關於 you re basic meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

📌📍《5月35日》「庚子版」 眾籌活動
集結力量 網上演出 六四前夕 全球直播
"May 35th" Gengzi Edition - Crowd Funding
Join Forces for Global Live Online Performance on the night before June 4th.

🔇🔇「以現在的社會狀況，我們的政治氣候，我擔心這個戲未必有機會再上演﹗」導演陳曙曦說。
🔊🔊"With the forecast of the political climate now, I am very worried that this play will not be any chance to put on stage again" said Chan Chu-hei, the director.

🚨🕯️我們希望集結公民力量，
令全球所有人都可以在「六四」免費網上觀賞《5月35日》，
讓這個故事遍地開花，
讓更多人了解真相、追求公義。
🚨🕯️We target to join the force of citizen
to let us share this Online LIVE theatre production
“May 35th”globally, make this story worldwide,
and let the truth speak for itself, justice be sought after.

‼️➡️眾籌支持方法 Way of Crowdfunding：

1) 請即登入網上平台：https://goget.fund/2Wz5kO9
（暫不能用PayPal 戶口，請用"Visa/ Master" 捐款
Please DO NOT use PayPal Account, but click the icon "Visa / Master")

2) 支票捐款- 抬頭寫「六四舞台」，郵寄到
九龍旺角彌敦道618號好望角大廈8字樓（六四舞台）
By Cheque - Please make the cheque payable to "Stage 64", and mail to 8/F, Good Hope Building, 618 Nathan Road, KLN. (Stage 64)

************************************************
2019年六月，是「六四」的三十周年，六四舞台邀請了著名編劇莊梅岩創作《5月35日》。首演5場及加開的6場門票均全部售罄，一致好評，更獲本屆舞台劇獎六大提名，包括最佳劇本！經歷了大半年的社會運動，面對過暴政與暴力，「六四」對香港人多了另一重意義，在謊言與假新聞氾濫的社會，《5月35日》為悼念亦為警世！

🧐🧐為了蒐集資料，編劇莊梅岩曾到訪內地訪問當年「難屬」，亦因此被神秘人「探訪」和「關注」，令她質疑香港的創作自由可能已經岌岌可危。

🤐🤐眼下的暴政和警暴，「廿三條立法」如箭在弦，六四舞台在香港再有生存的空間嗎？

🤬🤬當網絡上充斥假新聞，官方又不斷篡改歷史事件，究竟「六四屠城」和「反送中運動」在不久的將來會變成什麼樣的故事呢？

我們不知道答案，但只要有機會，我們仍然要演下去﹗因此當社會運動仍在激烈抗爭之際，六四舞台就馬上籌組了《5月35日》（庚子版）。

📆根據中國歷法，2020年是庚子年；翻開中國歷史，庚子年往往是浩劫之年。香港經歷多個月的社會運動，「六四」對步入庚子年的香港人有何意義？六四舞台今年誠邀著名導演陳曙曦，連同全新班底，重新創作《5月35日》 的「庚子版」。

😷😷鑑於疫情持續，政府下令關閉全港劇院，令原訂5月在香港藝術中心的舞台演出被迫取消，劇團為堅守信念，破天荒決定把這個震撼人心的六四故事以網上直播形式，於2020年六四前夕向全球人士同步免費播放（粵語演出，附中英文字幕），並於6月4日全日24小時在網上分享。其錄像版本亦將會製作成電影影片，把演出搬上大銀幕，讓更多人了解真相、追求公義。🖐️🖐️🖐️🖐️🖐️

June 2019 marked the 30th anniversary of the “June Fourth Incident”. Local art group Stage 64 joined hands with renowned playwright Candace Chong Mui-ngam to create May 35th. The first 5 premieres as well as the 6 additional shows were all sold out with great acclaims, followed by 6 nominations in the subsequent Hong Kong Drama Awards, including Best Script!

The social movement in the past 6 months has made Hong Kongers no strangers to tyranny and brutality, and has transcended the meaning of "June Fourth" within us. Especially when we are living in a world full of lies and fake news, the play "May 35th" is for mourning and also a warning!

🧐🧐Candance Chong Mui-ngam has visited the Mainland for screenplay research. There she met up with some interviewees, whose family members were June Fourth Massacre victims. It turned out some mysterious figures paid her a "visit" in return with "unexpected concern". She couldn't help but worrying: Is the creative freedom deprived even in Hong Kong?

🤐🤐Witnessing the escalating brutality against protestors, the eagerness of enacting Basic Law Article 23, how much longer can a play like "May 35th" be staged in Hong Kong?

🤬🤬Worse still are the tremendous fake news on the Internet and the tampering with history. Can you imagine how "June Fourth Incident" and "Anti-Extradition Bill Protest" will be interpreted in the near future?

We have no clue, but! As long as we have this opportunity to express, we will go on. Even when the protest across the city was still intense, Stage 64 started to plan for another "May 35th" , the Gengzi Edition.

📆In the Lunar calender, 2020 is called the year of the Gengzi. Historically speaking, the year of the Gengzi were always catastrophic. After months of social unrest, Stage 64 invited prominent director Chan Chu-hei, to re-create "May 35th" into Gengzi Edition with new cast and crew.

😷😷Then comes the Coronavirus pandemic and the compulsory closure of theatres by the Government. That left us no choice but to cancel the "May 35th" performance, which was originally scheduled to stage at Arts Centre in May. But what if we adhere to our beliefs? Here comes the bold decision-\-\to live stream this astonishing show, globally and for free on the night before June 4th, 2020 (Presented in Cantonese, with Chinese and English subtitles). The live version will then be shared online throughout the day on June 4th. What’s more? The performance will be filmed separately and released in cinemas. Let the truth speak for itself, justice be sought after. 🖐️🖐️🖐️🖐️✋

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

💰籌款目標💰
35萬，但50萬能讓我們做得更多
Crowding Funding Goal
HK$350,000, but we can go further if we get HK$500,000.

🆘製作一齣舞台劇的基本成本相當高，一般要靠數千張數百元的門票收入才能維持收支平衡。在疫情下失去劇院，沒有門票收入，加上題材敏感，《5月35日》要獲得商業贊助機會是「零」。因此，我們只能靠公民發揮力量，解囊相助，協助我們把舞台劇作全球網上直播及製成影片，把故事帶到更遠。

🆘A stage production costs a lot. Generally we need to sell several thousands of tickets to break-even. Considering the circumstances of coronavirus pandemic, we can no longer perform in theatres and therefore no income from box office. In addition, due to the sensitivity of the theme / topic, in spite of our best endeavours, it is impossible for May 35th (Gengzi Edition) to receive any commercial sponsorship. What we need now is everyone exert their power and generosity, elevating May 35th (Gengzi Edition) to online streaming platform and even to cinemas, bringing the story to the rest of the world.

代表台灣挑戰明年奧斯卡獎最佳動畫短片的《基石》線上看。

基督徒慎入。

A satire animation about Fundamentalism. (English statement below)

去年三月完成的作品《基石》終於決定在今天發布
謝謝指導教授鐘世凱老師的建議與包容，和一起創作配樂的夥伴 林孝親 Szu-yu Lin，讓聲音和影像配合的天衣無縫， WinSound Studio 紋聲音樂 絕對是品質一流的代名詞，還有一路上幫助本片產出的所有朋友們，謝謝你們！

《基石》的用意並不是要批判特定的宗教，而是特別針對冥頑不靈的基本教義派的信徒，幾乎在每個宗教都有這一群人的存在，他們用盡用手段強迫別人接受其價值觀，特別是在孩童和青少年的心靈身上有著非常大的負面影響，尤其是越聽話的小孩傷害越大，因為父母們教什麼他們就會做什麼。小的時候，我還真因為長輩的話，就相信神奇寶貝是邪靈、哈利波特是魔鬼的化身、流行音樂聽久了會墮落、看了部A片就害怕自己會下地獄，長輩們的善意，扭曲成強迫接受他們的信仰，常常遇到無法解釋的教義或價值觀，就會用情緒勒索的方式，讓你就算接受了也充滿著罪惡感，多少也影響童年的社交生活，越投入在宗教社群之中，越覺得外面的人事物充滿邪惡。在本片的製作過程中，我常常是帶著憤怒的情緒工作著，氣以前愚蠢的自己，也氣現在還是有許多人自認為是正義的化身，手握「真理」的權杖，到處迫害別人。

自己也曾陰錯陽差造訪一些其他的宗教團體，撇開教義和儀式不談，其實會發現有許多的相似之處，他們大多用「親身體驗」的見證去說服別人入教，卻永遠無法有個完美的說詞去解釋一些違背基本邏輯和科學的事情(如果感覺有效，誰管你的故事有什麼漏洞），再藉由社群的力量，慢慢地滲透你的生活和社交圈，直到無法脫身，待在這個群體久了，漸漸接受了該團體的價值觀，本來覺得疑惑的地方也無所謂了，習慣了他們特殊的儀式，甚至連講話的辭彙都開始變異了，生活上偶爾發生一些好事，就會覺得是信仰的緣故而更加投入，最後就會自傲的覺得自己的信仰比起其他的宗教有多偉大，常常看到不同宗教甚至是教派互相敵視對方為邪靈或異端就覺得好笑，其實你們真的，都差不多。

跑過各大的影展後，許多正面和負面的回饋都有，但我不怕批評，因為本片所有橋段和元素全部都是真實改寫自本人和朋友親身經歷過的事情，也有不少基督徒朋友看過後跟我說他們非常能感同身受，一個宗教團體之中雖有固執不通的人卻也有許多開明包容的人士，我無意辯駁其教義，也尊重每個人對信仰的理解，只想問大家
你是真的完全相信你的信仰嗎？有多少教義的漏洞你是故意漠視不去思考的？還是因為家人、朋友的人情壓力才選擇繼續待在其中？又或者是害怕離教之後，會在現世、來世或死後會有所懲罰？

請誠實面對自己的信仰，如果是真的相信，那麼請尊重其他和你不同信仰的人的權利！不是所有人都應該照著你的教條走，這是一個自由平等的社會，任何的種族、性別、宗教、性傾向的基本人權都必須公平對待。
但如果你發現你已經做個假信徒很久了，那麼勇敢地離開吧！真實的東西是經得起考驗，離開了象牙塔後，試著用不同角度和更寬廣的眼光去觀察這個世界，相信你會找到尋屬於你自己的人生定義。

---
[English] Translated by Shannon Yeung

“On first glance, “Fundamental” might look like a blanket criticism of Christianity, making it incredibly easy to dismiss as offensive or even as atheistic propaganda. Yet if you look beyond the provocation, I
hope you will realize that it only intends to criticize a very specific component of religion: dogmatic scripture.

Religious upbringing plays a significant role in shaping the values of a child, values that can easily be upheld for life. This is especially detrimental for obedient children who have yet developed the rational capacity and courage to question their parents.

When I was young, I genuinely believed that Pokemon were evil spirits, that Harry Potter was a devil in disguise, that listening to pop music would lead to degradation, that watching pornography would lead to eternal pain in Hell. Whenever I struggled to endorse contradictory teachings, I would be coerced into fearful acceptance rather than reasoned into genuine belief. Not only is such threat-based enforcement of religion unreasonable, but the resultant guilt also became an enormous burden that inevitably affected how I perceived others and how I handled my social interactions. The more I engaged with my religious community, the more I doubted the kindness I received. Teachings of faith, love, and compassion simply could not counteract the bleak, evil picture painted by original sin.

During the production stages of the animation, I could not help but feel furious. I was furious at my young, foolish self and I am still angry at self-claimed justice warriors spreading falsehood in the name of religion.

Over the years, I have engaged with followers of other religions as an effort to understand. Aside from obvious differences in teachings and rituals, I have found that most religious followers use personal experiences to justify their beliefs, but can never offer a compelling argument to explain contradictions in basic logic and science. Surely, if hearsay was all it took to convert someone, no one would care about the contradictions. Perhaps this applies to some, but the way I see it is that peer pressure and investment into faith tends to mellow out any initial suspicions. Once one conforms to the rituals and adopts the religious semantics by habit, even mere luck points to God. When everything becomes a positive reinforcement of God, one might fall into the trap of believing that their religion is exclusively better than the rest, sneer at other religions, and fail to see just how similarly foolish all Fundamentalism is.

This film has screened at many major film festivals and the reception has been both positive and negative as you might imagine. I am not afraid of criticism because the plot was inspired by my own experiences and a sentiment shared among my friends. Since the film aired, a significant number of people from the Christian community have told me that my film resonated very closely with their experience too. Indeed, some religious people are stubborn, obnoxious and unreasonable, but there are also many who are incredibly tolerant, understanding and empathetic. I do respect everyone’s interpretation of religion, but for those who feel offended by this film, ask yourself: Do you wholeheartedly believe in your religion? How many contradictions have you deliberately shied away from? If you do identify as religious, are you choosing by your own will or are you pressured by friends and family? Or are you subscribing to religion solely for salvation?

Please scrutinize your belief with utter honesty. If you are convinced by your religion, please respect other people’s right to believe in other religions too. There is a fine line between respectful proselytization and an aggressive imposition of religion. This should be a free and equal society where all races, sexes, genders, religions, sexual orientations are treated with basic respect.

Or, if you realize that you have been an atheist at heart the entire time, feel free to cut off your ties with religion! Once you leave the ivory tower, try to examine the world from different perspectives, and I can assure you will find your own meaning of life. The truth will stand the test of time.”

想觀看高畫質影片請按這裡～
https://vimeo.com/300120279
https://www.youtube.com/watch?v=f68vO5jX5_E&t=3s

------
Credit
導演 Director：
邱士杰 （ShihChieh Chiu）
動畫 Animator：
邱士杰 Shih-Chieh Chiu、張明潔 Ming-Chieh Chang
配音 Voice Actor：
林冠宇 Guan-Yu Lin、邱士杰 Shih-Chieh Chiu、廖容萱 Jung-Shan Liao、莊采融 Cai-Rong Zhuang、林鼎傑 Dan Lin、陳變法 Bian-Fa Chen
指導教授 Supervisor：
鐘世凱 Shih-Kai Chung
音樂與音效製作Music & Sound Design Production：
@紋聲音樂 WinSound Studio
音樂與音效Music & Sound Design：
林孝親 Hsiao-Chin Lin、林思妤 Szu-Yu Lin
混音Scoring Mixer & Re-recording Mixer：
林孝親 Hsiao-Chin Lin

#Fundamental基石
#11/24日 公投14、15請投同意，落實真平
#若想知道更多關於宗教迷信與離教的相關資訊，請持續關注本粉絲團
#若你正迷茫著找尋新的心靈寄托，唯一推薦—台灣合法立案宗教團體 台灣人文煮意麵團 Humanistic Pastafarianism in Taiwan

高槻のお店から知っていたそうです、
今回、KAを購入し、2000番台
それを機会に遊びに来てくれました、
日本初のダチョウ料理専門店、
ライダーズカフェMACHⅢ
大阪府堺市美原区北余部４６９－６
ＴＥＬ＆ＦＡＸ０７２－３６１ー３１７１
http://www.h4.dion.ne.jp/~maltuha/index.html
The medium-sized motorcycle which Kawasaki Heavy Industries produced with Kawasaki / Z400FX (Z よんひゃく F X). The summary which I abbreviated FX (F X), and was got close to by a pet name of "フェックス"

"Z500" announced in Europe in 1979 got high evaluation having the design of a novel straight line basic tone. I change a boa stroke of this "Z500", and it is "Z400FX" to have released as a medium-sized motorcycle to a Japanese license system. It could be it since CB400F of Honda where production was canceled in 1977, and the motorcycle of four cylinders which I could step on with a medium-sized license won extreme popularity. In comparison with CB400F which became stopping producing it, I enabled a 400cc4 cylinder without profit matching by using 500 and the part of export specifications in common thoroughly.

Production (an E4B model) was continued for a while after succeeding model "Z400GP" which planned the output, the reinforcement of the availability of traffic facilities in 1982 was released.
Others

* Like a rival car model, is deep-rooted as a remodeling class car in motorcycle gangs / 旧車會; there are completely few bodies staying in a normal state, and is big for the image of this car model again, and it is it with the cause to decrease to be popular. As for the thing left in the state that is almost normal, it is had dealings with an amount of money lacking common sense.
* Because I make much of a design, a seat becomes wide highly. You should do "Anko omission" to sharpen the sponge of the seat, but I do not want to break a beautiful design, but there are many riders who got on sake (because I want not to be thought to be short legs) at a stretch.

ビラーゴ (Virago) is the motorcycle of the cruiser (American) type that Yamaha Motor produces, and the official car name is model number XV (an X buoy). It is produced as a series car model, but the regular sale in the country is not done now either. ビラーゴ is still a meaning called "the complaining woman".
A summary

It was so-called "fake candy re-perception" that it was sold, and domestic candy re-Kan lowered the amount of seat of the road sporting motor vehicle of the line until the latter half of 1980's, and it pushed out a front fork several centimeters forward, and attached a seat belonging to step.

It was XV750Special released in 1981 that aimed at a genuine article-oriented candy re-can in that, and Honda was as well as a lineup in a CX custom in the same concept. （But it was irregularity V type of the engine structure same as モト・グッツィ which Honda CX turned a normal V-type engine 90 degrees, and posted a cylinder on right and left）However, it is XV750Virago released in 1984 that I finish breaking it, and performed full model changeover because there was the hesitation that cannot be American a style from a then domestic preservation standard as for XV.

A low seat, a long front fork, a seat with step, an engine equipped with above all were the American at a point of air-cooling V type and were near. However, because of the engine characteristic that demanded a horsepower halfway, a feeling of beating that was the American powerful charm was not good enough.

It was hit to stay in the motorcycle history and Steed that it was it that I held down a horsepower low although Honda which watched this was water-cooled, and started torque and taste of the American characteristic called the beating of the engine on the front, and Yamaha performed a model change to the drug star in form to accept it later.

However, the popularity of ビラーゴ continues being produced about the vehicle of 250cc now in the overseas part area because I follow.