While writing our new book, #AI2041, Chen Qiufan and I sought to be bold with our narratives. Creating a book with a significant fiction component is inherently riskier than writing a nonfiction book that simply describes the present and asks questions about the future. We believe that the ten stories in this book will strike a chord with every open-minded reader whose imagination is large enough to ponder what the future holds. Thank you Ray Dalio for calling #AI2041 “An invaluable and entertaining vision of the future.” Available now for preorder wherever books are sold. Learn more at www.ai2041.com
同時也有35部Youtube影片,追蹤數超過2,580的網紅masa - masa,也在其Youtube影片中提到,ご視聴ありがとうございます! English comment is after Japanese. 谷村新司さんの9thシングル「22歳」をカバーさせていただきました。 アリスがボクの弾き語りの原点ですが、特にチンペイさんには 歌い方やギターのプレイスタイルなど、多大なる影響を受けました。 ですの...
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💕「愛台灣,我的選擇」系列第15發:臺虎董事長黃一葦(Peter Huang) 要讓臺虎精釀 Taihu Brewing成為台灣年輕人才發光發熱與實踐夢想的平台
「儘管我有著東方面孔,但我不是台灣人,家族根源也不在台灣。一直到我念大學時 (美國麻薩諸塞州的威廉斯學院,非常棒的學校),我才透過普林斯頓北京中文培訓班的機會,真正到東亞來闖蕩。
大學畢業之後,我埋首於數字和表格之間,精釀啤酒陪我撐過了這段辛苦的歲月。我的職涯始於紐約,但後來輾轉來到亞洲 (名義上是去新加坡,但主要是在印尼、緬甸和馬來西亞)。
在數字間打轉從來不是我的夢想。身為一個負責任且典型的千禧世代,我一直很想獨立開創自己的事業,如果能將個人興趣和創業機會相結合,那就太完美了。而精釀啤酒就是那完美的交集點!精釀工藝的精神我深有同感,這是一種對未來可能性充滿嚮往、不盲目接受現狀的精神;同時也代表著與一群優秀的人才,一起開發令人驚喜的產品,並打造屬於自己的社群。
成立臺虎精釀的契機出現之後,我立刻想到台灣。之所以選擇這裡,不是因為台灣文化很吸引人 (雖然確實是),不是因為台灣有著厚實的文化傳統 (雖然確實有),更不是因為台灣的好山好水。
我選擇台灣的主要原因是這裡遇到的人。很多人會說,人生中有兩個家庭,一個是你的原生家庭,另一個是你自己選擇的家庭。對我來說,那個我自己選擇的家庭,似乎就在台灣。
臺虎精釀的商標 (由台灣傑出設計師Jess Lee設計) 由老虎、啤酒花和葫蘆三個元素組成,葫蘆是古代盛酒的容器。
葫蘆就不需要多加解釋了,但啤酒花是當代精釀啤酒的基石,代表著創新創意的精神。事實上,我們使用的絕大多數啤酒花都來自美國,畢竟美國是精釀啤酒的中心 (過去20年一直都是)。美國的啤酒花產業 (還有麥芽產業) 可以說是世界之最,也難怪經典IPA啤酒中最受歡迎的啤酒花都來自美國。
商標中的老虎是為了向早期台灣作為「亞洲四虎」(亞洲四小龍) 的年代致敬。當年台灣經濟快速起飛,產業朝氣蓬勃,民眾無不對未來充滿樂觀和期待。
老虎代表的正是那樣的生機勃勃、神采煥發。臺虎167名員工幾乎都是台灣人。我們認為,與其說臺虎是一個釀酒廠,不如說臺虎是讓台灣年輕人才發光發熱、實踐夢想的平台。
我們的目標是吸引並培育人才,最終目標希望能夠在台灣發展出欣欣向榮的創業生態圈。Sway是我們成立初期的成員,她一開始是在吧台工作,非常優秀。在小公司工作的好處就是,你可以盡你所能所想去做,Sway後來開始慢慢接觸進口通關業務,現在是我們全球物流的主管 (很不簡單)。
也許有一天,她會開創自己的事業,進而將這份育才的信念在台灣新創圈繼續傳承下去。」— 臺虎董事長黃一葦 Peter Huang
💕Why I chose Taiwan #15 – Taihu Brewing Founder Peter Huang leads Taihu to become a platform for Taiwan young talents to carry out their dreams and express themselves
“Despite appearances, I’m neither Taiwanese nor have roots here. It took college (Williams College in Massachusetts – phenomenal place), to really bring me out to East Asia via Princeton’s immersion program in Beijing.
Post-graduation, I paid my dues shuffling numbers around in a spreadsheet. Craft beer made it bearable-ish. Working life began in New York, but ultimately landed me in Asia (nominally Singapore, primarily Indonesia, Myanmar, Malaysia).
Shuffling numbers was not the dream. So, as a responsibly stereotypical millennial, I had an urge to venture out on my own. Ideally, to try something at the intersection of opportunity and interest. Craft beer! The craft movement itself struck a chord - a yearning for what could be, rather than blind acceptance of what is. It is about building communities around delightful products and, critically, wonderful people.
When the opportunity to start Taihu appeared, my mind immediately went to Taiwan. Not necessarily because the culture is fantastic (though it is), nor because it has a strong cultural heritage (though it does), and not even because the island itself is a magical composition of mountains meeting oceans.
Ultimately, I chose Taiwan because of the people I met here. There’s a tired trope that you get two families in life, the one you’re born into and the one you choose. For me, that chosen family, well, it seemed like it could be in Taiwan.
Taihu Brewing’s logo (designed by brilliant local artist, Jess Lee) is comprised of a tiger and hops within a hulu (traditional Chinese alcohol vessel).
The hulu needs no explanation, but hops are the cornerstone of modern craft beer. They represent the innovation inherent in the space. In fact, the vast majority of the hops that we use are from the United States. Since the US is the epicenter of craft brewing (and has been over the last twenty years), the American hop industry (malt too, actually) is arguably the best in the world. It is for good reason that the most popular hops in category-defining IPAs are American.
The tiger is a nod to an earlier era when Taiwan was one of the “Four Asian Tigers.” Taiwan’s meteoric economic rise was accompanied by deterministic optimism, vibrancy, and general excitement about the future.
The tiger represents that energy. That sense of opportunity, positivity, and hope. Taihu’s 167 employees are almost entirely Taiwanese. Internally, we think of Taihu as more of a platform for young Taiwanese talent than as a brewery, a medium for that energy to express itself.
Our goal to attract and develop talent with the ultimate goal of developing the burgeoning entrepreneurial ecosystem here in Taiwan. One of our earliest team members, Sway, came on board as a bartender -- a fantastic bartender. At a small company, you do what you can, where you can, and Sway ended up taking up some of the slack in our logistics. Now she runs all of Taihu’s international supply chain (no small feat).
With luck, one day she’ll be running her own successful Taiwanese business, and, in doing so, perpetuate the cycle.” — Peter Huang, founder of Taihu Brewing
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‘A Note to Harmonica Folks’
What’s next?
Since the day I was born, I have known the most prestigious harmonica competition in the world, The World Harmonica Festival (WHF). Every harmonicist around me see this as the olympics of harmonica, especially when they are both held once every four years.
My father’s ensemble King’s Harmonica Quintet was one of the very first few Asians harmonicist that appeared in the competition in Germany after the format of the competition turned from taped recording to live performance. In 1997, 3 years after I was born, they won their ‘World Championship’ in the WHF. I witnessed it.
It was a historical moment not only because was it a massive honour to be crowned in such reputable competition, it was the period when Asian harmonicists were approved by the Western.
Since then, the global harmonica community started to merge and interact. While harmonicists from the West continue to develop their artistry and career under a relatively strong cultural foundation for instrumental music, harmonica music to be exact, by virtue of the legends such as Tommy Reilly, Larry Adler, Toots Thielemans, Asians harmonicists struggle to further their artistry without the corresponding cultural foundation. A market for harmonica music in Asia simply do not exist.
Nevertheless, Asian culture values diligence and discipline. With the competition as the highest possible way to be rewarded as we develop our artistry, countless players began working day and night towards this very, if not only, visible goal.
Up till this day, you’d be surprised if there aren’t any Asian standing on the prizing podium in the international harmonica festivals. According to a Facebook post of the renowned Taiwanese Harmonicist in 2013, Lee Hsiao-ming, ‘If you show up at a harmonica festival, you can easily be surrounded by a group of ‘World Champion’s all queuing up for that plate at the buffet.’ Be him a chord harmonica player from an ensemble, a soloist at the open category or a 10 year old kid from the youth category… all claiming to be the ‘World Champion’.
Now the question is, Is the ‘World Champion’ in 1997 still the same ‘World Champion’ now? Or are we unconsciously abusing the only system we can count on to gain qualification to ourselves?
As Gerhard, the president of the World Harmonica Festival, has also repeatedly emphasized before, champion of any event of the WHF competition should NOT claim himself / herself as the World Champion. It should properly be addressed as Champion of the " XXX event" of the World Harmonica Festival.
While varies important figures in the global harmonica community started participating in this fierce debate, I was curious about the root of this controversy.
Would anyone accused Usian Bolt of abusing his Olympic gold medals to pursue further in his career? Would anyone question Danill Trifonov’s artistry if he claim himself the winner of Chopin Piano Competition? Could Michael Jordon ever obtain a ‘fake’ NBA championship?
Obviously, there is nothing wrong about winning and taking pride off an award. The real issue instead lies in the opposite side of the question. Is the existing harmonica competition rigorous enough to qualify the winner a ‘World Champion’? Or, should a ‘World Champion’ even exist in a musical setting?
In order to understand what a truly rigorous musical competition is, we began digging into the competitions of all instruments at the highest calibre. For instance, when studying the difference of the format of the International Tchaikovsky Competition with the World Harmonica Festival, we have realised how far behind the harmonica competition is constructed. I won the Solo Championship in the World Harmonica Festival 2013 only by playing a total of 10 minute of music. While a contestant at the qualifying round at the Tchaikovsky Competition would already have to prepare up to 30 minute of music. Meanwhile, not a single competition in the classical world would claim themselves the competition of the best. It seems like the title ‘World Champion’ could only be justified when it’s within sports, where the result can be calculated and compared. We can’t calculate art.
We have came a long way since the harmonica was invented 150 years ago. And I’m extremely excited to see new generation of player arising from all around the world. Nevertheless, while festivals are taking a pause during covid, we should make the best use of this period of time and rethink about how we could contribute to the culture and further bring our instrument to the next level.
So, what’s next? 🤔
to be with you chord 在 masa - masa Youtube 的最佳解答
ご視聴ありがとうございます!
English comment is after Japanese.
谷村新司さんの9thシングル「22歳」をカバーさせていただきました。
アリスがボクの弾き語りの原点ですが、特にチンペイさんには
歌い方やギターのプレイスタイルなど、多大なる影響を受けました。
ですので、今回はチンペイさんになりきってカバーしてみました😅
※原曲はこちら!
https://youtu.be/xHZipVOqBxY?t=667
P.S.
このカバーでYouTubeアップロードが300回となりました✨
(カブリがあるのでイコール300曲ではありませんが💦)
今後も地道に続けていけるといいな~って思っています♪😉
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Thank you so much for watching!
I did a cover of Tanimura Shinji 9th single "Niju-ni sai (Twenty-two years old)" that was released in 1984.
The Alice that was a fork song band is my origin of the sing with a guitar, especially, I was big affected by Tanimura-san about the way of the sing and the guitar playing style.
So this time, I pretend to be Tanimura-san, then I covered this song.😅
*The original song is HERE!
https://youtu.be/xHZipVOqBxY?t=667
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#谷村新司 #22歳
to be with you chord 在 masa - masa Youtube 的最佳解答
ご視聴ありがとうございます!
English comment is after Japanese.
7/7にリリースされたコブクロの33枚目のシングル曲「両忘」をカバーさせていただきました。
8月にリリースの新アルバム「Star Made」にも収録されています。
タイトルの「両忘」ですが、「好き嫌いや白黒など二次元的なものを両方とも忘れれば心穏やかになる」という意味合いの禅語だそうです。
いつものコブクロの曲とは少し感じが違うビートの効いたリズムがとてもカッコいいと思います♪
アコギだけでカバーするのがちょっと難しかったため、一部、シンセも使用しました🎹
あと、かなりアレンジしたので、オリジナルのベースタイミングとストロークは合ってません😅
※原曲はこちら!
コブクロ「両忘」Music Video
https://youtu.be/XcJWQRvsflI
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Thank you so much for watching!
I did a cover of Kobukuro's thirty-third single "Ryobou (Forget both)" that will be released in July 7th, 2021.
Also, this song will be included in the new album "Star Made" that will be release in August 2021.
About the title "Ryobou", it's that this words is in Zen teachings.
"Ryobou" means that reminds us of the importance of forgetting something two-dimensional such as likes and dislikes, and If you do so, you will obtain a peaceful mind.
This song feeling is bit different from than usual Kobukuro sounds, but I think this is very cool with a strong beat.♪
It was bit difficult to cover it by only acoustic guitar, so I added the synthesizer playing in some part.
*The original song is HERE!
- Kobukuro "Ryobou" Music Video
https://youtu.be/XcJWQRvsflI
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#コブクロ #両忘
#Star_Made
to be with you chord 在 masa - masa Youtube 的精選貼文
ご視聴ありがとうございます!
English comment is after Japanese.
秦基博さんの「Sally [evergreen ver.]」をカバーさせていただきました。
3/17にリリースされた弾き語りアルバム「evergreen2」に収録されています。
※「evergreen2」ダイジェスト
Disc1:https://youtu.be/6dm8yI-W3tw
Disc2:https://youtu.be/7t57zs_lKx8
なお、オリジナルバージョンは5thアルバム「青の光景」に収録されています。
また、この曲はGLOBAL WORKのCM曲として採用されました。
雄大な曲で、大空を舞う鳥の気分を味わえます♪
「8分の6拍子」のリズムに慣れるまでは、歌いながらストロークのタイミングを取るのが少し難しいかも知れません。
※秦 基博 - 「Sally」
※evergreenバージョンではありません💦
https://youtu.be/eEH4T1FpRY4?t=10
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Thank you so much for watching!
I did a cover of Hata Motohiro's "Sally [evergreen ver.]".
This version is included with new album "evergreen2" that was released at 17th, March 2021.
*"evergreen2" Digest
Disc1:https://youtu.be/6dm8yI-W3tw
Disc2:https://youtu.be/7t57zs_lKx8
BTW, the original version is included in 5th album "Ao No Koukei".
Also, this song had been adopted the CM song of "GLOBAL WORK".
This is a ground song, you can feel like a bird poising in the big sky.♪
It may be bit difficult to take a stroke timing with singing until you get used to a rhythm in six-eight time.
- Hata Motohiro - Sally
*This is NOT an evergreen version, sorry.💦
https://youtu.be/eEH4T1FpRY4?t=10
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#秦基博 #Sally
#evergreen2
#GLOBAL_WORK_CM曲
#ボクはずっと秦っています😅
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