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#富邦新鮮事｜古典樂迷的大福音♬♬ 富邦冠名贊助 「NSO開季音樂會」
9/24(五)富邦巨星之夜將由NSO新任藝術顧問準‧馬寇爾（Jun Märkl）
與🎻小提琴名家林品任攜手演繹柴科夫斯基經典名曲，
🎶兼具甜美浪漫與燦爛光輝的動人旋律，被讚譽為大師級風采令人萬分期待~~
歡迎樂迷親至臺北國家音樂廳朝聖聆賞!
NSO國家交響樂團
👉更多活動資訊: https://www.opentix.life/event/1423540208800935938
#富邦巨星之夜
#NSO開季音樂會
#疫情下的正向力量
#世界級的音樂饗宴
#經典名曲就聽這一場
【「我已經好了，但別人看我的眼神全變了」——群聚事件後，農村「指標病例」變色的人生】
「是不是當初不應該北上打拼？」從確診、出院到返家，這個問題一直盤桓在彰化葡萄盤商勝男（化名）的心頭，她想這一切都是她的錯、都是她害的。
將新鮮的葡萄載往北部市場販賣，是她與丈夫撐起家計的重要營生，也是彰化葡萄產業中的一環。萬華是他們的販售點之一，沒想到因此帶回病毒，在人情往來密切的家鄉引起群聚與恐慌，隔壁里長的廣播放送、家庭照在社交媒體轉傳，讓她與家人成為眾矢之的，被丟垃圾、被退群組、被恐嚇。
「因為我讓這個地方變成這樣，還害到別人的小孩，我不知道能做什麼來彌補，做義工之類的人家也不敢靠近我。」原本社交廣泛的她，如今日日在家誦經持念，希望能藉此贖罪、迴向社會⋯⋯
COVID-19發生以來類似的汙名與歧視在台灣各處都有發生，去年《報導者》訪問鑽石公主號染疫台灣乘客、被匡列為接觸者的NSO樂團樂手，都提到「異樣」的眼光。
今年大規模社區感染期間，我們發現這個問題在人情往來緊密的農村地區更加嚴重，當事人不只要對抗病毒、還要承受病情外的後遺症——鄰里親友的指指點點，6月屏東枋山Delta病毒群聚事件的指標個案、白牌司機阿發（化名）提到他與老友30年交情因此出現裂痕，「我當然對他們過意不去，但我那時沒有症狀，否則哪可能和他們接觸！」
「疫情給我很深的感受是，傳染病不可怕，可怕的是它改變人的心理，以及人與人的相處模式。」枋山鄉衛生所護理長兼主任戴鳳琴觀察到，痊癒者返家後，鄰居家人都怕他，他自己也怕得不得了，強大的社會壓力正不斷擠壓他們的身心，國內至今已超過萬名確診者解除隔離，在積極防疫圍堵之外，如何化解歧視、讓公民社會更加成熟；訂立痊癒者照顧指引、長期追蹤治療也是對抗疫情重要的事。https://bit.ly/3jskyBf
＃專題報導【COVID-19下的農業現形記──失溫的人情、產銷和運輸冷鏈】https://bit.ly/2V3bPw4
★深入田野、看見幽微卻重要的角落，#贊助報導者：http://bit.ly/2Ef3Xfh
#村八分 #農村 #防疫 #群聚 #報導者 #Covid19 #Delta #歧視 #汙名
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。
沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。
畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。
而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！
他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？
蝴蝶雖僅活了一天，已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。
或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！
我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。
這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）
〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。
祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。
〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。
我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。
欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。
憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉
我在塵世見到仙子的美，
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
墜機機長 #葉子 來了！無法雪恥不好意思~🤣
感謝 #木棉花 爸爸！本週好康給大家抽獎🎁
🎯宅知道YT今天的Part1底下留言「你最喜歡哪部蠟筆小新的電影？#友情萬歲」，
抽 5 個人送《蠟筆小新：謎案！天下春日部學院的怪奇事件》電影票 2 張+限量貼紙
抽到的宅友們可以跟朋友一起看或自己去刷2次也行喔😘
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0:55●今天棚錄依然有遵照文化部規定
1:00●第一次來陪看動畫的葉子，覺得怎麼樣？
2:31●經過一周各路英雄在地獄狩獵的如何? 要不要參加速殺波蘿挑戰賽阿
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13:50●《機動戰士鋼彈劇場版》 40週年終於登上台灣大銀幕！
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https://www.youtube.com/watch?v=xnHWhJjFJNU
● 【懶人包】Pokemon HOME全解說！如何換精靈？首月免費支援Pokemon Bank！
https://www.youtube.com/watch?v=v-5Y0z58GGU
● 【解說】Pokemon GO玩家對HOME的三大誤解！告訴你一個Fans必試的原因，新手上路懶人包！
https://www.youtube.com/watch?v=gQ2KzoYUA4E
☆★ 最新動向 (馬上知道最新消息)★☆
● Pokemon HK集中地 https://www.pokemon.com.hk
● Instagram https://www.instagram.com/riostam/ (鐵道模型)
● Instagram https://www.instagram.com/rioscircle/ (最新動向)
● Instagram https://www.instagram.com/poke.mum/ (Pokemon相關)
● Facebook https://www.facebook.com/rioscircle/
● Saaii的網站 https://www.saaii.net
【關鍵字】
Youtuber Go,學做Youtuber,rios, rios arc, rios circle, 弧圓亂語,rios arc 弧圓亂語, 廣東話諺語考死你, Youtuber 專訪, pokemon center公仔
Rios再次感謝過去一年的支持，特別是付費會員、Super Chat及各種贊助的觀眾，當然你的訂閱、留言、點讚、觀看也是我的動力！這次特別為大家送上小小禮物，希望大家喜歡！
?參加方法：https://www.pokemon.com.hk/rios-arc-xmas-2020/
獎品清單：
比卡超紀念金幣
Pokemon Center Q版背背龍公仔
Pokemon Center 基拉祈公仔
《Youtuber 新手到網紅》簽名版 (2份)
一年 Nintendo Switch Online 帳號 (2份) [1月中開始]
截止：12月25日(23:59)[香港時間]
獎品認領方法會直接用已登記電郵地址通知
抽獎方法：12月26日(20:30)直播抽獎[香港時間]
#riosarc #聖誕抽獎
?? 贊助rios的工作→ https://rios.pro/sponsor/
? 按此訂閱rios→ http://rios.in/riosarc
? 合作查詢→ im@rios.pro
? rios的主頻道→ http://rios.in/rioscircle
? rios的合作頻道→ http://rios.in/saaiitv
~~~~~~~~~~~~~~~~~~~~~~~~
?? 想跟我學做Youtuber？ ??
可參加rios創辦的Youtuber GO網上課程！
Youtuber GO 是一間專門教授香港人做Youtuber的網絡學校！
?官網→ https://www.youtubergo.com
~~~~~~~~~~~~~~~~~~~~~~~~
? rios的推薦影片 ?
● Youtuber GO 為香港人而創辦的Youtuber網絡學校！
https://www.youtube.com/watch?v=xnHWhJjFJNU
● 【搞笑】Pokemon GO官方錯漏百出，韓文？錯Link？忍了兩年，我決定要吐槽一下！
https://www.youtube.com/watch?v=SCGmaTjp8zw
● 看完鬼滅之刃無限列車篇後馬上看完了漫畫！3分鐘看完劇情大綱，結局並非大團圓！
https://www.youtube.com/watch?v=iAOEm_uYsys
☆★ 最新動向 (馬上知道最新消息)★☆
● Pokemon HK集中地 https://www.pokemon.com.hk
● Instagram https://www.instagram.com/riostam/ (鐵道模型)
● Instagram https://www.instagram.com/rioscircle/ (最新動向)
● Instagram https://www.instagram.com/poke.mum/ (Pokemon相關)
● Facebook https://www.facebook.com/rioscircle/
● Saaii的網站 http://www.saaii.net
【關鍵字】
Youtuber Go,學做Youtuber,rios, rios arc, rios circle, 弧圓亂語,rios arc 弧圓亂語, 廣東話諺語考死你, Youtuber 專訪, pokemon center公仔
