關於 bass music movement ，我們在網路上蒐集到這些相關的討論、資訊與評價

呢單嘢真係無限瘋狂！好開心可以成為其中一位音樂人參與其中！多謝馮穎琪同周耀輝又成就左件咁瘋狂嘅事情。呢個壯舉，尤其辛苦要聯絡幾十個音樂人嘅人、剪同mix幾千條聲嘅人、同埋剪埋幾廿條片嘅人！（下面冇你嘅Credit所以我要加返你 Project Coordination: Chloé Chaveirinho 😬) 特別喜歡開頭同結尾用whatsapp 代表左喺呢段時間我哋完全係靠線上溝通。（同埋勁鍾意周耀輝啲emoji😂 ）喺疫情當中我特別珍惜有得扮靚嘅時間，因為成日勁頹廢係屋企成個垃圾婆咁。大家喺MV裏面快啲搵吓我啦！

——————————————————————
《無限聚曲》#MV 首播 https://youtu.be/l5peYkljphE

「他和她 胡思 亂想 熝杯麵」

《無限聚曲》，關於我們的散聚，是我們的歌。 因為近年的無常，馮穎琪與周耀輝創作了《無限聚曲》，用音樂藝術連結我們，記錄疫情下香港人的身心困惑與生 活鎖事，以日常連結無常。

1.5米、1.8米、2米，或許許多多的「社交距離」，啟發了馮穎琪，將一切阻隔轉化成《無限聚曲》的旋律── 每 一樂句不多於 4 個音並不重複 (緊守 4 人限聚令)，音與音之間必須多於 3 個半度 (保持 1.5米的社交距離)。周耀 輝則以人與人之間且遠亦近的生活，對於觸碰與對話的渴望，寫進詞裡。

19 個本地音樂單位，一行 51 人以音樂語言記錄歷史。按伍卓賢的編曲，加上即興創作，於限聚條件下各自分開錄 製歌曲。凝聚了 100 條音軌，19 種音樂類型，19 種聲音。經混音編製後，如此獨特的《無限聚曲》就此誕生。
未能預見終結的疫情，可能會有點不知所措。 我們仍要保持信念、希望和愛，繼續好好生活吧!

《無限聚曲》
曲: 馮穎琪 Vicky Fung
詞:周耀輝 Yiu Fai Chow
編:伍卓賢 伍卓賢 Ng Cheuk Yin & 無限聚群組
監:🤷
唱:無限聚群組
混音:Maggie Shum@Espresso Studio
Maggie Shum 岑明珠 Espresso Studio

#無限聚群組 (以出場次序排序)
謝安琪 謝安琪 Kay Tse
林一峰 Chet Lam 林一峰
Serrini Serrini

Cy Leo Trio
Cy Leo - Harmonica Cy Leo 何卓彥
Joyce Cheung - Keyboard Joyce Cheung
Bernard Chan - Cello

Jing + Felix
黃靖 - Acoustic Guitar Jing Wong
Felix Tham - Violin

per se per se
Stephen Mok - Vocals & Acoustic
Guitar Sandy Ip - Vocals & Keyboard

The Afternoon Tea The Afternoon Tea + Him Hui
Poey Fung - Vocals & Acoustic Guitar @poey.d
Siu Keung - Bass
Him Hui @The Hertz

Sara C. Quartet
Sara C. - Vocals Sara C.
Enoch Cheng - Keyboard Enoch Cheng Music
Victor Tsang - Electric Guitar
Chan Kam Ming - Bass

Michael + Ken
黎曉陽 - Vocals + Electric Guitar Michael Lai 黎曉陽
Kenneth Angus - Electric Guitar

Winter Bagels Winter Bagels
Cup Li - Vocals + Acoustic Guitar
Kaki Lam - Vocals + Acoustic Guitar

Session Musicians
Tjoe - Acoustic Guitar Tjoe Man Cheung
Joyce Cheung - Keyboard
陳兆基 - Bass
Anna Fan - Percussion Anna Fan 樊華
Lawrence Tsui - Drums

Tjoe Quartet
Tjoe - Electric Guitar
Scott Murphy - Tenor Saxophone
Tom Wong - Bass
Nate Wong - Drums Nate Wong Music

R.O.O.T ROOT
Jan Curious - Vocals Jan Curious
Teriver Cheung - Electric Guitar Teriver Cheung
To So - Keyboard / MOOG Bass
Fish Huang - Drums 黃子瑜 (fish)

SENZA SENZA A Cappella
Miri Leung - Soprano
Peace Lo - Alto
Calvert Fu - Tenor
Dennis Tsui - Baritone
King Lam - Bass

VSing VSing
Sharon Lee - Soprano
Anna Lo - Alto @AnnaLoPage
Vincent Cheung - Tenor
Gilbert Wong - Bass
Justin ChickenToe Lau - Beatbox

ELIAS
李昭賢 Clara - Vocals Clara 李昭賢
Perry Lau - Keyboard
Dipsy Ha - Analog Synthesizer
Terence “Dull” Liu - Bass
Chick Chan - Drums

牧民 牧民 Movement
Ewan Ho - Vocals 何英瑋 Ewan Ho
大眼 - Djembe
Marco - Electric Guitar
Adoss 多士 - Bass

Special Thanks: CMgroovy

#VideoProduction
Edited by Hoyin@MUD & Sen John@Command N

#無限聚曲 #無限聚群組
#一行51人 #分隔錄音 #100條音軌
#以音樂語言記錄歷史
#旋律也謹守社交距離

#疫情下的你我他
#且遠亦近的生活
#原來分隔 #還可 #仍然走近 #還有 #我們的散聚
#是我們的歌

#一個人一首歌 #EveryLifeIsASong

《無限聚曲》

關於你我他的聚散
記錄疫症中的浪漫

音樂連結著我們
以日常呼應無常

感謝Vicky和Yiu Fai的邀請
很感動的一次合作

限與無限
聚與散

感激音樂
就算生活艱難
仍教我們笑得燦爛

榮幸與各單位
在音樂裏共聚

《無限聚曲》
曲:馮穎琪 Vicky Fung 馮穎琪
詞:周耀輝 Yiu Fai Chow
編:伍卓賢 伍卓賢 Ng Cheuk Yin & 無限聚群組
監:🤷
唱:無限聚群組
混音:Maggie Shum@Espresso Studio
Maggie Shum 岑明珠 Espresso Studio

#無限聚群組 (以出場次序排序)

謝安琪 謝安琪 Kay Tse
林一峰 Chet Lam 林一峰
Serrini Serrini

Cy Leo Trio
Cy Leo - Harmonica Cy Leo 何卓彥
Joyce Cheung - Keyboard Joyce Cheung
Bernard Chan - Cello

Jing + Felix
黃靖 - Acoustic Guitar Jing Wong
Felix Tham - Violin

per se per se
Stephen Mok - Vocals & Acoustic Guitar Sandy Ip - Vocals & Keyboard

The Afternoon Tea The Afternoon Tea+ Him Hui
Poey Fung - Vocals & Acoustic Guitar Poey Lau
Siu Keung - Bass
Him Hui @The Hertz

Sara C. Quartet
Sara C. - Vocals Sara C.
Enoch Cheng - Keyboard Enoch Cheng Music
Victor Tsang - Electric Guitar
Chan Kam Ming -

Michael + Ken
黎曉陽 - Vocals + Electric Guitar Michael Lai 黎曉陽
Kenneth Angus - Electric Guitar

Winter Bagels Winter Bagels
Cup Li - Vocals + Acoustic Guitar
Kaki Lam - Vocals + Acoustic Guitar

Session Musicians
Tjoe - Acoustic Guitar Tjoe Man Cheung
Joyce Cheung - Keyboard @joycecheungmusic
陳兆基 - Bass
Anna Fan - Percussion Anna Fan 樊華
Lawrence Tsui - Drums

Tjoe Quartet
Tjoe - Electric Guitar @Tjoemusic
Scott Murphy - Tenor Saxophone
Tom Wong - Bass
Nate Wong - Drums Nate Wong Music

R.O.O.T ROOT
Jan Curious - Vocals Jan Curious
Teriver Cheung - Electric Guitar Teriver Cheung
To So - Keyboard /MOOG Bass
Fish Huang - Drums Fish InDownpours Colin

SENZA @senzahk
Miri Leung - Soprano
Peace Lo - Alto
Calvert Fu - Tenor
Dennis Tsui - Baritone
King Lam - Bass

VSing VSing
Sharon Lee - Soprano
Anna Lo - Alto Anna Lo 盧宜均
Vincent Cheung - Tenor
Gilbert Wong - Bass
Justin ChickenToe Lau - Beatbox

ELIAS
李昭賢 Clara - Vocals Clara 李昭賢
Perry Lau - Keyboard
Dipsy Ha - Analog Synthesizer Terence “Dull” Liu - Bass Chick Chan - Drums

牧民 牧民 Movement
Ewan Ho - Vocals 何英瑋 Ewan Ho
大眼 - Djembe
Marco - Electric Guitar
Adoss 多士 - Bass

#VideoProduction
Edited by Hoyin@MUD & Sen John@Command N

#無限聚曲

#一個人一首歌 #EveryLifeIsASong

Alumine Five of Stenheim

Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.

I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.

Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.

The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.

The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.

So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.

The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.

The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.

Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).

Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................

Price: $60,000 per pair.
Warranty: Five years parts and labor.

(Source: The Audio Beat)

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#ValorantMontage​​ #Shorts​​

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(tags)
raze, valorant raze, raze valorant, raze montage,valorant montage,valorant,montage,mood montage, montage,valorant, operator montage, valorant highlights,valorant mood montage,valorant montage edit,ethos valorant montage,valorant awp montage,valorant edit,valorant pro,valorant ranked,mood ❤ | a valorant montage,24kgoldn montage,iann dior montage,valorant beta,valorant fragmovie,valorant gameplay,mood valorant,a valorant montage,valorant moments,montage valorant,valorant montage ace,valorant guide,valorant best montage valorant montage,valorant,valorant awp montage,valorant operator montage,montage,valorant highlights,valorant edit,ethos valorant montage,best valorant player,lemonade valorant montage,valorant tricks montage,valorant guide,how to get valorant,valorant sniping,valorant moments,awping in valorant,best valorant plays, raze solo, raze only, raze diamon, solo queue, raze solo queue, raze double jump, raze gameplay, raze guide, valorant, raze nades, connorjaiye, raze grenade guide, raze movement, how to raze, valorant raze guide, valorant raze, raze satchel guide, how to play raze, how to play raze valorant, how to play raze in valorant, raze tips and tricks, raze tips, valorantvalorant sniping guide,valorant sniping clips,valorant pro,mood valorant montage,valorant jett montage,best valorant montage,aceu valorant montage,valorant vfx montage montage valorant montage, valorant, raze valorant, valorant montage, hip hop, rap, old school hip hop, r&b, valorant best plays, valorant spawn peeks, spawn peeks, valorant highlights, valorant raze, raze, best raze plays, best valorant player, brax, faze, obey, family friendly, family, child friendly, global elite, skadoodle, shroud, shroud valorant, brax valorant, montage, highlights, sony vegas, xxxtentacion songs,infatuated, xxxtentacion yung bratz, yung bratz artist, arms around you song, arms around you, sway lee, arms around you tribute, rap music, pop music, proudcatowner, xxx tentacion, hip hop music, armaroundyou, armsaroundyou, yung bratz rap, yung bratz song, elevator audio only, yung bratz audio only, yung bratz new song, lilpump, swaelee, maluma, pump, xxxtentacion origine xxxtentacion trollz, 6ix9ine xxxtentacion, 6ix9ine trollz, xxxtentacion unreleased, xxxtentacion 2020, ricch, roddy, roddy ricch, ieatpussy, the box, box, xxxtentacion alive, roddy ricch the box, xxxtentacion roddy ricch, trollz 6ix9ine, look at me bass boosted, look at me clean, look at me instrumental, look at me now, look alalala,y2k lalala,lalala y2k,y2k bbno$ - lalala,csgo lalala,lalala csgo,lalala - cs:go,lalala shashasha,lalala music,lalala montage,♥ lalala - cs:go,y2k bbno$ lalala,lalala fragmovie,standoff 2 lalala,bbno$ & y2k - lalala,lalala official video,bbno$ u0026 y2k - lalala,balada music,bbno$ y2k - lalala (lyrics),balada,bbno$ & y2k - lalala official video,bbno$ u0026 y2k - lalala official video,la la la,y2k la la la,balada eventos,la la la cs go,cha la la,la la love,la la la - cs:got me juice wrld, look at me 1 hour, look at me carrie underwood, look at me now clean, look at me now chris brown, look at me i put a face on wow, look at me now lyrics, sauce!, sauce, onfroy, xxxtentacion if was back, members only vol 4, xxxtentacion look at me, look at me xxtxtentacion official lyrics, xxxtentacion bmw, ihaterappers, lore, song, soundcloud, new, lit, dont cry lil wayne, don't cry, xxtenations, dont cry, lil wayne don't cry, fire, hot, реа, raze solo, tenz jett, raze only, raze immortal, tenz solo queue, raze solo queue, raze double jump, raze gameplay, raze guide, valorant, raze nades, raze grenade guide, raze movement, how to raze, valorant raze guide, valorant raze, raze satchel guide, how to play raze, how to play raze valorant, how to play raze in valorant, raze tips and tricks, raze tips, tenz valorantкция на смерть xxxtentacion

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#ValorantMontage​ #BlueberryFaygo​ #Shorts​

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(tags)
raze, valorant raze, raze valorant, raze montage,valorant montage,valorant,montage,mood montage, montage,valorant, operator montage, valorant highlights,valorant mood montage,valorant montage edit,ethos valorant montage,valorant awp montage,valorant edit,valorant pro,valorant ranked,mood ❤ | a valorant montage,24kgoldn montage,iann dior montage,valorant beta,valorant fragmovie,valorant gameplay,mood valorant,a valorant montage,valorant moments,montage valorant,valorant montage ace,valorant guide,valorant best montage valorant montage,valorant,valorant awp montage,valorant operator montage,montage,valorant highlights,valorant edit,ethos valorant montage,best valorant player,lemonade valorant montage,valorant tricks montage,valorant guide,how to get valorant,valorant sniping,valorant moments,awping in valorant,best valorant plays, raze solo, raze only, raze diamon, solo queue, raze solo queue, raze double jump, raze gameplay, raze guide, valorant, raze nades, connorjaiye, raze grenade guide, raze movement, how to raze, valorant raze guide, valorant raze, raze satchel guide, how to play raze, how to play raze valorant, how to play raze in valorant, raze tips and tricks, raze tips, valorantvalorant sniping guide,valorant sniping clips,valorant pro,mood valorant montage,valorant jett montage,best valorant montage,aceu valorant montage,valorant vfx montage montage valorant montage, valorant, raze valorant, valorant montage, hip hop, rap, old school hip hop, r&b, valorant best plays, valorant spawn peeks, spawn peeks, valorant highlights, valorant raze, raze, best raze plays, best valorant player, brax, faze, obey, family friendly, family, child friendly, global elite, skadoodle, shroud, shroud valorant, brax valorant, montage, highlights, sony vegas, xxxtentacion songs,infatuated, xxxtentacion yung bratz, yung bratz artist, arms around you song, arms around you, sway lee, arms around you tribute, rap music, pop music, proudcatowner, xxx tentacion, hip hop music, armaroundyou, armsaroundyou, yung bratz rap, yung bratz song, elevator audio only, yung bratz audio only, yung bratz new song, lilpump, swaelee, maluma, pump, xxxtentacion origine xxxtentacion trollz, 6ix9ine xxxtentacion, 6ix9ine trollz, xxxtentacion unreleased, xxxtentacion 2020, ricch, roddy, roddy ricch, ieatpussy, the box, box, xxxtentacion alive, roddy ricch the box, xxxtentacion roddy ricch, trollz 6ix9ine, look at me bass boosted, look at me clean, look at me instrumental, look at me now, look alalala,y2k lalala,lalala y2k,y2k bbno$ - lalala,csgo lalala,lalala csgo,lalala - cs:go,lalala shashasha,lalala music,lalala montage,♥ lalala - cs:go,y2k bbno$ lalala,lalala fragmovie,standoff 2 lalala,bbno$ & y2k - lalala,lalala official video,bbno$ u0026 y2k - lalala,balada music,bbno$ y2k - lalala (lyrics),balada,bbno$ & y2k - lalala official video,bbno$ u0026 y2k - lalala official video,la la la,y2k la la la,balada eventos,la la la cs go,cha la la,la la love,la la la - cs:got me juice wrld, look at me 1 hour, look at me carrie underwood, look at me now clean, look at me now chris brown, look at me i put a face on wow, look at me now lyrics, sauce!, sauce, onfroy, xxxtentacion if was back, members only vol 4, xxxtentacion look at me, look at me xxtxtentacion official lyrics, xxxtentacion bmw, ihaterappers, lore, song, soundcloud, new, lit, dont cry lil wayne, don't cry, xxtenations, dont cry, lil wayne don't cry, fire, hot, реа, raze solo, tenz jett, raze only, raze immortal, tenz solo queue, raze solo queue, raze double jump, raze gameplay, raze guide, valorant, raze nades, raze grenade guide, raze movement, how to raze, valorant raze guide, valorant raze, raze satchel guide, how to play raze, how to play raze valorant, how to play raze in valorant, raze tips and tricks, raze tips, tenz valorantкция на смерть xxxtentacion

❤️LALALA - Valorant Montage (Y2K and bbno$)

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