#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有7部Youtube影片,追蹤數超過117的網紅JENN LEE,也在其Youtube影片中提到,🖤觀秀注意事項🖤 1. 強烈建議您配戴耳機觀賞,享受旅程 2. 若網路順暢,請將畫質調至2160p,以利最佳看秀畫質 🖤PLEASE NOTICE🖤 1. Strongly suggest! Enjoy the trip with your earphones. 2. Please watch t...
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film production forms 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
🎉🎉🎉#新媒體藝術家黃心健《 #輪迴》上集奪 #法國坎城影展最佳VR敘事大獎 ‼️
法國坎城影展市場展( Marché du Film - Festival de Cannes )於台灣時間2021年7月13日午夜於沉浸式虛擬場館MOR ( Museum of Other Reality)舉辦頒獎典禮並揭曉得獎名單,臺師大特聘教授、新媒體藝術家黃心健VR以最新力作《輪迴》上集(Samsara Ep.1)自16部精采的入圍作品中脫穎而出,一舉奪下本屆最佳VR敘事大獎( Best VR Story)殊榮。
《輪迴》上集是首部獲頒此重要獎項的台灣原生VR作品,台灣驚人的VR創作實力再度揚名國際!
黃心健在頒獎典禮上致詞:「首先,感謝坎城評審團的肯定與鼓勵,很榮幸能夠得到最佳VR敘事大獎。也感謝 國立臺灣師範大學 National Taiwan Normal University 、 文化內容策進院 Taiwan Creative Content Agency 與VR 體感劇院 VR FILM LAB 的全力支援,才能讓《輪迴》得以順利地製作完成。由衷感謝所有參與製作《輪迴》的幕前、幕後製作人員,一起讓來自於台灣精彩VR作品,再次讓世界看見。」
《輪迴》的劇情牽動著生態、科技、資源分配與戰爭等多元議題,是一段人類自核毀滅後逃離地球的故事。殘存的人類嘗試在無垠的星際中,尋找下一個可以賴以生存的新星球,並以人工方式進化成一種新的生命體。但許多年過去了,人們漸漸發現其實自己永遠到不了夢想中的全新星球,他們只不過是在另一個時代,以不同的生命形式,一遍遍地返回地球。黃心健藉此反思深刻反思生命哲理,並應用了所謂「具身認知」的抽象概念,以此讓觀眾轉換到不同的肉體中,進而以全新的視角來體驗《輪迴》上集片中的世界觀。
作為全球最受矚目的影展項目之一,法國坎城影展市場展為一向是全球影人不容錯過的影壇趨勢指標。而今年度為減緩疫情衝擊,Cannes XR 單元與 VR 線上內容平台 VeeR 攜手合作,特別在虛擬場館 MOR中打造大型的影展會場。活動展間的呈現方式非常活潑豐富,坎城團隊打破了現實世界中音訊、材料與硬體限制,以超現實的效果來為全世界的觀眾提供最為華麗的展場體驗,從觀影、走紅毯、入座到致詞,與會者皆透過VR頭顯連線參與頒獎典禮,黃心健尤其驚豔於主辦單位為他打造的專區。以創新的虛擬形式舉辦典禮,也正契合了VR作為影界新猷的開創性。
《輪迴》上集繼三月榮獲美國西南偏南影展( #SXSW)「虛擬劇場」項目最大獎殊榮「評審團獎」後,再度斬獲國際影展肯定,再次證明了台灣深厚的VR創作實力!完整版《輪迴》預計將於今年九月起展開全球影系列巡演,並將在今年10月回到台灣高雄,作為亞洲首映展出。欲一睹風采的台灣的影迷敬請期待!
🎉Taiwan's VR artist Hsin-Chien Huang Wins the Best VR Story Awards of Cannes XR‼️
The awards ceremony of Le Marché du Film will be held at midnight of July 13, 2021, at the Museum of Other Reality. The latest VR production by Distinguished Professor of NTNU, artist Hsin-Chien Huang, has been riding high among the other 16 nominated productions and bring home the prestigious "Best VR Story" award. " #Samsara Ep. 1" is the first native VR production from Taiwan to receive such honor and has once again put Taiwan on the map!
In the acceptance speech, Huang first mentioned that he would like to thank the jury for the recognition and encouragement. It was a great honor for him personally to win this award. He'd also like to thank the full support from NTNU, Taiwan Creative Content Agency and the VR FILM LAB of Kaohsiung Film Archive for making the production happen. Finally, he thanked all the crew members for showing the world how amazing the VR production from Taiwan.
The plot involves many different social issues, including ecology, technology, natural resource, and war. It's about a journey for humans after destroying the Earth with nukes. The survivors seek a new planet to carry on their lives in the limitless interstellar space, gradually evolve into a new life form artificially. Yet, after so many years, they have come to realize that they would never make it to the new planet that they have been dreaming of. They have been simply returning to the Earth in different life forms time after time. Huang uses the story to reflect on the philosophy of life and applies the concept of "embodied cognition" to teleport audiences to different bodies and experience the worldview of "Samsara" via a new perspective.
As one of the most famous film festivals globally, the Cannes Film Festival has always been a trial balloon for filmmakers around the globe. This year, to lower the impact of the pandemic, the Cannes XR has built a unique venue in the MOR (Museum of Ohter Reality) with VeeR VR , an online platform for virtual content, offering various exhibitions during the event. The team has broken down the barriers across materials, audio, and hardware, in reality, using surreal effects to provide the most magnificent viewing experience. From screening, walking on the red carpet, being seated to giving speeches, all the details are not left out through the VR headsets. Huang is especially impressed by the special area built for him by the host team. The ceremony is presented virtually innovatively, resonating with the groundbreaking feature in the VR film industry.
After winning the top award of the SXSW, "Jury Awards", "Samsara" has yet again captured the attention of another international film festival, testifying the profound and vibrant creativity of VR from Taiwan. The full version of "Samsara: will start its tour in September this year and come back to host its Asian premiere in Kaohsiung in October.
🔎新聞聯絡人: 陳仲賢
✉️E-Mail: chunghsien1992@gmail.com
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關注黃心健Facebook粉絲專頁:https://www.facebook.com/HuangXinJianHsinChienHuang
🔎News Contact: Chen Chung-Hsien
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▪️Follow Huang Hsin-Chien’s Facebook page for more information about him and his work: https://www.facebook.com/HuangXinJianHsinChienHuang
film production forms 在 謙預 Qianyu.sg Facebook 的最佳貼文
【3, 2, 1, ACTION!】
從我2016年6月懵懵懂懂的第一次做臉書直播,到現在有68隻影片上載在Youtube,不知不覺已有四年了。
有位二十多歲的女客人說,她和男朋友看了我早期的影片,再看我現在的影片,他們驚嘆我的改變如此的大。
是啊,我自己也沒想到有一天,我能坐擁來自世界各地三萬多的訂閱人數。
一隻影片的背後,承載著很多人的心血。
我拍片、寫稿、打扮自己,在鏡頭前的表情控制、眼神力度和說話語氣和速度,這些都是經歷了多年的千錘百鍊。有時一些影片我不滿意,隔天還會重拍。
我有一位新加坡的小幫手,他幫我做初剪,打出中英文字幕稿,然後再發給我,往往我都得再修改,才把初剪和字幕稿發給台灣的剪輯師做後製。
這整個過程需大約六個工作天。
剪輯師把完成作品發給我,經過我們一到兩輪的修改後,就是你們看到的Youtube 影片了。
都說了嘛,現在當風水命理師需要十八般武藝,要會寫會說會拍片會剪片還要會拍照⋯⋯懷念那種拿個「算命」布幡遊走街坊的日子~😂
有些觀眾問,為什麼我無法接受他們的諮詢要求。因為我並非每天都見客,每個星期裡我都得留些時間做製片的工作。
不是每個人都有能力請我,而有些是遭到身邊人的反對。我希望做到的是,每個人我都能多少幫到一點點,而我的影片就是我實現這希望的方法之一,因此很抱歉,我不會為了多賺諮詢費而不做影片。☺️
你們看我的影片,不用付費。我沒有設YouTube 會員區,也沒有啟動Youtube的廣告功能,這樣你們看影片不會被打擾。
我賺的客人諮詢費,還是足以應付我製片的費用,我無需另外啟動其他收費功能,所以小女子我在這裡感謝所有的投資商。😄
我承認,我絕對是個嚴師。有些客人在未見面時,在電郵裡的禮貌若欠佳或太隨便,會被我訓一番。
我從不勉強人,我會說如果他們不喜歡被我糾正,可以另請高明,其實出色又盡責的風水命理師,世界各地都有很多,我師父 - 玳瑚師父,就是其中一人。
往往這些被我糾正過的客人,都會選擇還是要見我,但偶爾也會遇到一些可能心裡不是很平衡的本地客人。
表面上說還要見我,但在諮詢當天會放我鴿子,給個藉口不來了。
這樣的人,看著也是可憐。一個好好的人,活到三四十歲,甚至五十歲的,怎麼這麼多不順,看來也是他她一手造成的,傲慢永遠解決不了問題,也無需爛慈悲在他們的身上。
我不會再給第二次機會,不是因為我怨他們,氣他們,我心中沒有敵人。
只是既然已經給過機會,也教導過了,他們看我影片也會獲益,我也沒欠他們了。他們放棄了原本約好的時間,讓另外一個有需要的人無法得到我的幫助,這也不是善。
那倒不如,我把這機會讓給更有誠意的人,或多拍些有益的影片服務大眾,也是一件樂事呀~ ❤️
况且最重要的是,他們都已經捐款給慈善機構了。
世界很大,要體驗的事很多,要見的人也還很多,我們都不必為不需要我們的人蹉跎青春歲月,而忘了 - 其實失去也是一種大福報。
——————————
It has been four years since my very first FB Live in June 2016 and now I also have 68 videos on YouTube.
A lady client in her 20s told me that after watching my earlier videos and then my current videos, she and her boyfriend were surprised at the big change in me.
Me too. I never imagined that one day, I would have a channel of 31.5K subscribers.
The making of a video involves the blood and tears of many people behind the scenes.
Filming myself, writing the script, dolling myself, and while in front of the camera, controlling my expressions, intensity of my gaze, speed and tone of my speech, all these took years of hammering it out.
Sometimes I get dissatisfied with the videos filmed and I reshoot them the next day.
I have a little helper in Singapore who helps me with the first cut and typing of Chinese and English subtitles. I will edit them again before sending them over to my Taiwan video editor for post-production.
When my video editor sends me the finished product, there will usually be 1 to 2 more rounds of correction and viola, that’s the uploaded video you see on YouTube.
This whole process takes about 6 working days.
Not so simple to be a Chinese Metaphysics practitioner in these social media data’s,. Must learn how to write, present, script, film, edit video, take photos......I miss those olden days of walking the marketplace with a cloth banner that says “Fortune Telling”~😂
Some audience asked me why I do not accept their consultation requests after I close my booking forms.
I do not meet clients every day, because I still need to set aside time for video production work.
Not everybody has the ability to engage me, and some are obstructed by the people around them.
My wish is to at least touch as many lives as possible in a positive way, and my videos are one way for me to actualise that. So my apologies that I would not do more consultations at the expense of my videos. ☺️
It is free for you to watch my videos. I did not turn on my Youtube channel membership or put ads in my videos, so you won’t be disrupted while watching my videos.
The fees I earn from my consultations can pay for my video productions, so I do not need to activate other monetisation models. Thank you to all my video investors. 😄
I admit I am definitely a very strict teacher. When clients lack the etiquette in their emails or are too casual, I will correct them.
I do not like to force anybody and will tell them if they dislike being corrected, they can always look for another Master. There are outstanding and responsible Chinese Metaphysics practitioners all over the world, one of them being my Shifu - Master Dai Hu.
These clients will usually choose to still meet me, but occasionally there will be some local clients who may feel emotionally imbalanced at being corrected.
While they still insist to meet me, they will stand me up on the consultation day and give some reason for their no-show.
I have sympathy for such clients. For a grown-up in his/her 30s/40s and some even in their 50s, why do they still experience so many misfortunes in their lives?
Seems like it is all self-inflicted. Being egotistical never solves problems. There is no point wasting blind compassion on them.
I never give second chances not because I bear a grudge against them or get angry at them. There is never enmity in my heart.
But since the opportunity has been given and lessons taught, plus they have also gain from my video contents, I don’t owe anything to them. They forsook our original appointment, and deprive another person from getting my help. This is not virtuous of them. Why not I give this chance to another one who is more sincere, or use the time to create more video content to benefit more people. That would be just as joyous~ ❤️
Moreover, to me, what is most important isn’t the red packet that I should have received but the donation that they have already done to the charities.
The world is vast, with many new experiences waiting for us and many more people to meet. Don’t let youth slip by us and hanker for people who don’t need us. Remember this, sometimes, losing someone or something is good fortune in disguise.
film production forms 在 JENN LEE Youtube 的精選貼文
🖤觀秀注意事項🖤
1. 強烈建議您配戴耳機觀賞,享受旅程
2. 若網路順暢,請將畫質調至2160p,以利最佳看秀畫質
🖤PLEASE NOTICE🖤
1. Strongly suggest! Enjoy the trip with your earphones.
2. Please watch the video with 2160p to get the best quality.
—
JENN LEE 22春夏- 家人
「大人不過是長大的小孩」- 華特迪士尼
以實驗性概念延續21秋冬系列耐人尋味的「宇宙恆變」、「活在當下」之理念,以觸動人心的創作帶領觀眾進入充滿『家人之愛』的虛擬世界,探索生命與成長的根源!
一同窺探歷經懷胎十月、初為人母的設計師Jenn在不同身份、心境與情緒轉變下,如何深刻演繹情感的波動與感觸,展示母愛光輝與溫柔無限的蛻變之作!
再次攜手全球最大華語電影獎項─金馬獎特效得主「再現影像」挑戰觀眾的視覺感官,延續JENN LEE 21秋冬的虛擬星球,以第一人稱視角的遊戲感帶領觀眾走進異次元的繽紛叢林,一窺星球上的人們與家人間關於「愛」與「情感」的故事。3D方式呈現2D充滿兒童插畫感的自然世界,再將視覺藝術家JUN YAO ZOIE LIAO設計出的童趣服裝印花3D化,成為虛擬視界裡各種獵奇可愛的生物,鮮豔細緻的畫面營造強烈的視覺效果。
音樂方面與享譽國際獲獎無數的台灣實驗電子音樂創作者Meuko! Meuko!合作,以充滿愛與希望的輕快節奏營造童趣氛圍,特別收錄Marz23狂野嘶吼、白癡公主對女兒阿甜的告白、黃宣神秘低喃以及設計師Jenn與老公Dennis對於愛的詮釋,更能聽見寶寶純真的笑聲,宛如徜徉於恆變宇宙中的呢喃奏樂。
JENN LEE 22 SS- Families
“Adults are only kids grown up”- Walt Disney
This collection is a deeply personal one as it reflects the changes in designer Jenn’s own life as she starts her new life as a mother and what this new journey means to her. This is shown not only through her collection, but also through the bold yet childlike visual motifs through the film.
Award winning production company Renovatio Pictures has returned this season to create a vibrant world filled with color and life as it explores the different forms of love. JENN LEE invited local celebrities, friends and family to take part in this fashion film as it transports the audiences to a world of its own. The unique first person gaming perspective further draws the viewer into this immersive experience as you dive into each unique storyline.
Jenn Lee has worked with talented Taiwanese illustrator JUN YAO ZOIE LIA to create key symbols that reflect the inspiration of this collection. One of the key images that stands out throughout this is the drawing of the umbilical cord, a direct reference to Jenn Lee’s new journey as a mother and a physical representation of the connection between loved ones.These illustrations are animated in the film to help tell the story of the impact that connections and memories have on our lives.
As the global pandemic continues to shape the way we interact with people and we embark on new journeys, Jenn Lee has expressed herself through this collection and hopes to encourage others to not be afraid to express themselves and appreciate the connections we have around us.
Meuko! Meuko! provides the soundtrack to this film and is mixed with different voices from the characters in the film.
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🖤JENN LEE Team 🖤
李維錚 Wei Chen Lee
劉芸庭 Yun Ting Liu
林昕穎 Xin Ying Lin
吳霈萱 Pei Xuan Wu
毛紫函 Tzu Han Mao
周采丰 Tsai Feng Chou
盧蘊睿 Yun Rui Lu
楊詠茹 Yung Ju Yang
葉重佑 Chung Yu Yeh
何絜霓 Chieh Ni Ho
葉芮妤 Rui Yu Yeh
任宸漢 Chen Han Jen
李俐穎 Li Ying Lee
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🖤視覺特效製作🖤
再現影像製作股份有限公司
Visual Effects By Renovatio Pictures
視覺特效總監 郭憲聰
Visual Effects Supervisor Tomi Kuo
特效製片 黃棨雋
VFX Producer Peter Huang
CG 數位視覺設計師 吳怡萱
CG Digital Artist Ella Wu
去背遮罩師 陳姵均
Roto Artist Hulk Chen
概念美術設計師 吳怡萱
Concept Design Ella Wu
行政企劃 呂旻穎
Administration Moira Lu
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🖤Families🖤
黃宣 YELLOW
黃榮勇 Pawan
陳艾美 Amy Chen
阿夜 Marz23
阿娥姐 Monica
白癡公主 87 Princess
阿甜 A Tian
百勒絲 Fairy Pai
雷門 Raven
呀比 Yabi
張維宸 Way Mask
張䕒尹 Mini
李繼堯 Yolanda
王淑緞 Shu Duan Wang
程琪 Kare Chen
樂高 Lego
程舒唯 Edie 艾迪
費俊偉 Dennis Fei
李維錚 Wei Chen Lee
費維 Wei Baby
臭咪 Stinkymimimi
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🖤Illustration Design and graphic design🖤
廖俊堯 JUN YAO ZOIE LIAO
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🖤Photographer 🖤
費俊偉 Dennis Fei
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🖤Sponsors 🖤
文化部
KCC 墾青集團
DENNIS FEI
--
🖤Music 🖤
Meuko! Meuko!
🖤Intro music🖤
庫巧兔 Cloudy Ku - Hermitage Bliss
© all rights reserved
--
JENN LEE Facebook:https://www.facebook.com/official.JENNLEE/
JENN LEE Instagram: https://www.instagram.com/jennlee_off...
JENN LEE Website:http://www.jennleestudio.com
PR Contact (Taiwan): ellenliujennlee@gmail.com
PR Contact (UK) :roxannechen@dyelog.co.uk
film production forms 在 jaysbabyfood Youtube 的精選貼文
#jaysbabyfood #storytime #lgbtinkorea
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- References -
- Ahn, P. (2009). Harisu: South Korean cosmetic media and the paradox of transgendered neoliberal embodiment. Discourse, 31(3), 248-272.
- Arora, S., Singhai, M., & Patel, R. (2011). Gender & Education determinants of individualism — Collectivism: A study of future managers. Indian Journal of Industrial Relations, 47(2), 321-328.
- Berry, C. (2001). Asian values, family values: Film video, and lesbian and gay identities. In Sullivan, G., & Jackson P. (Ed.), Gay and lesbian Asia: Culture, identity, community. (pp. 211-232). Binghamton, NY: Harrington Park Press.
- Bong, Y. D. (2008). The gay rights movement in democratizing Korea. Korean Studies, 32(1), 86-103.
- Cho, J. P. (2009). The wedding banquet revisited: "Contract marriages" between Korean gays and lesbians. Anthropological Quarterly, 82(2), 401-422.
- Choi, J. S. (2014). Korean culture orientation: Daily-life and religious culture volume. Sonamoo Publishing.
- Jang, H. S. (n.d.). Resource center of young women service review (늘푸른 사업 리뷰). Retrieved from http://www.seoul.go.kr/info/organ/center/1318_new/info/review/1253299_13874.html
- Kim, H. Y., & Cho, J. P. (2011). The Korean gay and lesbian movement 1993-2008: from "identity" and "community" to "human rights". South Korean Social Movements: From Democracy to Civil Society, 206-223.
- Kim, Y., & Hahn, S. (2006). Homosexuality in ancient and modern Korea. Culture, Health & Sexuality, 8(1), 59-65.
- Kwak. L. G. (2012, April 25). Who murdered a 19-year old LGBT teen (누가 열아홉살 동성애자를 죽였나). Oh My News. Retrieved from http://www.ohmynews.com/nws_web/view/at_pg.aspx? CNTN_CD=A0001724998
- Lee, J. E. (2006). Beyond pain and protection: Politics of identity and iban girls in Korea. In Khor, D., & Kamano, S. (Ed.), Lesbians in east Asia: Diversity, identities, and resistance. (pp. 49-67). Binghamton, NY: Harrington Park Press.
- Novak, K. (2015). The problem with being gay in South Korea. Retrieved from http://edition.cnn.com/2015/10/18/asia/south-korea-being-gay/
- Park, H., Blenkinsopp, J., Oktem, M., & Omurgonulsen, U. (2008). Cultural orientation and attitudes toward different forms of whistleblowing: A comparison of South Korea, Turkey, and the U.K. Journal of Business Ethics, 82(4), 929-939.
- Seo, D. J. (2001). Mapping the vicissitudes of homosexual identities in South Korea. Journal of Homosexuality, 40, 65-79.
- Song, J. (2014). Living on your own: Single women, rental housing, and post-revolutionary affect in contemporary South Korea. SUNY Press.
- Do Koreans Support LGBTQ+? (Ft. Seoul Queer Parade) | ASIAN BOSS https://youtu.be/p_vsIEs72p8
- Koreans React To K-pop Singer Coming Out As Bisexual [Street Interview] | ASIAN BOSS https://www.youtube.com/watch?v=BKL9VrqLJZE
- Is South Korea's LGBT+ community being scapegoated for COVID-19 spread? https://www.dw.com/en/is-south-koreas-lgbt-community-being-scapegoated-for-covid-19-spread/a-53423958
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- SNS -
Facebook: https://www.facebook.com/jaysbabyfood/
Twitter: https://twitter.com/jaysbabyfood
Instagram: https://www.instagram.com/jaysbabyfood/
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- Production -
✂️Final Cut Pro
Music by Eric Reprid - Back to Business - https://thmatc.co/?l=3ED40649
Music by ninjoi. - Acceptance - https://thmatc.co/?l=B8A316A
Music by Cassette Tapes - Balance - https://thmatc.co/?l=55784255
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- Business Inquiries Only -
jaysbabyfood@gmail.com
or LINE: @jaysbabyfood (with @)
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film production forms 在 22recordstw Youtube 的最佳解答
US:WE - 黯光 Dark light (Official music video)
Film production/editing:Moonandearth & 22RECORDS
Presents:22RECORDS
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US:WE 1st Album『黑潮 - Kuroshio』
01. 黯光 / Dark light
02. 鈣化 / Calcification
03. 雲 / Cloud
04. 懦弱者日記 / a coward’s diary
05. 彼岸之光 / The Other Shore of the Light
06. 黑潮 / Kuroshio
07. 群鳥夜行 / Bird Flying at Night
08. 三分之ㄧ的天空 / One-Third of Sky
09. _180216
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-Shipping Info-
US:WE 1st Album『黑潮 - Kuroshio』(CD) 450NTD
實體作品郵寄訂購表單/Order album:
https://goo.gl/forms/C0l6dhH3xl3aX6je2
Buy Digital Album:https://uswe.bandcamp.com
Support us,we need you.
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Moonandearth:https://www.facebook.com/moonandearth9/
US:WE Website:https://uswe-web.weebly.com
Rebel Sound Studio:https://rebelsoundstudio.blogspot.com
22RECORDS:https://www.facebook.com/22records.tw
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US:WE 1st Album『黑潮 - Kuroshio』
-Credits-
released April 26, 2018
製作人:姜智傑/US:WE
錄音師:姜智傑
錄音室:393 B1/銳博聲音樂工作室
錄音助理:林志豪
混音師:姜智傑
混音錄音室:銳博聲音樂工作室
母帶後期處理:Alan Douches
母帶後期處理錄音室:West West Side Music
專輯美術設計:曾文廷
專輯封面設計:曾文廷
內頁相片攝影:邱國華
樂團相片攝影:曾文廷
作曲/作詞/編曲:US:WE (直到看見鯨魚的眼睛)
專輯發行廠牌(光碟):二十二唱片
Produced by Slater C and US:WE
Recorded by Slater C at 393 B1 and Rebel sound studio
Assisted by Lin Jihe
Mixed by Slater C at Rebel sound studio
Mastered by Alan Douches at West West Side Music
Cover/Art Design by Danist Wen
Photograph by Chiu*K
Orchestra Photography by Danist Wen
All songs/lyrics/compose by US:WE
Released Label(CD) by 22RECODRS