี
•เกียร์ : อัตโนมัติ



รถราคา 289,000 บาท
ขอรับข้อมูลรายละเอียดรถยนต์หรือติดต่อขายรถ ได้ที่
เฮียสมยศ 090-986-3301
LINE ID : dsomyot


รถยนต์ค่ายน้องใหม่ มาพร้อมเครื่องยนต์ ขนาด 1.5 ลิตร มิติกะทัดรัด ขับง่ายจอดง่าย เพิ่มความสบายด้วยเกียร์อัตโนมัติ สภาพภายนอกภายในยังใหม่เอี่ยม เลขไมล์น้อย ภายในเบาะหนังสีดำสไตล์สปอร์ตโหดดิบ ห้องโดยสารกว้าง เครื่องแน่น แรงช่วงล่างเกาะถนนดี หรูหราด้วยซันรูฟ ใครหารถดีราคาถูกอย่าตัดสินใจนาน สนใจมาดูด้วยจริงได้ที่ร้านดีเจริญยนต์ ถ.กาญจนภิเษก เขตบางแค หรือติดต่อ ขอรายละเอียดได้ที่ฝ่ายขายได้เลย ช้าหมดอดใช้รถสวย!!!
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รายละเอียดผ่อนดาวน์และเอกสารการออกรถ ติดต่อฝ่ายขาย
• 066-160-1119 เซลแป้ง
• 090-997-1511 เซลบิ๊ก
Line ID : แอดตามเบอร์โทรศัพท์
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ทางร้านรับประกัน เครื่องยนต์ ระบบเกียร์ ระบบไฟฟ้าทั้งตัวรถ
3 เดือน หรือ 5,000 กิโลเมตร
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ช่วงนี้ลูกค้าที่สนใจรถยนต์ จะมีข้อเสนอพิเศษๆ แบบฟินๆ
หาที่ไหนไม่ได้แน่นอน อยากได้รถคันไหน ดันให้ทุกเคส!!!
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เรทผ่อนดาวน์

ยอดจัด 210,000 ดาวน์ 79,000

•ผ่อน 5,383x 48 งวด ดอกเบี้ย 3.75%

•ผ่อน 4,512 x 60 งวด ดอกเบี้ย 4.10%

•ผ่อน 4,057 X 72 งวด ดอกเบี้ย 5%

เอกสารที่ต้องใช้
-สำเนาทะเบียนบ้าน
-สำเนาบัตรประชาชน
-สเตทเม้นย้อนหลัง 6 เดือน
-สลิปเงินเดือน หรือหนังสือรับรองเงินเดือน สำหรับอาชีพพนักงานประจำ
-หรือเอกสารแสดงอาชีพที่ชัดเจน
-ใบเปลื่ยนชื่อหรือนามสกุล (ถ้ามี)
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ขอรับข้อมูลรายละเอียดรถยนต์หรือติดต่อขายรถ ได้ที่

เฮียสมยศ 090-986-3301
LINE ID : dsomyot

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• ปุ่มควบคุมเครื่องเสียงพวงมาลัย
• หลังคาซันรูฟ
• เบาะหนังสีดำ เดินด้ายสีแดง สไตล์ สปอร์ต
• แอร์ดิจิตอล
• สีแบบ ทูโทน
• กุญแจรีโมท แบบพับลูกกุญแจได้
• เครื่องเล่น วิทยุ CD/MP3
• ผ้ายางรองพื้น เบาะนั่ง ภายนอกภายใน ยังสวยเหมือนใหม่
• รถสภาพสวย
• ภายในสะอาด
• จอดอยู่ที่ร้าน มีช่างคอยดูตลอดเวลา
————————————————————
เข้ามาชมรถตัวจริง ได้ที่ ร้านดีเจริญยนต์
ร้านดีเจริญยนต์ เปิดบริการทุกวันไม่มีวันหยุด
ร้านดีเจริญยนต์ เปิดตั้งแต่ 9.00 ถึง 18.00 น.
ร้านดีเจริญยนต์ ตั้งอยู่ถนนกาญจนาภิเษก
ร้านดีเจริญยนต์ อยู่ใกล้เดอะมอลล์บางแค
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ติดต่อเพื่อขายรถให้ร้าน(ฝ่ายจัดซื้อ รับซื้อบิ๊กไบค์)
Line : @dbigbike โทร. 099-004-0070 (เช่) และ 094-767-4774 (เกม)
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ร้านเปิดให้บริการทุกวัน ตั้งแต่เวลา 9.00 ถึง 18.00 น.
ร้านตั้งอยู่ ถนนกาญจนาภิเษก ใกล้เดอะมอลล์บางแค
แผนที่ https://www.dbigbike.com/map
#Selling MG MG3 Hatchback 1.5 V Sunroof Car Year 2017 Miles 31, xxx kilometers

• Engine: 4 cylinder gasoline
• Size: 1497 cc
• Gear: Automatic



Car price 289,000 baht
Get details of car or sell car at
Brother Somchai 090-986-3301
LINE ID : dsomyot


Freshman camp car comes with 1.5 litre engine, compact dimension, easy to drive, easy to park, comfortably with automatic transmission, exterior condition, brand new, brand new, small mileage inside, black leather seat, sport style, brutal, raw, wide cabin. Full of power, lower suspension, good road island, luxury with Sunrove. Anybody who is looking for a good car, cheap price. Don't decide too long. If you are interested, come to see it. At D Kanchanapisek, Bang Khae area or contact for details at the sales department. If you are slow, you won't use beautiful car!!!
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Details, installment, down payment and photocopy. Contact Sales
• 066-160-1119 powder cell
• 090-997-1511 Big Sale
Line ID: add by phone number
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The shop is guaranteeing engine, gear system, electrical system, whole car.
3 months or 5,000 km
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Customers who are interested in cars will have special offers recently.
I can't find it anywhere. I want any car. I push it for all cases!!!
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Installment rate down payment

Balance 210,000 down payment 79,000

• Installment 5,383 x 48 installments with 3.75 % interest.

• Installment 4,512 x 60 installments with 4.10 % interest.

• Installment 4,057 X 72 installments with 5 % interest.

Documents to use
- Copy of house license plate
- Copy of national ID card
- State comment 6 months back.
- Salary slip or certificate of salary for full-time employee occupation.
- Or clear career document
- Lifter, name or surname (if applicable)
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Get details of car or sell car at

Brother Somchai 090-986-3301
LINE ID : dsomyot

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• Stereo control button, steering wheel.
• Sun Rooftop
• Black leather seats, walking red threads, sport style.
• Digital Air Conditioner
• Two-tone color
• Remote control key.
• CD / MP3 radio player
• Rubber fabric, foundation, seat cushion, exterior, still beautiful as new
• Good condition car
• Clean inside.
• Parked at the shop, got a mechanic to watch all the time.
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Come to see the real car at Dee Charoen shop.
Good Charoen motorcycle shop is open everyday. No holiday.
Dcharoroen shop open from 9.00 to 18.00
Dycharoen restaurant located at Kanchanapisek Road.
Dee Charoen Automotive shop near Bang Khae Mall.
—————————————————————
Contact to sell car to shop (Big Bike procurement department)
Line: @dbigbike call. 099-004-0070 (che) and 094-767-4774 (game)
—————————————————————
The shop is open everyday from 9.00 to 18.00
The shop is located in Kanchanaburik road near the mall Bang Khae.
Map https://www.dbigbike.com/mapTranslated

(灬╹ω╹灬) SUBSCRIBBLE FOR MORE VIDEOS! ♥
☆ New videos every Wednesday & Friday at Japan time 9pm!
FACEBOOK
→ https://www.facebook.com/Venus-Angelic-987977014610350/
SNAPCHAT
→ venusp
INSTAGRAM
→ @VENUS_ANGELIC
TWITTER
→ https://twitter.com/vnsnglc

SENPAI’S INSTAGRAM　(๑´ㅂ`๑)
→ @manasenpai
_______________________________________________________
My Every Dolly Makeup Routine

Hey gummy bears! Finally I decided to wear makeup everyday, well 5 or 6 days a week, this means it's time for my every day makeup video!
I will show you each and every step of my makeup routine, it's just going to be the same steps I take every morning so I'm showing you the same thing I did yesterday morning and the day before and will do tomorrow, just now, on camera. Of course I could do a smexy smoky eye look or something really dramatic and let me tell you I tried but the thing is that my face and mind as well are still kind of young my face a femme fatale look isn't really what works for me, reminder, I tried, more than once! on a daily basis so thsi is why I came up with a quick and cute makeup routine (20 minutes only!) that looks cute and matches to my cute style of clothes and makes me feel more cute and brings me one step closer to surround me with everything cute! ^O^

LET'S GET STARTED.

I keep all my products for my everyday makeup together in this bag so I can keep the process quick and smooth.
Next I smoothen my complexion with a moisturiser. If I had a real moisturiser I would preferably use that but I don't really bother because it works and if it works I go with it. Now I've got really pale skin which means my purple panda eyes and red blotches make me look like I stepped out of a tim burton movie and since I don't want to give people the creeps I will have to even out my skin tone and for that I use a small, a small amount of pink concealer. Pink concealer is the best when I apply it under my eyes to cover the pruple and it also smoothens out any ruddy areas. Now that my face looks more human and less zombie I get to the main part which is a pearl sized drop of my precious liquid foundation. Since I have pale skin it impossible to find foundation that doesn't make look like like a snowman with an oompa loompa head. So if you have a skin tone that isn't common then 1 congrats you're not mainstream 2 go to a professional theatre store, because that is where I found this foundation. This is going to last me a very long time since I got the biggest bottle but I will only need to use a small pea sized drop, which I'll apply first with a makeup brush and then blend it into my skin with this round makeup spongy here. I used to use my fingers but now I think that a sponge is much softer and enables you to smoothly distribute the foundation. Now I see that there's still some visible redness around my nose and I still got some panda eyes, well, maybe baby panda and that's when my camouflage concealer get's into action. As the name already suggest the camouflage concealer is highly covering so I will only need to dab on a small amount on my problem zones, this is the easiest with a brush. And this is it, now I just need to set my foundation and for that I use a purple pigmented finishing powder . This type of powder is kind of hard to find I also just stumbled upon this for the first time in the that theatre makeup store and found that it goes really well with my skin, but it works with every skin shade trust me so it's quite the magic item I've got here and as you can when I apply it it doesnt look purple, but actually leaves my skin with a matt but bright finish. Magic purple powder!
And from now on things actually go really quick, I've got this huge makeup palette from which I will use light brown on my eyes and dark brown on the outer edge. I've also got my favourite cheek colour here which is shade of dusk rose and I apply it on my cheek apples somewhere close to my eyes. Now I don't need this palette anymore because I'm ready for the dreaded eyeliner part. Since this is an everyday look Im gonna keep the eyeliner low key and just line 2 thirds of my upper eyelid and end it with an existing but small wing which usually ends up looking bigger than supposed but whatever I'll cover it up mascara just there where used eyeliner because overdoing eyeliner and mascara doesn't look neat nor sweet. (phew) Now if I still don't feel exhausted I decide to put on fake eyelashes and circle contact lenses.

Hello my cutie angels!
This tutorial shows you how you can get big, mysterious arabic style eyes with makeup! Enjoy xoxo
__________________________________________________________
(灬╹ω╹灬) SUBSCRIBBLE FOR MORE VIDEOS! ♥
☆ New videos every Wednesday & Friday at Japan time 9pm!
FACEBOOK
→ https://www.facebook.com/Venus-Angelic-987977014610350/
SNAPCHAT
→ venusp
INSTAGRAM
→ @VENUS_ANGELIC
TWITTER
→ https://twitter.com/vnsnglc

SENPAI’S INSTAGRAM　(๑´ㅂ`๑)
→ @manasenpai
---------------
TUTORIAL
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First apply white eyeshadow on your brow bone to highlight.
On a blush brush, apply peachy eyeshadow to give your eyes a nice warm tone. Use the same colour to accentuate your cheekbones.
Apply mustard yellow on the eyelids, followed by another layer of peach eyeshadow. Also add some yellow under your lower lash line.
With some red, colour a third of your eye lid and finish off with a small, winged stroke.
Blend the tree colours together. Notice how this colour combination now resembles the arabic sunset!
Also, warm colours are big helpers when it comes to making your eye colour pop!
But now it's time for some sun sparkles!
Generously dust a shimmery silver in the corner of your eyes in to the mustard yellow, all the way up to where the peach colour meets your brow bone.
From there on, continue with a shimmery brown. Of course, apply some under your eye too. Now you have a desert to your sunset!

Use black eyeshadow and a fine brush instead of liquid eye liner. We want to look mysterious, not serious! ;D
Follow your natural eye shape and end the line in a dramatic wing unto where your eyebrow finishes. Extend the black into the middle of your lash line and make it look all dusty!

Along the black line, I'm applying an adhesive white eye liner.
This white eye line rounds the shape of my eye opening them up a bit more since a certain amount of "black dust" around your eye can make you look sleepy instead of mysterious =___=
After all that, boost the highlighting power on your brow bone some more!

Eyes are so important in middle eastern culture. To sharpen your eye shape, colour your water line with a black makeup pencil.

Apply 2 or 3 layers of mascara on both upper and lower lashes.
Stick on dramatic eyelashes, right along the white eyeliner.

With wine red lip liner, draw along the shape of your lips, then blend a bit. Fill in with a rosy nude lipstick. Once again, blend.
Blush your cheeks with a classy auburn colour.

Finish this makeup with the right eyebrows. Make them thicker, longer, darker and more arched using a well sharpened eyebrow pencil.
We're almost done! Now we need to do our hair, arabic style!

Separate some of your front hair and tie a high ponytail on whatever side of your head you prefer.
Puff the ponytail with a comb, apply hairspray and roll up to a bun. Secure with bobby pins.
Do the same with your front hair, Backcomb, hairspray. Roll up and fix with bobby pins!

I will also put on some arabic accessories and a head scarf called hijab which I first fold into half, lay over my head and just wrap around like this.

NOW, we're finished!

I wish you all good luck and special greetings to my arabic fangelics!
See you soon in my next video!
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CREDITS
--------------
Song Titles: "Ibn Al-Noor" and "Desert City"
Artist Name: Kevin MacLeod
Download Links: http://incompetech.com/music/royalty-free/mp3-royaltyfree/Ibn%20Al-Noor.mp3
http://incompetech.com/music/royalty-free/mp3-royaltyfree/Desert%20City.mp3