[NEW ALBUM]
Marihiko Hara SELECTED LIVE RECORDINGS 2018-2019
- Bandcamp (Free Download Available)
https://marihikohara.bandcamp.com/album/marihiko-hara-selected-live-recordings-2018-2019
- Apple Music
- Spotify
https://odesli.co/Rq8NNQ30P5MZj
====
Marihiko Hara SELECTED LIVE RECORDINGS 2018-2019
1. Mémoire (Live)
2. Waltz (Live)
3. Princess Yonaga (Live)
4. Circle Of Life (Live)
5. Vibe (Live)
6. Red (Live)
7. Eclipse (Live)
8. Grazia (Live)
9. Inscape (Live)
10. Nocturne (Live)
11. Fountain (Live)
12. Passion (Live)
Music Composed by Marihiko Hara
Piano & Synthesizer: Marihiko Hara
Edit&Mix by Marihiko Hara & Masumi Muranaka
Mastered by Marihiko Hara
Recorded
Tr.1-4, 9, 10, 12: at ROHM Theatre Kyoto
Tr.5: at Shibuya WWW, Tokyo
Tr.6, 8, 11: at Goethe-Institute Villa Kamogawa, Kyoto
Tr.7: at Anyo-in Temple, Tokyo
Photo by Yoshikazu Inoue
Cat No.: ADG-003
label: ADAGIA
P&C: ADAGIA 2020
同時也有9部Youtube影片,追蹤數超過2萬的網紅YELLOW,也在其Youtube影片中提到,(Use Headphones For Better Experience / 建議耳機服用佳) Life is a circle, just like the man watching the growth of flowers as a pastime. There should also b...
「circle of life piano」的推薦目錄:
- 關於circle of life piano 在 Marihiko Hara / MH Studio Inc. Facebook 的最讚貼文
- 關於circle of life piano 在 YELLOW Facebook 的精選貼文
- 關於circle of life piano 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳解答
- 關於circle of life piano 在 YELLOW Youtube 的最讚貼文
- 關於circle of life piano 在 MELOGAPPA Youtube 的精選貼文
- 關於circle of life piano 在 Marihiko Hara Youtube 的最佳貼文
- 關於circle of life piano 在 Disney - The Lion King - Circle of Life (piano cover) - YouTube 的評價
- 關於circle of life piano 在 The Lion King (2019) - Circle Of Life [Piano Cover] - YouTube 的評價
- 關於circle of life piano 在 Lion King - Circle of Life - EASY Piano Tutorial - YouTube 的評價
- 關於circle of life piano 在 CIRCLE OF LIFE from THE LION KING - Piano Tutorial 的評價
- 關於circle of life piano 在 Circle Of Life - "The Lion King" | Piano Tutorial - YouTube 的評價
- 關於circle of life piano 在 Elton John - Circle of Life (From "The Lion King") Piano Tutorial 的評價
- 關於circle of life piano 在 Circle Of Life - The Lion King 2019 | SLOW EASY PIANO ... 的評價
- 關於circle of life piano 在 Circle of Life (2) - The Lion King Free Piano Sheet Music PDF 的評價
circle of life piano 在 YELLOW Facebook 的精選貼文
繼《都市病》、《馬戲團》後
釋出最終章節《DDT》首波單曲 —— 後現代獨白 Post-monologue
Life is a circle,
just like the man watching the growth of flowers as a pastime.
There should also be a place
For the nonsense of life.
在俱樂部那段時光的消逝、白小姐的離去
羊皮先生與種種回憶的消散,映視了歌曲中的離開
我們總以為自己是活在當下的那類人,然而面對生命的無常
卻總試圖在消逝的時光中尋找可容身之處,自溺卻無法自拔。
當熟悉的時間感逐漸剝落,盡可能找到了一點自我消遣
於此千迴百轉自彷徨,撇不下多情數樁
你的離開正是後現代的獨白。
(Use Headphones For Better Experience / 建議耳機服用佳)
各大串流
https://lnk.to/yellow
完整MV連結
https://youtu.be/l3gB-LBi1pU
______________________
Director / 章郡JYUN CHANG
3D Artist / Loop Chen Lung
3D Motion Designer / Yukon
詞曲 Composer / 黃宣YELLOW
編曲 Music Arrangement / 黃宣YELLOW
製作人 Producer / 黃宣YELLOW, 余佳倫 Chia-Lun Yue
演唱者 Lead Vocal / 黃宣YELLOW
和聲 Backing Vocal / 黃宣YELLOW
和聲編寫 Backing Vocal Arrangement / 黃宣YELLOW
鼓 Drums / 陳彥丞 Devlin Chen
吉他 Guitar / 林庭鈺 Tim Lin
貝斯 Bass / 曹家瑋 Marcus Tsao
鍵盤 Keyboard, Piano / 吳至傑 CJ Wu
錄音工程師 Recording Engineer / 蔡周翰 Chou Han Tsay
錄音室 Recording Studio / Lights Up Studio
混音工程師 Mixing Engineer / 蔡周翰 Chou Han Tsay
混音錄音室 Mixing Studio / Lights Up Studio
母帶後期處理 Mastering Engineer / Jeff Lipton at Peerless Mastering, Boston, MA
母帶後期製作助理 Assistant Mastering Engineer / Maria Rice
circle of life piano 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳解答
🎹鋼琴的大千世界/名家名言:「為何稱我為大師?主人在這裡(指著鋼琴),我只是他的奴才。」
— 李斯特著名的弟子,德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)
Why, there is the master (pointing to the piano), I am only the slave.”
— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.
📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾,演奏李斯特的第十號匈牙利狂想曲:
https://youtu.be/e12YwuHiQtY
📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/
———————————————————————1905-1906 鋼琴名家萊森奧爾(Alfred Reisenauer)在美國進行數月的巡迴演出,並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版,隔年他在德國巡迴演出期間於下榻的飯店房間內過世。
📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.
▪️With Liszt
“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.
▪️Liszt’s Pedagogical Methods
“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”
Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:(見譜例圖四)
Chopin’s next thought was, no doubt:(見譜例圖五)
But with his unerring good taste and sense of symmetry he writes it so:(見譜例圖六)
Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:(見譜例圖七)
The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.
“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”
▪️A Unique Attitude.
Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”
▪️The Future of Pianoforte Music.
An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.
Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”
As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.
▪️American Musical Taste.
Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.
▪️Concert Conditions in America.
“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”
circle of life piano 在 YELLOW Youtube 的最讚貼文
(Use Headphones For Better Experience / 建議耳機服用佳)
Life is a circle,
just like the man watching the growth of flowers as a pastime.
There should also be a place
For the nonsense of life.
在俱樂部那段時光的消逝、白小姐的離去
羊皮先生與種種回憶的消散,映視了歌曲中的離開
我們總以為自己是活在當下的那類人,然而面對生命的無常
卻總試圖在消逝的時光中尋找可容身之處,自溺卻無法自拔。
當熟悉的時間感逐漸剝落,盡可能找到了一點自我消遣
於此千迴百轉自彷徨,撇不下多情數樁
你的離開正是後現代的獨白。
繼《都市病》、《馬戲團》後
釋出最終章節《DDT》首波單曲 —— 後現代獨白 Post-monologue
串流連結 All Streams
https://lnk.to/yellow
______________________
Director / 章郡JYUN CHANG
3D Artist / Loop Chen Lung
3D Motion Designer / Yukon
詞曲 Composer / 黃宣YELLOW
編曲 Music Arrangement / 黃宣YELLOW
製作人 Producer / 黃宣YELLOW, 余佳倫 Chia-Lun Yue
演唱者 Lead Vocal / 黃宣YELLOW
和聲 Backing Vocal / 黃宣YELLOW
和聲編寫 Backing Vocal Arrangement / 黃宣YELLOW
鼓 Drums / 陳彥丞 Devlin Chen
吉他 Guitar / 林庭鈺 Tim Lin
貝斯 Bass / 曹家瑋 Marcus Tsao
鍵盤 Keyboard, Piano / 吳至傑 CJ Wu
錄音工程師 Recording Engineer / 蔡周翰 Chou Han Tsay
錄音室 Recording Studio / Lights Up Studio
混音工程師 Mixing Engineer / 蔡周翰 Chou Han Tsay
混音錄音室 Mixing Studio / Lights Up Studio
母帶後期處理 Mastering Engineer / Jeff Lipton at Peerless Mastering, Boston, MA
母帶後期製作助理 Assistant Mastering Engineer / Maria Rice
______________________
【歌詞 Lyrics】
逆時針堆疊 在崩裂之前
重複的氣味 夜裡最明顯
睜開眼 找到了一點自我消遣
空間 一成不變
無常的排列 現實面妥協
像一刀未剪 生活的特寫
閉上眼 希望有一天轟轟烈烈
香煙 在床旁邊
如果時間能停下來 找個地方置身事外
俯仰之間換個姿態 苟延殘喘 不知好歹
如果時間能停下來 當等待被寂寞超載
你的離開是後現代的獨白
逆時針堆疊 在崩裂之前
重複的氣味 夜裡最明顯
閉上眼 找到了一點
如果時間能停下來 當等待被寂寞超載
你的離開是後現代的獨白
______________________
Full Album Coming Soon......
#YELLOW #黃宣 #浮世擊
circle of life piano 在 MELOGAPPA Youtube 的精選貼文
ディズニーの名曲をたくさん混ぜて一曲にしたら神曲が誕生するのでは?と思ったのでやってみました。
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【素晴らしき原曲】
A Whole New World(Aladdin)「アラジン」→https://youtu.be/eitDnP0_83k
Beauty and the Beast(Beauty and the Beast)「美女と野獣」→https://youtu.be/axySrE0Kg6k
Let It Go(Frozen)「アナと雪の女王」→https://youtu.be/L0MK7qz13bU
Remember me(Coco)「リメンバー・ミー」→https://youtu.be/3iDxU9eNQ_0
You’ve Got a Friend In Me(Toy Story)「トイ・ストーリー」→https://youtu.be/DNZUKm0ApEM
When You Wish Upon a Star(Pnocchio)「ピノキオ」→https://youtu.be/pguMUFyJ3_U
It’s a Small World「小さな世界」
Circle of Life(The Lion King)「ライオン・キング」→https://youtu.be/GibiNy4d4gc
Under the Sea(The Little Mermaid)「リトル・マーメイド」→https://youtu.be/GC_mV1IpjWA
ジブリ名曲バージョンもぜひ見て下さい!→https://youtu.be/d4Ksx7hyk1k
【曲を合体シリーズ】
「白日 / King Gnu」×「Lemon / 米津玄師」→https://youtu.be/9xEfaHc0i8I
「紅蓮華 / LiSA」×「U.S.A. / DA PUMP」→https://youtu.be/OQy5OCUugis
「夜に駆ける / YOASOBI」×「紅蓮華 / LiSA」→https://youtu.be/zi290ibhwew
「Pretender / Official髭男dism」×「もりのくまさん / 童謡」→https://youtu.be/SRX4e7ZDsX4
「白日 / King Gnu」×「やぎさんゆうびん / 童謡」→https://youtu.be/ZvpKPXkbJKI
「Flamingo / 米津玄師」×「ももたろう / 童謡」→https://youtu.be/OOcHl-XAbUk
「前前前世 / RADWIMPS」 ×「ももたろう / 童謡」→https://youtu.be/fSjpwwde2qg
「香水 / 瑛人」勇気100%のカラオケで歌える説→https://youtu.be/yo9UaI9b-GA
「Let It Go ~ありのままで~」紅蓮華のカラオケで歌える説→https://youtu.be/yNSz-SuNhlU
「COSMOS / 合唱曲」×「あなたへ~旅立ちに寄せるメッセージ~ / 合唱曲」→https://youtu.be/2iF7ZfxwUmo
『香水 / 瑛人』と『100万回の「I love you」/ Rake』→https://youtu.be/ZQAdT8nfNas
「馬と鹿 / 米津玄師」×「時の旅人 / 合唱曲」→https://youtu.be/V28YUo1Ba7w
「I LOVE… / Official髭男dism」×「恋 / 星野源」→https://youtu.be/mmkgs88LFOA
「別の人の彼女になったよ / wacci」×「小さな恋のうた / MONGOL800」→https://youtu.be/efaIUmmstPY
Pretenderっぽい前前前世→https://youtu.be/hrPAnkoQ_j8
前前前世っぽいPretender→https://youtu.be/qL0AgwyzxkU
CMソングのフレーズだけでオリジナル曲→https://youtu.be/s50eXtvpQvg
【関連動画】
The Best Animated Classic Disney Songs Of All Time 1937 - 2018→https://youtu.be/4DanMuhLRVE
The Ultimate Disney Classic Songs Playlist With Lyrics 2020 - Disney Soundtracks Playlist 2020→https://youtu.be/3VikHoPxvyM
ディズニーピアノメドレー【作業用、勉強、睡眠用BGM】Disney Relaxing Piano Collection (Piano Covered by kno)→https://youtu.be/g8NVwN0_mks
DISNEY PRINCESS MEDLEY - SINGING EVERY PRINCESS SONG AT WALT DISNEY WORLD→https://youtu.be/RrZHOh77F3Q
Top 10 Disney Songs (HD)→https://youtu.be/1t0-p6Uda_k
DISNEY MEDLEY - Mashup of 13 best Disney songs! // Ashley Hess→https://youtu.be/-SSDORm1AH0
DISNEY MASHUP (ESPAÑOL) 2 - Zamy Baumüller→https://youtu.be/CRxJttphiEM
【対決】ディズニーマッシュアップメドレー −Disney Mash Up Medley Battle−→https://youtu.be/GhFYW3qyesU
【メドレー】Disneyメドレー演奏してみた!→https://youtu.be/RXWboz9EVfE
MASHUP PRINCESAS DISNEY - Zamy Baumüller→https://youtu.be/PVencqeb_EI
【MELOGAPPA再生リスト】
とりあえずこれ見てください!おすすめリスト→https://www.youtube.com/playlist?list=PLQ1lHJeSxKY5zB8lxtdJROOuvrTQeB77G
CMソングのフレーズだけでオリジナル曲つくってみた→https://www.youtube.com/playlist?list=PLQ1lHJeSxKY7EIIxuXczV1t-4XiXAsQBp
短調にしたら絶望感がすごい→https://youtube.com/playlist?list=PLQ1lHJeSxKY55H6hPTgumS0NYOwm4ongu
違う曲のカラオケで歌える説→https://www.youtube.com/playlist?list=PLQ1lHJeSxKY5CCe2Zc7T5kBQW_UK0XNPi
曲を合体シリーズ→https://youtube.com/playlist?list=PLQ1lHJeSxKY7VWA2Hvdr633REyD2NYl8x
ご本人と歌う名曲短調アレンジシリーズ→https://youtube.com/playlist?list=PLQ1lHJeSxKY7aHZoMLlqAraEzc46sKQWS
鬼滅の刃カバー→https://youtube.com/playlist?list=PLQ1lHJeSxKY6Cog3wah5zjndQEeO0Yw_L
合唱曲シリーズ→https://youtube.com/playlist?list=PLQ1lHJeSxKY5r-vwCenRorGGZ5sSZ9Jin
「ZEPP TOUR 555」詳細まとめリスト→https://www.youtube.com/playlist?list=PLQ1lHJeSxKY6-Rdx2HZr5DS6o3rUFq2ES
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circle of life piano 在 Marihiko Hara Youtube 的最佳貼文
Piano Concert 《FOR A SILENT SPACE – 2019 Kyoto》
Venue: ROHM Theatre Kyoto, North Hall
Date: December 2, 2019
Piano: Marihiko Hara
Lighting: Yukiko Yoshimoto (Mahiru)
Sound: Yozo Kawai(Riverfuse)
Stage Director: Nobuaki Oshika
Video Shooting by Yoshiyuki Sakuragi
Presented by night cruising
Co-presented by ROHM Theatre Kyoto (Kyoto City Music Arts and Culture Promotion Foundation)
© MH Studio Inc.
circle of life piano 在 The Lion King (2019) - Circle Of Life [Piano Cover] - YouTube 的必吃
WEBSITE: https://www.magnus-baumgartl.com/en➤ SHEET MUSIC: https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0211157➤ FACEBOOK: ... ... <看更多>
circle of life piano 在 Lion King - Circle of Life - EASY Piano Tutorial - YouTube 的必吃
SHEET MUSIC: https://www.musicnotes.com/l/5NzqF➜ Learn Piano Easy: http://bit.do/flowkey8Learn how to play the song Circle of Life from the ... ... <看更多>
circle of life piano 在 Disney - The Lion King - Circle of Life (piano cover) - YouTube 的必吃
Discover the new way to learn piano ... Disney - The Lion King - Circle of Life ( piano cover). 1,976,309 views1.9M views. Apr 22, 2008. ... <看更多>