很榮幸地宣布羅展鵬入圍2021年美麗奇異藝術獎RAYMAR傳統藝術獎決賽選手
人民選擇獎投票現已開啟!請在這裡為我投票👇
https://pse.is/3hp5nb
這個面具是來自中世紀黑死病的時候當時的醫生所戴的,做了賽博龐克風格的調整。
那時對於瘟疫有很多不同的想像,也在很多時候有了巫術、神靈、超越現世之上的探索。
一方面是主張絕對科學的醫師,一方面在現實無能為力的情況下人類又尋求超越界的神秘體驗,為了逃脫死亡。
在我看來,瘟疫、死亡、生命與性是密不可分的混屯關係。
它與此時此刻的世界有關聯,所以有時候會感覺,我們今天跟14世紀有什麼不同嗎?
人類面對死亡的差別有不同嗎?
Dear:
It is an honor to announce Lo Chan Peng into the 2021 Beautiful Bizarre Art Prize RAYMAR Traditional Art Award Finalists.
Award voting now Open!Please vote your holy vote for me in here👇
https://pse.is/3hp5nb
If you like it.
This mask was worn by doctors at the time of the Black Death in the Middle Ages and was adjusted in a cyberpunk style.
At that time, there were many different imaginations about the plague, and many times there were witchcraft, gods, and exploration beyond the present.
On the one hand, it is a physician who advocates absolute science. On the other hand, human beings seek a mysterious experience beyond the realm, in order to escape death when the reality is powerless.
In my opinion, the plague, death, life, and sex are inseparable from each other. It is related to the world at this moment, so sometimes it feels like, is there any difference between us today and the 14th century?
Is there a difference between human beings facing death?
同時也有88部Youtube影片,追蹤數超過485的網紅三東瑠璃,也在其Youtube影片中提到,fragment Dance:Ruri Mito Instagram https://www.instagram.com/ruri310/ Matou / Session Online Theater / Saturday 23 May 2020 / Title: Matou Chore...
「prize award」的推薦目錄:
- 關於prize award 在 羅展鵬 /Lo Chan Peng Facebook 的最讚貼文
- 關於prize award 在 Focus Taiwan Facebook 的最佳貼文
- 關於prize award 在 張吉安 Facebook 的最佳解答
- 關於prize award 在 三東瑠璃 Youtube 的最佳貼文
- 關於prize award 在 CarDebuts Youtube 的最讚貼文
- 關於prize award 在 伊格言Egoyan Zheng Youtube 的最佳解答
- 關於prize award 在 2021 Nobel Peace Prize award ceremony - YouTube 的評價
prize award 在 Focus Taiwan Facebook 的最佳貼文
Japan-based writer Li Kotomi (李琴峰) was awarded the Akutagawa Prize on Friday, becoming the first Taiwanese to capture the prestigious award recognizing talented up-and-coming authors.
https://focustaiwan.tw/culture/202108290012
prize award 在 張吉安 Facebook 的最佳解答
回國,選了茨廠街入口處的隔離酒店,一戶窗成了日常。
望著捷運車廂、馬銀行大廈、電訊塔、雙峰塔,原是車水馬龍的中心地帶,如今顯著稀疏空蕩,彷如一座悲城。
與世隔絕,有幸參加了北美洲最大型的類型影展之一,因疫情改為線上舉行的“第25屆加拿大蒙特利爾國際奇幻電影節 - 25th Fantasia International Film Festival, Canada“。今年有超過100部電影參展,可惜只來得及看了一部慕名的香港作品,由許鞍華、徐克、杜琪峰、袁和平、洪金寶、譚家明和林嶺東合作的《七人樂隊 Septet : The Story of Hong Kong》,故事從50年代橫跨至2020年,說盡幾代香港人的往事,尤其喜歡許導的那一段《校長》,流淌60年代的 “天水圍” 情懷,從中更體悟香港人不變的堅毅。
昨晚落幕,影展方最後一刻捎來消息,《南巫》獲頒「 AQCC-CAMERA LUCIDA PRIZE 加拿大影評人協會電影獎」,傳來一段評審評語:“For its contemplative atmosphere, its fantastic cinematography in which reality collides with surrealism, and its portrait of evaporating cultures, the AQCC-Camera Lucida jury gives its award to the Malaysian film THE STORY OF SOUTHERN ISLET. ” 藉此,與電影全劇組,共享榮焉。
8月國慶,別無所求,唯盼一切 “苦難” 盡早過去。
僅以此片,獻給我的國家。
Saya Anak Malaysia, Filem ini Untuk NegaraKu.
prize award 在 三東瑠璃 Youtube 的最佳貼文
fragment
Dance:Ruri Mito
Instagram https://www.instagram.com/ruri310/
Matou / Session Online Theater / Saturday 23 May 2020 /
Title: Matou
Choreography / Dance : Ruri Mito
Music: Yuta Kumachi
Lighting: Akiyo Kushida
Costume: Tomoko Inamura
Premiere: October, 2015 (Session House, Tokyo, Japan)
Supported by EU-Japan Fest Japan Committee,
The Saison Foundation, Session House
🔒https://youtu.be/Xqge8S3y6aQ
-Matou’s Review-
▶︎Review(Dance House / AsiaTOPA 2019)
https://www.smh.com.au/culture/dance/dancer-shows-the-flexibility-to-astonish-20200216-p5418q.html
▶︎Review(Taiwan Dance Platform 2018)
https://taiwandanceplatform.tw/en/writings/ruri-mito-matou/
▶︎Review(Gdansk Solo Dance Contest 2017)
https://www.gdansk.pl/wiadomosci/japonka-ruri-mito-wygrala-konkurs-solo-dance-contest-konczy-sie-gft-w-zaku,a,80459
-History-
2019/02 Asia TOPA in Melbourne, Australia
2018/11 Taiwan Dance Platform in Kaohsiung, Taiwan
2018/10 Kuandu Arts Festival in Taipei, Taiwan
2018/09 d-souko, Tokyo, Japan
2018/07 M1 CONTACT Contemporary Dance Festival in Singapore. Won the MASDANZA prize.
2018/05 HOKURIKU DANCE FESTIVAL III in 21st Century Museum of Contemporary Art, Kanazawa
2017/11 Odoru.Akita International Dance Festival 2017, Akita, Japan. Won the first Tatsumi Hijikata Memorial Award.
2017/10 ONE DANCE WEEK in Plovdiv, Bulgaria
2017/10 AURA international dance festival in Kaunas, Lithuania
2017/06 SOLO DANCE CONTEST in Gdansk Dance Festival 2017 held in Gdansk, Poland. Won the first prize.
2017/05 Rencontres Choreographiques International de Seine Saint - Denis in Paris, France
2017/05 Gaala performances in Pori, Finland.
2016/10 L1 danceFest 2016 in Budapest, Hungary
2016/05 CÁDIZ EN DANZA in Cadiz, Spain
2015/10 Premiere at Session House, Tokyo, Japan
#セッションオンライン劇場 #keepgoingTOGETHER #Contemporarydance
MATOU
It has direct meanings like “to wear, put on, tangle, roll up,” and it is often used figuratively.
I put on my body.
I can not see all of my body for a lifetime.
Tissues make up my body are kept being renewed, and they will vanish someday.
The body without contents will not remain, and where the contents without the body go?
Will they keep remaining?
Like Snakes and cicadas, most parts of their outer layer of the skin slough off at once and become new.
Although what is left is not a dead body, it still has a perfect shape of the animal and it has no life. Is it an evidence of its life? Is there an evidence of my life?
‘Matou’ also sounds like “willing to wait” in Japanese.
I’m waiting for my death.
‘Tsukimatou’ means “to haunt.”
It always haunt me and don’t go. My body haunt me until the day I die.
‘Soumatou’ revolving lantern
An expression describes an occurrence that many visions appear in one’s mind as shadow cast by a revolving lantern. It happens when people have a brush with death and past memories come and go randomly and quickly.
‘Mattou’ means “to complete.”
I completed my life.
prize award 在 CarDebuts Youtube 的最讚貼文
สายการผลิต 2022 Audi e-Tron GT production รถสปอร์ตซีดานพลังไฟฟ้า พละกำลังสูงสุด 640 แรงม้า ก่อนเปิดตัวในเมืองไทย
ก่อนที่จะมีการเปิดตัวในเมืองไทยอย่างเป็นทางการ ในอีกไม่กี่วันข้างหน้า เราขอพามาชมสายการผลิต Audi e-Tron GT รถสปอร์ตซีดานหรูพลังงานไฟฟ้า จากตระกูล e-Tron ซึ่งในต่างประเทศเพิ่งมีการเปิดตัวในวันที่ 9 กุมภาพันธ์ที่ผ่านมา โดยทำตลาดใน 2 รุ่นด้วยกันคือรุ่น e-Tron GT quattro และรุ่น RS e-tron GT
With an energized driving demonstration and a world premiere featuring high-caliber participants, Audi has presented its new electric spearhead – the Audi e-tron GT. In two events on the digital Day of Progress, the Four Rings showcased the highlights of this fully electric Gran Turismo: dynamic driving performance, emotional design, and sustainability.
“The e-tron GT is a stand-alone Gran Turismo, reinterpreted for the future. Its looks are a testament to premium automotive design.Bringing impressive driving performance, this is electro-mobility in the most emotive way. And with its sustainable concept, it takes a stand,” explains Markus Duesmann, CEO of AUDI AG. “Because it’s not just the drive concept that is sustainable. The entire production at our Böllinger Höfe site now has a carbon neutral energy balance.This sends an important signal – for the site, our workforce and the future viability of Audi.”
Audi also set a new benchmark with the digital world premiere, the Day of Progress. Two digital events presented the Audi e-tron GT: in the Sprint of Progress, the Formula E driver Lucas di Grassi and the sustainability entrepreneur and Formula 1 world champion Nico Rosberg demonstrated the dynamic driving performance of the Audi RS e-tron GT alongside the current Formula E racing car of the Four Rings, the Audi e-tron FE07. In a trip on the circuit of the Audi Driving Experience Center in Neuburg an der Donau, the spotlight was on the dynamic performance of the new model.
In the Celebration of Progress, the brand with the Four Rings introduced the Audi e-tron GT to the public for the first time. In the hour-long virtual show, Markus Duesmann and Hildegard Wortmann, Board Member for Sales and Marketing, together with further Audi protagonists such as Henrik Wenders, Senior Vice President for the Audi Brand, and Marc Lichte, Head of Design, presented the highlights of the new model.
A varied program emphasized the forward-looking attitude of the Four Rings brand. With reference to the importance of design, sustainability and performance, the actor and producer Tom Hardy, the designer Stella McCartney and Nico Rosberg added their personal insights. Themusical accompaniment to the unveiling of the car was performed by the US-American singer and songwriter Janelle Monáe, while Steven Gätjen as moderator guided the audience through the show.
The GREENTECH FESTIVAL and Audi, a founding partner of this platform for sustainability, together presented the GREEN FUTURE Award for the first time as part of the world premiere of the Audi e-tron GT. The prize, part of the festival’s GREEN AWARDS, is given to projects and persons that promote environmentally compatible urbanization and at the same time make an important contribution to improving the quality of life in urban infrastructure. The winner is the start-up Zencity, based in Tel Aviv, with an algorithm that collects and analyzes social media posts and local news from cities.
Both events are still available to be accessed online.
Quotes from the Celebration of Progress
“The Audi e-tron GT is the beginning of a new era for Audi. Our aim is to shape the future of electric premium mobility. Love of detail, maximum precision, and design that points the way to the future show how much passion we at Audi put into designing and making vehicles.”
Hildegard Wortmann, Board Member for Sales and Marketing, AUDI AG
“With the Audi e-tron GT we are putting the DNA of Audi on the road. The Gran Turismo superbly reflects our innovative strength and our pioneering spirit. For us it is already part of a line of icons of the brand, alongside the Audi TT and the Audi R8.”
Henrik Wenders, Senior Vice President, Audi Brand, AUDI AG
“For me, progress means creating something new. Something that no one has ever done before in this form. Designing a fully electric vehicle is like this: the entire design process has to be thought through anew.”
Marc Lichte, Head of Design, AUDI AG
“The Audi RS e-tron GT is a milestone in the development of electrified high-performance models.”
Lucas di Grassi, Formula E driver and entrepreneur
“Electric mobility is the future. Of course the path to the goal is a long one. It’s great to see that Audi is taking this path with determination.”
Nico Rosberg, sustainability entrepreneur and Formula 1 world champion
prize award 在 伊格言Egoyan Zheng Youtube 的最佳解答
為何一個酒鬼可以寫出這麼厲害的小說?
#瑞蒙卡佛 #美國小說 #文學
───
☞〈所有東西都黏在我們身上〉全文連結|https://www.egoyanzheng.com/single-post/2019/12/25/所有東西都黏在我們身上──瑞蒙‧卡佛
☞Instagram|https://www.instagram.com/egoyanzheng/
☞請記得按讚、留言、分享、訂閱、小鈴鐺喔。
☞請記得按讚、留言、分享、訂閱、小鈴鐺喔。
────
如果你失戀了,你會怎麼處理戀人的遺物呢?把信件燒掉?把衣服剪掉?還是,把東西全數變賣,換回一筆錢,重新開始?本集我們要談論的主題正是「戀人的遺物」,來自伊格言老師的一篇文章:〈所有東西都黏在我們身上〉,你可以在影片下方的頻道資料處找到全文連結。
美國作家瑞蒙‧卡佛(Raymond Carver),一九三八年生於奧勒岡州,一九八八年去世;在他僅有的五十年生命中,多數時候並不得志:酗酒、貧窮,生活的重擔如影隨行。他的代表作全都是短篇小說,因為唯有短篇才能讓他在短時間內寫完,好趕快去做其他工作。我們常聽到「文學是生活的切片」這種說法,似乎是說作家觀察生活,從中切出局部,作為產品。但伊格言如此形容卡佛:
是生活的頹敗與殘忍構成了《當我們討論愛情》這本薄薄的小書──我承認這不是我真正想說的話,因為我真正想說的更極端而荒謬:是生活的頹敗與殘忍(而非脂肪、碳水化合物和蛋白質)構成了瑞蒙‧卡佛這個人;因為他讓我感覺那些極其簡短、精準又冷酷的短篇傑作並非來自於「生活的切片」,而是來自於他自身。換言之,他片下來的其實不是故事,而是血肉模糊的他自己......
─────
伊格言,小說家、詩人,《聯合文學》雜誌2010年8月號封面人物。
著有《噬夢人》、《與孤寂等輕》、《你是穿入我瞳孔的光》、《拜訪糖果阿姨》、《零地點GroundZero》、《幻事錄:伊格言的現代小說經典十六講》、《甕中人》等書。
作品已譯為多國文字,並於日本白水社、韓國Alma、中國世紀文景等出版社出版。
曾獲聯合文學小說新人獎、自由時報林榮三文學獎、吳濁流文學獎長篇小說獎、華文科幻星雲獎長篇小說獎、中央社台灣十大潛力人物等;並入圍英仕曼亞洲文學獎(Man Asian Literary Prize)、歐康納國際小說獎(Frank O'Connor International Short Story Award)、台灣文學獎長篇小說金典獎、台北國際書展大獎、華語文學傳媒大獎年度小說家等獎項。
獲選《聯合文學》雜誌「20位40歲以下最受期待的華文小說家」;著作亦曾獲《聯合文學》雜誌2010年度之書、2010、2011、2013博客來網路書店華文創作百大排行榜等殊榮。
曾任德國柏林文學協會(Literarisches Colloquium Berlin)駐會作家、香港浸會大學國際作家工作坊(IWW)訪問作家、中興大學駐校作家、成功大學駐校藝術家、元智大學駐校作家等。
──────
☞ Readmoo專訪1:如果在YouTube,一個小說家
https://news.readmoo.com/2020/01/07/200107-interview-with-egoyan/
☞ Readmoo專訪2:那些關於孤寂的問題,以及......
https://news.readmoo.com/2019/03/21/190321-lonelieness/
☞ 香港文匯報報導:棄醫從文 伊格言闖進精神世界
http://paper.wenweipo.com/2019/09/02/OT1909020001.htm
☞ 關鍵評論網專訪:透過YouTube頻道展示文學,我的小說虛構其實是把刀子
https://www.thenewslens.com/article/133126?fbclid=IwAR05NUrcGYIO3CsGLtBwld1XzR2nRnADvGqidEEJzqqpytThgaI2-lABsGc
☞ 神性之人,無邊之愛:伊格言的失戀講座
https://www.commabooks.com.tw/article/378
────
小說是什麼?我認為,好的小說是一則猜想──像數學上「哥德巴赫的猜想」那樣的猜想。猜想什麼?猜想一則符號系統(於此,是文字符號系統)中的可能真理。這真理的解釋範圍或許很小,甚至有可能終究無法被證明(哥德爾的不完備定理早就告訴我們這件事);但藝術求的從來便不是白紙黑字的嚴密證明,是我們閱讀此則猜想,從而無限逼近那則真理時的智性愉悅。如若一篇小說無法給我們這樣的智性,那麼,它就不會是最好的小說。
是之謂小說的智性。───伊格言
prize award 在 2021 Nobel Peace Prize award ceremony - YouTube 的必吃
... <看更多>