關於 the loop taiwan ，我們在網路上蒐集到這些相關的討論、資訊與評價

🪐
Free pages｜2021
Do you stick a loop of the tape that you bought when you got it or just start to use it straight away?
I normally don’t do that, but this is for the live on my YouTube channel of the creative expo Taiwan.
You can see the style pretty clear that there are two designer in those pages.

因為文博會的戰利品直播
直接把四月的寄思貼的滿滿滿
滿到必須翻到最後才又空位再貼
.
#Tracy_2021journal #2021journal #thinkingofyoubook #somesortoffern #bonbonstickers #creativeexpotaiwan2021
#creativeexpotaiwan #artjournalpages #phavouriteco #phavourite #手帳生活 #手帳日常 #手帳2021 #拼貼手帳 #寄思 #寄思手帳 #女孩紙膠帶 #羊君 #羊君somesortof #文博會 #文博會2021 #文博會戰利品 #紙膠帶圖鑑 #邦妮女孩 #紙膠帶拼貼 #台灣文博會 #茄子先生x寄思 #紙膠帶分享 #無膠描圖紙 #什物akindofcafe

#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!

The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!

Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.

Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.

Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?

Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.

Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.

Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.

Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.

Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.

THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.

THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…

The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!

https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0

#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab

Rev3tri Williamsburg 113km 小賽報

其實台灣墾丁比賽前一個禮拜我就有感冒， 雖然比賽都順利， 但比完賽後損傷還是蠻大的。回到加州以後感冒症狀挺嚴重， 每晚都咳醒，訓練也不能馬上恢復正常，當時心裡也不知道接下來比賽該怎麼安排。

回台灣這趟壓力非常大， 除了贊助商對比賽的期待， 還有自己的壓力。 最主要是身為台灣最強的超鐵鐵人，覺得有責任在家鄉一定要給大家一個好的交代。 老婆當時懷孕有出些狀況，每天也是非常的擔心，同時工作也要顧好，最後才導致太累生病。所以一整趟旅程消耗我很多的體力和心神。

雖然如此， 教練還是鼓勵我參加 Rev3tri Williamsburg 半鐵， 加上七月的ironman lake placid 大鐵， 教練也鼓勵說這三年打的基礎不會一下子就不見，就盡力做身體可以負荷的訓練量。 結果慢慢的過了三個禮拜，我終於找回墾丁比賽前接近80%的感覺。

最近也開始關注gravel racing， 有一個選手叫Laurens Ten Dam，是Unbound 200英里gravel 比賽的第二名，也曾經是環法第九名，非常屌。他生活的理念motto叫 Live Slow， Ride Fast：平常不要壓力那麼大，騎車有空就停下來享受一下大自然的風景和聲音。身心 放鬆，可以在單車上可以騎更快。 他也說他完全不用功率計，每天騎完車會喝啤酒。我深深的被他影響，覺得不用給自己那麼大壓力， 做三鐵還是要享受，好玩最重要。 Jay 也提醒我放輕鬆，他很多最佳成績都是沒有期望沒壓力比出來的。 所以抱著這個態度，我週四6/24跟我爸一起從三番坐飛機到Virginia， 轉機時還特別跟我爸喝了杯啤酒放鬆，半夜抵達Williamsburg

比賽快報：
天氣， 23-30 c 100%濕度
游泳.22：44
這是我第一次老天爺對我最好的游泳天氣，水溫25 度， 天氣23-25度，剛好下水上岸都不會凍死。雖然不能穿防寒衣 （可以改善身體浮水的姿勢），但我們時游point to point， 順水流。這次游泳是最接近領先團隊，起跑速度有進步， 開水的練習有讓我在比賽時更放鬆。游泳出力的姿勢也改成用肩膀比較有力氣的肌肉， 感覺全程都有把握的push。~14 名 上岸

騎車 2:09:15， （41.84/kph)
騎車信心滿滿，屁股和腰部也沒有去年的疼痛，前半段用將近44kph的速度追過了很選手。但一過了45km，我的腰就開始緊繃很痛。因為這個比賽很rolling，坡不大，所以速度很高，要一直趴著，這樣對臀部附近的肌肉負荷很高。本來追上了一個選手，但因為腰中招，只能乖乖的在他後面，盡量跟著。最後只能硬忍，放慢功率，用盡量可以忍受的強度騎回轉換區。 這次很奇怪的是心跳也一直推不上去，覺得身體一直就是沒力。可能是因為東岸是早三個小時，比賽時間基本上是加州半夜三點多出發。。。。時差還沒有調好吧。。。哭

單車也趁機會追回了5個選手， 從14 追到第9.

單車棒有趣事情
看到一隻烏龜過馬路，我沒有撞到它
看到一隻松鼠過馬路，它反復來回了四次，才決定不要過馬路，幸好沒有把它壓死
我尿了四次，把墾丁沒尿的都補回來了

跑步 1:19:20 （3:44/km)
跑步的賽道很不錯，唯一靠北的就是兩個loop， 要上下一座橋兩次，所以要爬那個上坡四次 哭。 第一圈很保守的靠這體感， 維持在極限 -5-10% 左右， 超過了一位選手， 想說第二圈可以加速， 結果第二圈溫度上升，只有越來越慢。 當時暈頭轉向， 覺得沒有希望破四了，也不知道自己排第幾，只想盡力的回終點。

總成績 3:54:30, 第七名
過線後，很驚訝自己的有破四，超級開心！ 終於在美國本土破了四，也完成了自己努力好幾年的目標。看到炸雞團發簡訊說 我居然破了團團的台灣記錄， 差一秒。
上次台東也是差一秒， 只能笑笑， 看來我和團團的緣分還蠻有趣的
希望他不要像上次一下就破4 分鐘， 做這項運動很累內， （好啦開玩笑），希望我們可以繼續take Taiwan triathlon to the next level

雖然很開心，但還是沒有拿到獎金， 差第五名五分鐘， 下次繼續努力
這次比賽最大的心得就是準備一場比賽沒有完美的準備。 每個人都有自己的挑戰，限制，難處。我們能做的就是做我們能做的，在我們有限的資源內，盡量避免風險， 爭取最好的結果。像這次我的腰和屁股非常痛，或是時差，和不夠時間適應新環境水土不服，還是可以爭取到滿意的成績。
另外就是發現自己以前比完賽，下巴，手臂，一些明明就不應該痛的肌肉都在痛， 是因為我一直在用力，掙扎，奮鬥，把自己弄得很緊繃，浪費很多沒用的力氣。所以這次就提醒自己，時不時就看下風景，微笑，提醒自己我很開心可以追求我想做的事，自然而然的就放鬆了。 這次比完，就沒有奇奇怪怪的酸痛。

生活可能很匆忙，有很多事會擔心，但如果我們可以靜下心來，觀察周圍美好的地方，專心做我們可以做的，我們還是可以 「 live slow， and ride fast 」， 開心生活，跑爆朋友

特別感謝老爸這次的陪伴
下一站，Ironman Lake Placid 226， （剛訂完機票，旅館，心還有錢包都很痛，被老婆臭罵了一頓 哭 我去喝一杯啤酒放鬆一下， 「誤」）

#跑山獸 #阿里山 #神阿古道

Mid altitude mountains in Taiwan are very hard, but also very magic.
After resctriction in Taiwan I plan this trip to Alisha 阿里山 from Xinii 信義.

Shen A Ancient Trail 神阿古道 was recently maintained and it is awesome and direct connection to Alishan.

I plan 40km loop over wild ridge to 松山 Song Shan (over 望美山, 望高瞭望台, 瓊山) and reach Alishan railway in 石猴分道 Shihou railway station (from there can descent to 水漾森林 Shuiyang forest).

Ascent to 松山 Song Shan was 15km with 2000m climb on not easy terrain. I miss turn to ridge and continued on old forest road around 1700m (follow marking and gps carefully).

On old railway I pass several bridges and dark tunnels and walk over 眠月 Mianyue Stone Monkey and 塔山 Ta Shan station where is 500m longest tunnel which has collapse in the middle, it is very dark. I reach Alishan 阿里山 (十字分道 Shizifendao Station).

From there is not far for upper entry to 神阿古道 Shen A Ancient Trail which was maintained in Spring 2021. It is very steep with climb or descent of 1300m on 6km, down to 神木村 Shenmu village.

@Beast Runners 跑山獸
by Petr Novotny
Subscribe, Like, Share this video
Visit our eShop to support us: https://beast.run/shop/

-----------
Music from Uppbeat (free for Creators!):
https://uppbeat.io/t/ak/sky-high
License code: CCUIO16IFX2I3D30

Infinite loop 0000000000000000000000000000000000000000000000

life in an infinite loop . love also ...... 生命是無盡的迴繞與循環，在愛的生死幻滅之中，生存著 ... 而愛情的意義與關係有許多種，生命也是，得以歡笑相聚，也能離散於狂亂荒謬的某個瞬間．而人性，不停止的重蹈覆轍，在善惡與愛恨之間，無限循環，不停更迭．

也許生命的記憶中，總有一塊情感是不會變的，不停在迴圈，緊緊相擁，直到告別．

Choreography by Chou Shu-Yi _ 周書毅 編舞 （2008）
Performance by Sunny Yang & Chou Shu-Yi 楊乃璇 & 周書毅 演出
Filming by Hung-ya Yen 鴻鴻 導演
Editing by Liu Yue-Xing 劉悅行 剪輯
photography by 光頭 皮特 攝影

* World premier at 2007.5.11-20 _ National Theater of Taiwan "20th Anniversary" . Filming at The Night of Paris club (2008) .

作品於2007年5月11日首演於台北國家劇院實驗劇場 . 當時受邀為兩廳院二十周年慶"生日快樂"雙人舞展創作演出 . 演後隔年 , 與台灣詩人導演鴻鴻合作 , 拍攝舞蹈錄像版本 , 重製於台北西門町的"夜巴黎"大舞廳 .

* 作品部分片段出現在紀錄片 _ 有人只在快樂的時候跳舞
* 感謝國家兩廳院 . 公共電視 . 鴻鴻導演團隊 . 楊乃璇的家人們參與拍攝 .

王艷薇 Evangeline Playlist: https://www.youtube.com/playlist?list=PL_BJh1Mu7PPce7e6ZjwA0xtD5eoGgL4W-
王艷薇 Evangeline IG : https://www.instagram.com/evangeline.wilder/
SKRpresents IG : https://www.instagram.com/skrpresents/
Listen: https://www.soundscape.net/a/14606
________________________________________________
they said 洗手 片刻
Wait 這裡 還沒 有位子
我消毒 我的 位子
take ticket
我離開freaking amazing show
想點Nandos Quarter to 1
And my dad gave me 10 pounds of money
我切開 一塊 and starting to bite it

eh eh
let’s get out and love the beauty of the moonlight

我一整天 fight that feeling
我一整天sit on canvas
what umm umm
躺上沙發 like super glue on
再沒接通 我就掛線
it turning like big bang laser
I’m trying trying trying hard

when you're lost in the light
視線被填滿
思考why you yell at me
When I'm lost in the light
你的理智線 在我控制範圍裡
把它拋開
我懂你在
enjoy moving
with this moving
what you look with
come on loop it
it's like moving in the dark like
dancing with my body

eh eh
let’s get out and love the beauty of the moonlight
eh eh
It's time to get out and reach out for the moonlight

一 整 天 的日常生活就結束了
but why in the world am I still here
and now we are all stuck and trapped in reality
reality moonlight

eh eh
let’s get out and love the beauty of the moonlight
eh eh
It's time to get out and reach out for the moonlight
________________________________________________
詞｜王艷薇 & EchoZH
曲｜陶山 & 王艷薇
編制｜陶山Skot Suyama
導演、剪輯｜顏士育 Bruno Yen
攝影｜李可揚 Michael Li
燈光｜劉家豪 Jia-Hao Liu
燈光助理｜林柏傑 Po Chief Lin、林余璠 Ian Lin
妝髮｜平平 Naomi PP
妝髮助理｜小喵
髮型師｜余建成 Nick
劇照側拍 ｜施郡欽 Lewis Shih
場務｜謝佳霖 Lynn Hsieh、房洺緯Austin Fang
現場協力｜韋宗晟 Ardent Wei
經紀｜魏麟懿 Alex Wei
影子｜李杰明 W.M.L.
特別感謝：林庭竹、九九 Sophie