Lets get “LIT”
เพลงใหม่จาก @twopee feat. @khanthaitay @fiixd @youngzees @southsidepk #twopeesouthside
同時也有72部Youtube影片,追蹤數超過1萬的網紅8Ball 八號球,也在其Youtube影片中提到,⚠️ bring back the OG’z ⚠️ 8ball元老J - KIng攜手Dr.Shrek瑞克博士 將最純的G-shit帶回台北市 拿出你口袋僅剩的鈔票灑在這片貧瘠的土地上 “Now I bring my old school sound And I bring the funky...
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- 關於get lit 在 Facebook 的精選貼文
- 關於get lit 在 Facebook 的最佳貼文
- 關於get lit 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
- 關於get lit 在 8Ball 八號球 Youtube 的最佳貼文
- 關於get lit 在 9.9 Gallery Official Youtube 的最佳解答
- 關於get lit 在 DUJDOW Channel Youtube 的最佳解答
- 關於get lit 在 Words Ignite - Get Lit x Vans For Pride | Facebook 的評價
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- 關於get lit 在 Streets of Taipei get lit up by souls of the people. - Pinterest 的評價
get lit 在 Facebook 的最佳貼文
Lets get “LIT” 12.00pm 9/921 @twopee feat. @khanthaitay @fiixd @youngzees @southsidepk #twopeesouthside 🌋🌋🌋☄️☄️☄️
get lit 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
get lit 在 8Ball 八號球 Youtube 的最佳貼文
⚠️ bring back the OG’z ⚠️
8ball元老J - KIng攜手Dr.Shrek瑞克博士
將最純的G-shit帶回台北市
拿出你口袋僅剩的鈔票灑在這片貧瘠的土地上
“Now I bring my old school sound
And I bring the funky bass and funky style”
詞 : J-King / Dr.$hrek
曲 : The D.O.C. - Let the Bass Go (instrumental) (Prod by Dr Dre)
https://www.youtube.com/watch?v=Dmm_CwbFRh8
錄音 : Dr.$hrek
封面 : Doja Dog
J - King
繞了這麼久 I been around.
Check it. Now I bring my old school sound.
And I bring the funky bass and funky style.
So I front and back back and forth, So many ways.
Rump shaker my rhymes style with grace.
It’s a J da K to the I N G.
They called me Mr. Hood rich. 就像是
來自neighborhood 的 Robin Hoodstar.
Coming from the south side TP.
台北市的平民窟 don’t be a fool.
走跳記得 bring the knowledge. Be intelligent.
Think wise. U better think twice.
Got yo own boi 幫忙問題全部打點
以防太笨 磚頭工人詐騙。
Break yo self fool. 吃顆鉛彈來先。
我隨便freestyle check my style it’s a wild style.
Original 8ball 我帶著我的兄弟和兇器
銳利武器往你的身上開。
這是什麼style. It’s a old school style with the g-funk sound. 他說 um
都已2021沒人聽你。我管他那麼多 這無法比擬。
I luv the girl bumping jumping like a 64.
I hittin switches. 輕鬆就像bangin that hoe.
I slapping that hoe. And I making that doe.
口卡茵仔 巴嘎No no. 真的太臭 I gotta GO.
So I call my diggy diggy Dr yo.
他叫做Shrek yo. We coming at yo.
辣的全部blaze up and this is for the G’z bro.
Music pump it up this is for the G’z bro.
Dr.Shrek
They all luv me im mdfk straight
用太多副作用的藥物trippin every night
瑞克博士研發的good for making money only
xz是我的家裡都是我最鐵的homie
聽我的播放清單跟我設計的菜單一樣屌
台灣從嘻哈寶島變成auto tune 的彼岸島
那些愛鑽牛角的人用藝術家的名目
再好的藝術都高科技含量的儀量表
You think Im trip fool
Na man I wrote a song and some one tag you
Get you
Now the show on comes on the dr.Shrek
The fuck you are boy where you mdfk at Bitch?
I run business I pressure all the give
I living in a big dream with my siri
I’m gone have a fucking house in a big city
I’m fucking lit lit and I need a hit hit
能夠變成水我幹嘛變成stone
每當一個beat出現瞬間就進了那個zone
Getting fly like a jet bro Don’t you smoke?
I don’t talk shit bro we got da truly hot sauce
Every single day by day
Mic check big jet mic check big jet
Rollin pepper 沒有錢櫃cracker 的party
吐在路邊追酒 街頭的蘇格拉底
她需一針安慰劑
我說婊子 跟我玩你必須照規定
You fucking dig
帳單 擺桌上我隨時都在收帳
我想要送你Gucci 帶你做不法勾檔
在每個包廂問候一聲金董
Gold chains gold teeth gold ring tuff ego
Versace Versace Versace on my body
我活像一個土炮你卻對我行大禮
我知道我太酷太像你想成為的rapper
我不是蓋的你永遠學不來的
唱到這里竟然還沒結束
我突然想到可以來個即興饒舌節目
從現在開始說出你認為 最屌的三個rapper
dr.shrek - dr.shrek - dr.shrek forever bitch

get lit 在 9.9 Gallery Official Youtube 的最佳解答
9.9 Gallery Instagram
https://www.instagram.com/9.9gallery/
邑子 Yiz Instagram
https://www.instagram.com/yizzzzy/
T-easy Instagram
https://www.instagram.com/teassy_23/
YEHZI Instagram
https://www.instagram.com/michael_yeh/
Lil Bee Instagram
https://www.instagram.com/lil_bee_185/
詞曲 / Lyrics & Composers:邑子Yiz / T-easy / YEHZI
編曲 / Beat Arrangement:Lil Bee
錄音 / Recording Engineer:邑子 Yiz
混音 / Mixed:邑子 Yiz
製作 / Produced:邑子 Yiz
美術設計 / ART Design:T-easy
-
邑子 Yiz:
這就是我們正在看的視野
抱歉你只能看著我反射的眼
你要放棄前先交代清楚遺言
罩子放亮點 沒再跟你演
這就是我們正在看的視野
抱歉你只能看著我反射的眼
你要放棄前先交代清楚遺言
罩子放亮點 沒再跟你演
T-easy:
我用diamond rolling rolling dat shit
純金打造那就注定會耀眼
世間混亂也不曾影響我的心皎潔
邁過冰川之後會是新的極限
我的homie 聚集lean with me 登峰造極
吵雜的訊息 都不想聽
天邊畫過一顆流星 宣告我來臨 你們最好全部扶首和屈膝
我的作品傾盡精心再把韻腳給精進
平靜面對所有意見我都傾聽
make my song bling bling
gold ring goldchain 還要你們say my name
正在把夢想給搭建 輝煌大殿
我就是那種容易招人羨慕忌妒的人
因為我總是擋在你們想要推開的門
就盡管活在自己世界繼續嚼我舌根
再次加大馬力看我又創造新的可能 LETS GET LIT
邑子 Yiz:
這就是我們正在看的視野
抱歉你只能看著我反射的眼
你要放棄前先交代清楚遺言
罩子放亮點 沒再跟你演
這就是我們正在看的視野
抱歉你只能看著我反射的眼
你要放棄前先交代清楚遺言
罩子放亮點 沒再跟你演
YEHZI :
All you guys 放亮點
All my swag 在加冕
當你還在憶當年 我早就已經在上位
take ur time 午茶點
young boss life 無差別
on my way 在世界巡演 你爸媽無言你紅了眼
we do the nothing 輕易奪權你還苟延殘喘
you waste ur time with 狐群狗黨爭鋒相對
你穿的都是我賣的新衣 sold out
你聽我唱的歌都是驚喜
s/o to my crew 從前我們穿垮褲
now we bring some new
they call us 走在時代尖端的鼻祖
不刻意不耍帥舉手投足也 make me dope dope
we so lit太實在你太失態把你交給po po
邑子 Yiz:
這就是我們正在看的視野
抱歉你只能看著我反射的眼
你要放棄前先交代清楚遺言
罩子放亮點 沒再跟你演
這就是我們正在看的視野
抱歉你只能看著我反射的眼
你要放棄前先交代清楚遺言
罩子放亮點 沒再跟你演
#9point9gallery #hiphop #jealous

get lit 在 DUJDOW Channel Youtube 的最佳解答
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get lit 在 Get Lit - YouTube 的必吃

Provided to YouTube by Universal Music Group Get Lit · Ludacris Ludaversal ℗ 2015 Def Jam Recordings, a division of UMG Recordings, ... ... <看更多>
get lit 在 Streets of Taipei get lit up by souls of the people. - Pinterest 的必吃
Jul 30, 2014 - "Streets of Taipei get lit up by souls of the people." -Taipei, Taiwan. ... <看更多>
get lit 在 Words Ignite - Get Lit x Vans For Pride | Facebook 的必吃
Get Lit Poet Tyris Winter is featured in the Vans campaign in celebration of Pride Month. As an LGBTQIA+ creator, He uses creative ... ... <看更多>