米樂影音 Miro Sound & Vision
Meet your NEW best Home Cinema companion 💥⠀
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The Introduction of the IW150T Tripole®️Speaker means you can have the same M&K 150 Series Acoustic Performance from a completely invisible installation. The IW150T is the In-Wall equivalent of the famous S150T Tripole surround speakers. Incorporating the exact same drivers and crossover technology as the S150T sealed cabinet speaker, the IW150T delivers uncompromising performance from a less obtrusive form factor 🙌🏻⠀
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同時也有9部Youtube影片,追蹤數超過803的網紅樂筆 x 日光實驗室,也在其Youtube影片中提到,歡迎光臨~我是樂筆! 這幾年陸續接了數場校園演講,從攝影、創作、短影片、行銷到信仰分享都有,雖然至今仍然不是很厲害的講員,但很開心透過這些分享認識到很多很棒的人,也因此不斷整理自己:我在做什麼?為什麼要這麼做? 這次很感謝Change Maker找我跟「舊鞋救命」的玉麟姐姐一起分享「跨界」的專題...
「speaker crossover」的推薦目錄:
- 關於speaker crossover 在 feversound.com Facebook 的最佳解答
- 關於speaker crossover 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳貼文
- 關於speaker crossover 在 姜偉池(3姜)Jerry Keung Facebook 的最讚貼文
- 關於speaker crossover 在 樂筆 x 日光實驗室 Youtube 的最佳解答
- 關於speaker crossover 在 CarDebuts Youtube 的最讚貼文
- 關於speaker crossover 在 Hi Fi 發燒台 Youtube 的最讚貼文
speaker crossover 在 Lee388 Hi Fi 發燒專頁 Facebook 的最佳貼文
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
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Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
speaker crossover 在 姜偉池(3姜)Jerry Keung Facebook 的最讚貼文
謝謝deTour邀請,星期六見。
【deTour 2017 設計講座|Design Dialogue】🌟我不是師傅 I AM NOT A MASTER🌟
大家對舞龍醒獅的印象大多只會出現於傳統喜慶場合,但姜偉池(3姜)作為醒獅文化傳播者,要一改觀念,令舞獅呢件事又「潮」又「型」。
3姜自小於武館長大、尤其醉心於醒獅設計。熱愛時裝及潮流文化嘅佢,早年開始Crossover在舞獅打鼓同時加入DJ摔碟跳HIP HOP,曾為不少潮流品牌例如LV, adidas, I.T 等等表演。不單將獅頭、更將醒獅文化撐起。
3姜今次喺deTour 會分享醒獅由過去到現在的各種改變。由一個爛獅頭開始,做到不失傳統、更勝傳統。歡迎大家在deTour 網頁報名,講座免費入場。
When it comes to Dragon and Lion Dance, we always related it to historical Chinese traditions. Jerry Keung, Chief Coach of Keung's Dragon & Lion Dance Team, has reformed the Lion Dance into a modern version, transforming it into a fashionable and cool performance.
Jerry was raised in Martial Art school and has been interested in lion dance props design and fashion design. By crossovering with Hip Hop dance and DJ performances, Jerry was invited to bring his creative lion dance performances to international fashion brands such as LV, adidas, I.T., etc.
deTour has invited Jerry to share his thoughts on the tradition and his way of reformation.
《不失傳統,更勝傳統》Maintaining Tradition While Improving
策劃 Organiser : 姜氏金龍醒獅團 Keung's Dragon & Lion Dance Team
日期 Date : 2/12 (六 / Sat)
時間 Time : 5:00 – 6:00pm
講者Speaker:姜偉池 (三姜)Jerry Keung ( 姜氏金龍醒獅團總教練 Chief Coach, Keung's Dragon & Lion Dance Team)
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【deTour 2017 Creative Festival 創意匯聚十日棚】
日期 Date| 1-10 Dec 2017, 11am – 8pm
地點 Venue|PMQ 元創方
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👉 其他講座及報名 Design Dialogue Details & Registration:http://www.detour.hk/2017/programmes/?type=design-dialogues
👉🏼 其他工作坊及報名 Workshops & Registrationhttp://detour.hk/2017/programmes/?type=workshops
👉🏼 展覽 Exhibition:http://www.detour.hk/2017/programmes/
#detour2017 #harmoniouschaos #和糜 #pmq
speaker crossover 在 樂筆 x 日光實驗室 Youtube 的最佳解答
歡迎光臨~我是樂筆!
這幾年陸續接了數場校園演講,從攝影、創作、短影片、行銷到信仰分享都有,雖然至今仍然不是很厲害的講員,但很開心透過這些分享認識到很多很棒的人,也因此不斷整理自己:我在做什麼?為什麼要這麼做?
這次很感謝Change Maker找我跟「舊鞋救命」的玉麟姐姐一起分享「跨界」的專題,整理了這段時間一些經歷跟大家分享,希望Push還在猶豫的人趕快跨出舒適圈。
由於那天很多人在瘋奧運,加上小林同學剛打出史詩級的七局賽!所以很多筆友問我可不可以錄影……費了番功夫我跟大會主持人拿到這段充滿叮咚聲的錄音檔……希望大家為支持樂筆,湊合將就一下,哈哈。
有你們真好!我也會跟奧運選手們一樣,努力堅持下去!
Welcome to Sunlight~
In recent years, I have given a speech about photography, creation, short video, marketing and belief on campus for several times. Although I’m still not an impressive speaker, I meet great people through the process, so that I keep collecting myself: What am I doing? Why I do this?
Thank Change Maker for inviting Yu-Lin from “Used Shoes Save Lives” and me to share about “crossover” this time. I want to share my experience to push people who are hesitating to step out of the comfort zone.
Many people were crazy about Tokyo Olympics, in addition Lin Yun-Ju played the epic game seven! So many friends asked me if I could record a video……and with a lot of work I got the audio file which was full of “Ding-dong” from the host. Hope you support me and make do with it, haha.
It’s wonderful to have friends like you! I’ll keep going like Olympian!
📁節目收聽方式:
Apple Podcast、KKBOX、Spotify 🔍歡迎光臨
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✒️Facebook:https://www.facebook.com/sunlightpen007/
✒️Instagram:https://www.instagram.com/sunlight007_/
✒️合作邀約:hisunlight007@gmail.com
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主持人兼編輯 Host/Editor/:樂筆
剪接師 Sound Editor:Papa.H
翻譯 Translator:Youli
speaker crossover 在 CarDebuts Youtube 的最讚貼文
เปิดตัวครั้งแรกในโลก พร้อมราคา The All-New Mitsubishi Outlander 2021-2022 World Premiere มิตซูบิชิ เอาท์แลนเดอร์ โฉมใหม่ล่าสุด มี 3 แถว 7 ที่้นั่ง ทำตลาดในอเมริกาเหนือ ก่อนมาขายในไทย
Mitsubishi Motors Corporation ประกาศเปิดตัว All-New outlander โฉมใหม่ เจนเนอเรชั่นที่ 4 รุ่นปี 2022 รถครอสโอเวอร์รุ่น flagship ของบริษัท ผ่านทาง Amazon Livestream เป็นครั้งแรก โดยมาพร้อมดีไซน์ใหม่ คุณภาพระดับพรีเมี่ยม สมรรถนะที่เหนือชั้น และเทคโนโลยีที่ล้ำสมัย ที่คุณสามารถคาดหวังได้ จากรถยนต์ของ Mitsubishi พร้อมเริ่มจำหน่ายในตลาดอเมริกาเหนือ เป็นที่แรกในโลก ในราคาเริ่มต้น 25,795 เหรียญสหรัฐ หรือราว 773,000 บาท ในเดือนเมษายน ปี 2021 นี้ ก่อนที่จะมีการทำตลาดทั่วโลก หลังจากนั้น
FRANKLIN, Tenn. – As part of a game-changing collaboration with Amazon, MITSUBISHI MOTORS CORPORATION (MMC) today revealed the all-new 2022 OUTLANDER crossover SUV via livestream, the first vehicle to ever debut on Amazon Live.2 All-new from the wheels up, the 2022 Outlander features a new design direction for both this vehicle and the brand, plus the premium quality, rugged performance and innovative technology expected of a Mitsubishi Motors vehicle.
The flagship of the Mitsubishi Motors line, it is reimagined and reinvented in every way, and is the best-equipped, most thoughtfully engineered vehicle the company has ever developed. Outlander gears up for sale in North America first in April 2021, with other global markets to follow.
With a U.S. Manufacturer's Suggested Retail Price starting at $25,7951, the all-new 2022 Mitsubishi Outlander delivers the equipment, quality and lasting value that Mitsubishi customers have come to expect of the brand. Full pricing and packaging details will be made available at a later date.
"Based on the product concept 'I-Fu-Do-Do,' which means authentic and majestic in Japanese, the all-new OUTLANDER has been crafted into a reliable SUV with significantly upgraded styling, road performance, and a high-quality feel to satisfy the needs of customers who want to expand their horizons and take on challenges of every kind," said Takao Kato, chief executive officer of MMC. "With the launch of the all-new OUTLANDER, we will first expand our sales in the North American market and then aim for global growth."
The Outlander was first launched in North America in 2002, and this new model is the fourth generation to be sold.
Styling debuts the brand's next generation Dynamic Shield front face and design language, with muscular fenders, bold proportions and available large-diameter 20-inch wheels. Inside, Outlander is a quiet and serene space, showcasing quality and convenience through class-above materials, seating for seven in the segment's only standard-equipment third-row, available 12.3-inch digital instrument cluster and 9-inch center screen, and also newly available wireless smartphone charging capability with Android Auto3 and wireless Apple CarPlay.4
The engineering underpinnings are also all-new. Partnered with a newly developed platform and 2.5L four-cylinder engine, Mitsubishi's rally-derived Super All-Wheel Control5 system provides unmatched confidence for drivers in all environments. The newly developed drive mode selector allows performance and grip to be tailored to the conditions through six distinct settings, increasing on-road and off-pavement performance. Even two-wheel drive models are fitted with the drive-mode selector, offering five distinct modes in this setup, to help drivers feel more confident in all driving conditions.
Standard equipment on the 2022 Outlander includes 11 airbags6, three rows of seats, myriad storage locations, USB-A and USB-C charge ports and 18-inch wheels.
Depending on trim level, the 2022 Outlander can be fitted with 20-inch wheels, Mitsubishi's MI-PILOT Assist driver assistance system with adaptive cruise control and lane-keep assist7, semi-aniline leather seating, integrated navigation using what3words technology, a windshield-display 10.8-inch full-color Head-Up Display (HUD), Mitsubishi's industry-leading Mitsubishi Connect smart-car system, and a 10-speaker BOSE® audio system.8
Mitsubishi Motors North America is in the midst of introducing a full showroom of redesigned, reengineered or all-new vehicles, and the 2022 Outlander is the culmination of that program. This much-anticipated vehicle is here, and the game-changing launch is well under way. The all-new 2022 Mitsubishi Outlander is set to break boundaries, reset expectations and demand attention.
speaker crossover 在 Hi Fi 發燒台 Youtube 的最讚貼文
來自瑞典Marten Design 全新一對Oscar系列Trio 喇叭,首次到香港,到大家先先睹為快,遲些希望可以詳細試聽,到時再出片同大家詳細分享。
TECHNICAL SPECIFICATIONS:
Driver: 2 x 7 ” Ceramic, 1 x 1 ” Ceramic
Frequency range: 27-20000 Hz +-3dB
Power rating: 250 W
Sensitivity: 89 dB / 1 m / 2.83V
Impedance: 6 ohm (3.1 Ohm min)
Crossover frequency: Second order 2500 Hz
Terminals: Single-wiring WBT Nextgen
Internal wiring: Jorma Design
Cabinet: 25 mm fibre laminate Matte Walnut, Piano Black or White
Stands: Brushed Aluminium with Marten Pucks and Cones
Dimensions W x H x D: 20 x 109 x 40 cm (11.4 x 42.9 x 15.7 ”)
Net weight: 30 Kg (67 lbs)
Price: EUR 9800/pair
Price for speaker mesh: EUR 75/pair
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Hi Fi 發燒圈 website: (影音資訊)
http://www.hifi388.com/
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新設MeWe Hi Fi發燒圈群組,歡迎大家在此分享、發言:
https://mewe.com/group/5ffe6ff1705f6718d0b87c90
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