關於 background color yellow ，我們在網路上蒐集到這些相關的討論、資訊與評價

About 71 percent of the Earth’s surface is covered with water and it comes as no surprise that marine species outnumber those on land. Venture into the underwater world if you haven’t because we don’t want you to miss out on many things.

#Repost IG: @nurul_yazid
📍 Pom Pom Island, Semporna

Unlike other frogfish, the Sargassum Frogfish lives among the sargassum seaweed you see floating in subtropical oceans. I’ve seen them from as little as 2cm to as big as 10cm.

The colour of the body are usually mottled and spotted yellow, green, and brown on a paler background, and the fins often have several dark streaks or bands. Believe it or not, they can change color rapidly, from light to dark and back again. The body and the fins are covered with many weed-like protrusions, but other than that, the skin is smooth without dermal spines.

Today I show you a photo of a Sargassum Frogfish on its own swimming in the blue. Tomorrow I will post another one in the sargassum seaweed and see if you can spot it.

#sabah #borneo #malaysia #tourism #photooftheday #nature #fun #photography #beautiful #enchantingsabah #traveltomorrow #travellater #muckdiving #scubadiving #diving #underwater

🇩🇰 這是一篇深度報導，來自歐洲現存最古老的報紙：丹麥Weekendavisen，題目是從香港抗爭運動、香港聯繫加泰羅尼亞的集會，前瞻全球大城市的「永久革命」。一篇報導訪問了世界各地大量學者，我也在其中，雖然只是每人一句，加在一起，卻有了很完整的圖像。

以下為英譯：

Protest! The demonstrations in Hong Kong were just the beginning. Now there are unrest in big cities from Baghdad to Barcelona. Perhaps the stage is set for something that could look like a permanent revolution in the world's big cities.

A world on the barricades

At the end of October, an hour after dark, a group of young protesters gathered at the Chater Garden Park in Hong Kong. Some of them wore large red and yellow flags. The talk began and the applause filled the warm evening air. There were slogans of independence, and demands of self-determination - from Spain. For the protest was in sympathy with the Catalan independence movement.

At the same time, a group of Catalan protesters staged a protest in front of the Chinese Consulate in Barcelona in favor of Hong Kong's hope for more democracy. The message was not to be mistaken: We are in the same boat. Or, as Joshua Wong, one of the leading members of the Hong Kong protest movement, told the Catalan news agency: "The people of Hong Kong and Catalonia both deserve the right to decide their own destiny."

For much of 2019, Hong Kong's streets have been ravaged by fierce protests and a growing desperation on both sides, with escalating violence and vandalism ensuing. But what, do observers ask, if Hong Kong is not just a Chinese crisis, but a warning of anger that is about to break out globally?

Each week brings new turmoil from an unexpected edge. In recent days, attention has focused on Chile. Here, more than 20 people have lost their lives in unrest, which has mainly been about unequal distribution of economic goods. Before then, the unrest has hit places as diverse as Lebanon and the Czech Republic, Bolivia and Algeria, Russia and Sudan.

With such a geographical spread, it is difficult to bring the protests to any sort of common denominator, but they all reflect a form of powerlessness so acute that traditional ways of speaking do not seem adequate.

Hardy Merriman, head of research at the International Center for Nonviolent Conflict in Washington, is not in doubt that it is a real wave of protest and that we have not seen the ending yet.

"I have been researching non-violent resistance for 17 years, and to me it is obvious that there are far more popular protest movements now than before. Often the protests have roots in the way political systems work. Elsewhere, it is about welfare and economic inequality or both. The two sets of factors are often related, ”he says.

Economic powerlessness

Hong Kong is a good example of this. The desire among the majority of Hong Kong's seven million residents to maintain an independent political identity vis-à-vis the People's Republic of China is well known, but the resentment of the streets is also fueled by a sense of economic powerlessness. Hong Kong is one of the most unequal communities in the world, and especially the uneven access to the real estate market is causing a stir.

According to Lee Chun-wing, a sociologist at Hong Kong Polytechnic University, the turmoil in the city is not just facing Beijing, but also expressing a daunting showdown with the neoliberal economy, which should diminish the state's role and give the market more influence, but in its real form often ends with the brutal arbitrariness of jungle law.

'The many protests show that neoliberalism is unable to instill hope in many. And as one of the world's most neoliberal cities, Hong Kong is no exception. While the protests here are, of course, primarily political, there is no doubt that social polarization and economic inequality make many young people not afraid to participate in more radical protests and do not care whether they are accused of damage economic growth, 'he says.

The turmoil is now so extensive that it can no longer be dismissed as a coincidence. Something special and significant is happening. As UN Secretary General António Guterres put it last week, it would be wrong to stare blindly at the superficial differences between the factors that get people on the streets.
“There are also common features that are recurring across the continents and should force us to reflect and respond. It is clear that there is growing distrust between the people and the political elites and growing threats to the social contract. The world is struggling with the negative consequences of globalization and the new technologies that have led to growing inequality in individual societies, "he told reporters in New York.

Triggered by trifles

In many cases, the riots have been triggered by questions that may appear almost trivial on the surface. In Chile, there was an increase in the price of the capital's subway equivalent to 30 Danish cents, while in Lebanon there were reports of a tax on certain services on the Internet. In both places, it was just the reason why the people have been able to express a far more fundamental dissatisfaction.

In a broad sense, there are two situations where a population is rebelling, says Paul Almeida, who teaches sociology at the University of California, Merced. The first is when more opportunities suddenly open up and conditions get better. People are getting hungry for more and trying to pressure their politicians to give even more concessions.

“But then there is also the mobilization that takes place when people get worse. That seems to be the overall theme of the current protests, even in Hong Kong. People are concerned about various kinds of threats they face. It may be the threat of inferior economic conditions, or it may be a more political threat of erosion of rights. But the question is why it is happening right now. That's the 10,000-kroner issue, ”says Almeida.

Almeida, who has just published the book Social Movements: The Structure of Social Mobilization, even gives a possible answer. A growing authoritarian, anti-democratic flow has spread across the continents and united rulers in all countries, and among others it is the one that has now triggered a reaction in the peoples.

“There is a tendency for more use of force by the state power. If we look at the death toll in Latin America, they are high considering that the countries are democracies. This kind of violence is not usually expected in democratic regimes in connection with protests. It is an interesting trend and may be related to the authoritarian flow that is underway worldwide. It's worth watching, 'he says.

The authoritarian wave

Politologists Anna Lürhmann and Staffan Lindberg from the University of Gothenburg describe in a paper published earlier this year a "third autocratic wave." Unlike previous waves, for example, in the years before World War II, when democracy was beaten under great external drama , the new wave is characterized by creeping. It happens little by little - in countries like Turkey, Nicaragua, Venezuela, Hungary and Russia - at such a slow pace that you barely notice it.

Even old-fashioned autocrats nowadays understand the language of democracy - the only acceptable lingua franca in politics - and so the popular reaction does not happen very often when it becomes clear at once that the electoral process itself is not sufficient to secure democratic conditions. Against this backdrop, Kenneth Chan, a politician at Hong Kong Baptist University, sees the recent worldwide wave of unrest as an expression of the legitimacy crisis of the democratic regimes.

“People have become more likely to take the initiative and take part in direct actions because they feel that they have not made the changes they had hoped for through the elections. In fact, the leaders elected by the peoples are perceived as undermining the institutional guarantees of citizens' security, freedom, welfare and rights. As a result, over the past decade, we have seen more democracies reduced to semi-democracies, hybrid regimes and authoritarian regimes, ”he says.

"Therefore, we should also not be surprised by the new wave of resistance from the people. On the surface, the spark may be a relatively innocent or inconsiderate decision by the leadership, but people's anger quickly turns to what they see as the cause of the democratic deroute, that is, an arrogant and selfish leadership, a weakened democratic control, a dysfunctional civil society. who are no longer able to speak on behalf of the people. ”The world is changing. Anthony Ince, a cardiff at Cardiff University who has researched urban urban unrest, sees the uprisings as the culmination of long-term nagging discontent and an almost revolutionary situation where new can arise.

"The wider context is that the dominant world order - the global neoliberalism that has dominated since the 1980s - is under pressure from a number of sides, creating both uncertainty and at the same time the possibility of change. People may feel that we are in a period of uncertainty, confusion, anxiety, but perhaps also hope, ”he says.
Learning from each other.

Apart from mutual assurances of solidarity the protest movements in between, there does not appear to be any kind of coordination. But it may not be necessary either. In a time of social media, learning from each other's practices is easy, says Simon Shen, a University of Hong Kong political scientist.

“They learn from each other at the tactical level. Protesters in Hong Kong have seen what happened in Ukraine through YouTube, and now protesters in Catalonia and Lebanon are taking lessons from Hong Kong. It's reminiscent of 1968, when baby boomers around the globe were inspired by an alternative ideology to break down rigid hierarchies, 'he says.
But just as the protest movements can learn from each other, the same goes for their opponents. According to Harvard political scientist Erica Chenoweth, Russia has been particularly active in trying to establish cooperation with other authoritarian regimes, which feel threatened by riots in the style of the "color revolutions" on the periphery of the old Soviet empire at the turn of the century.

"It has resulted in joint efforts between Russian, Chinese, Iranian, Venezuelan, Belarusian, Syrian and other national authorities to develop, systematize and report on techniques and practices that have proved useful in trying to contain such threats," writes Chenoweth in an article in the journal Global Responsibility to Protect.

Max Fisher and Amanda Taub, commentators at the New York Times, point to the social media as a double-edged sword. Not only are Twitter and Facebook powerful weapons in the hands of tech-savvy autocrats. They are also of questionable value to the protesting grass roots. With WhatsApp and other new technologies, it is possible to mobilize large numbers of interested and almost-interested participants in collective action. But they quickly fall apart again.

The volatile affiliation is one of the reasons why, according to a recent survey, politically motivated protests today only succeed in reaching their targets in 30 percent of cases. A generation ago, the success rate was 70 percent. Therefore, unrest often recurs every few years, and they last longer, as Hong Kong is an example of. Perhaps the scene is set for something that might resemble a permanent revolution in the world's big cities - a kind of background noise that other residents will eventually just get used to.

"Since there is still no obvious alternative to neoliberalism, the polarization that led to the protests initially will probably continue to apply," says Lee of Hong Kong Polytechnic University. "At the same time, this means that the anger and frustration will continue to rumble in society."

I used to do this kind of makeup for my dancing competition 💃🏻 FUN FACT: I used to dance Latin professionally for Malaysia during my teen.
-
TAG A FRIEND WHO LIKE PINK AND YELLOW COLOR COMBO 💛💝 I’m addicted.
-
Background is edited because that is easier for me. Other than that, all is Makeup.
Makeup Deets:

/FACE/
@benefitmalaysia • Hello! Flawless Oxygen Liquid Foundation in Ivory
@maccosmetics • mineral powder in Dark
@hudabeauty • Summer Highlighter Palette “Mykonos”
/EYES/
@colourpopcosmetics • Chasing Rainbow “so meta” “ wishlist””manifest it”.
@katvondbeauty
• tattoo liner “trooper”
@colourpopcosmetics
•Jelly much “Ventura”
/BROWS/
@laneigemy • brow cushion #02
/LIPS/
@shopvelvetvanity
• Liquid Matte Lipstick “Homegirls”
.
.
.
.
.
.
.
.
#makeupbypearltji #makeup #instamakeup #cosmetic #cosmetics #socialenvy #fashion #eyeshadow #lipstick #gloss #mascara #palette #eyeliner #lip #lips #concealer #foundation #powder # eyes #beauty #beautiful #postthepeople #colorpopcosmetics #instagood #katvondbeauty #nyxcosmeticsmy
#velvetvanitycosmetics

Sharing how I take notes to study Korean and review for the TOPIK II test. I also show the 2 textbooks I used, my favorite notebook type and my favorite highlighter pen. I mostly focus on studying grammar and new vocabulary, and this video explains how I go about reviewing, taking notes, learning vocabulary and practicing essay writing. [Press CC for Subs. English starts a bit later]

한국어능력시험을 위한 공부법 & 노트 정리법을 보여주는 영상입니다. 재미있게 봐주세요!

Textbooks I use
Korean TOPIK exam prep book (blue one) → https://geni.us/TOPIK2prep
Korean Grammar in Use Intermediate → https://geni.us/KoreanGrammarUse
Complete TOPIK (yellow book) → https://www.twochois.com/new-topik-complete-topik-with-one-book-for-intermediate-level/

Stationery I use
Notebooks (Kokuyo Campus) → https://geni.us/KokuyoCampus
Sakura Koi yellow highlighter → https://geni.us/SakuraKoiYellow
Favorite pen: Pilot Juiceup 04 → https://geni.us/PilotJuiceup
Color pens: Uniball Signo → https://geni.us/UniballJetstr

Related videos
How I study Korean grammar https://www.youtube.com/watch?v=XM-0jlPj8RY
How I study Korean vocabulary https://www.youtube.com/watch?v=H2p8DhcnMDk&vl=en
TOPIK exam experience and tips https://www.youtube.com/watch?v=RV1FJuMVGwg&t=268s
How I passed the TOPIK https://www.youtube.com/watch?v=PK7TuobItTI&t=76s

? Huge shoutout to my friend Go Yama for the beautiful background music!
Support him on Instagram & Spotify: https://www.instagram.com/goyama/?hl=en
https://open.spotify.com/artist/4Gbw8LGu071GAshE7dqqum?si=prsaszd2Sz6sOW3Y1qRMaA

Timestamps
0:00 Intro
0:14 Notebooks I use
0:40 Korean textbooks
1:29 Vocab notebook
1:40 First notebook tour
4:35 How I study grammar
5:49 2nd notebook tour
9:04 Vocabulary and review
9:40 More notessss
10:18 Colorcoding structure (or lack thereof)
10:52 When things get difficult
11:58 Vocabulary list example
12:16 Silent tour
12:33 TOPIK questions and essay notes
13:51 Ending

———
?SOCIALS

Insta → https://www.instagram.com/lindiebotes/
Website & resources → http://lindiebotes.com/
Twitter → https://twitter.com/lindiebee
FB → https://www.facebook.com/lindiebotesvideos/
Support my channel on Ko-fi → https://ko-fi.com/lindiebotes#


✨GOODIES

$10 free italki credits (after first lesson) → https://go.italki.com/LindieBotes
10% off Du Chinese (my favorite app!) enter LINDIE10 at checkout → https://www.duchinese.net/
All discounts → http://lindiebotes.com/discounts
All language resources → https://lindiebotes.com/language-resources/
Merch → http://society6.com/lindiebotes


?ABOUT

Welcome to my channel! My name is Lindie and I share my love for languages through my polyglot progress and language learning tips here. South African by birth, I spent most of my life in France, Pakistan, the UAE and Japan. Now I work as a UI/UX designer in Singapore. I'm a Christian and strive to shine God’s light in all I do. May this channel inspire you to reach your language goals!

New here? Best videos → https://www.youtube.com/playlist?list=PLRCVN94KILKXGx45JKaVBSpPkrpXhrhRe
FAQ → https://lindiebotes.com/faq/


?EQUIPMENT

Camera → https://geni.us/CanonPowerShotG7
Mic → https://geni.us/RodeSmartLavMicr
Tripod → https://geni.us/ManfrottoTravel

———
Some links are affiliate links, and a percentage goes towards supporting my channel.
Collabs & partnerships: hello@lindiebotes.com

?眉村ちあき「冒険隊 〜森の勇者〜」 https://TF.lnk.to/boukentai

“緑の奏者” 四宮義俊（日本画家/アニメ―ション作家）が、コロナ禍で不意に訪れる別れに揺れる、少年たちの友情と冒険を描く！New Album『日本元気女歌手』から新曲「冒険隊 〜森の勇者〜」MUSIC VIDEOが完成！

高い歌唱力に加えギターを弾き語りするスタイル、さらにユーモアのあるサンプリング、トラックメイクの技術、明るく自由奔放なキャラクターで大注目の弾き語りトラックメイカーアイドル 眉村ちあき。

12月9日には、早くもNew Album「日本元気女歌手」発売、さらに12月14日（月）には夢！夢！夢！憧れの大舞台！！！ 眉村ちあき日本武道館LIVE「日本元気女歌手 〜夢だけど夢じゃなかった〜」の開催も決定している眉村ちあきの、今回のアルバムを代表する新曲「冒険隊 〜森の勇者〜」のMUSIC VIDEOが完成！

「冒険隊 ～森の勇者～」は、1月発売の2nd Album「劇団オギャリズム」プロモーションやツアー準備で数ヶ月お休みがなかった眉村が、3月上旬に行った山籠り合宿でDEMOを制作。

映画・ドラマと活躍の場を広げる人気急上昇中の若手作曲家でありピアニストの兼松衆をサウンドプロデューサーに迎え、Pf 兼松衆、Dr 吉田雄介、Gt 西田修大、Bs 越智俊介でスタジオレコーディング。

眉村の秀逸なトラックと最高のバンドサウンドが絡む、眉村ちあきの新境地！

今回、“ワクワクするアニメーションのMUSIC VIDEOを作ってみたい”という眉村ちあきの想いを受け、四宮義俊が監督を快諾。

個人レーベル「SUIRO」が制作。監督・絵コンテ・作画・美術・色彩設計など多くのパートを自ら担当することで、眉村ちあきが作詞する楽曲の世界観とメッセージを、圧倒的な深遠さで再現しています。

またキャラクターデザイン・作画を米津玄師やヨルシカのMVなどで注目の南方研究所が担当。
社会や大人に翻弄されながらも輝きを失わない少年たちを生み出しました。

MVは絵画的技法を駆使したタッチで、少年たちと彼らの冒険する秘密基地や森を表現。

「言の葉の庭」（新海誠監督）のキービジュアルやポケモン映画20周年記念ビジュアルなど、“緑”を用いた圧倒的な情感表現で話題をさらった四宮義俊が、心象風景に合わせて千変万化する森と生き物を“四宮グリーン”で艶やかに描き、3分47秒の中に壮大な物語世界を詰め込んでいます。
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

?眉村ちあきコメント?
感情が落ち着いたのでコメント書きます。(泣きすぎて手が震えまして文字打てなかった)

この映像を初めてみたのはまだほとんど絵コンテ状態だったのですが、涙がボロボロどころか滝のように出て、嗚咽が止まらなかったです。

絵コンテ状態なのに！笑　そして、やっとその映像の完成版を観たときは、それはそれは、凝視しすぎて息が止まってしまって、最後に涙が出ました。すごく心を鷲掴みにされる素晴らしい映像です。。

映像の1コマ1コマ、ぜひ観てください。本物の、沼です…………！！！！！！！

作ってくださった四宮さん、仲間のスタッフの皆様、宝物な映像を作ってくださり、本当にありがとうございました。

たくさんの人たちに長く愛される作品ができました。とっても幸せです。大切に歌っていきます。

冒険に行こうよ！

?四宮義俊コメント?
眉村さんが「僕たちこそ」と歌うこの歌詞に立ち現れる群像には何か特別な秘密や事由があるのではないかと思い、今の時代と重ね合わせました。

禍の中でゆるい連帯が断ち切られそうになり、そんな中での別れには理屈のつかないこともたくさんあるのではないでしょうか。
それはやむを得ないことでありながら、子供たちの瞳にはどんな景色に見えているのか。

物語の中で彼らが打破するのは、大人たちが敷いた物語であり、ルールなのかもしれないと考えました。

映し出される三人の子供たちは三人の眉村ちあきであり、今現在を生きる世界中の子供達の姿です。

＜四宮義俊プロフィール＞
1980年生まれ。美術家・日本画家・アニメーション作家。日本画家として絵画を軸に、立体、映像など多彩な創作活動を行う。

その活躍の場も個展をはじめ、CMや広告、企業商品や本の装画など各メディアへと広がる。

アニメーションでの代表作に『言の葉の庭』（ポスターイラスト・美術背景）、『君の名は。』（回想シーン演出）、渋谷スクランブル交差点での四面連動ビジョン放映で話題になった『トキノ交差』（監督・原画・美術）など。

また、監督を務めた『ポカリスエット・アニメCM』（インドネシア）では1500万PVでYouTubeインドネシア当月第1位を獲得。

現地アニメイベントへのゲスト招聘など、近年ではアジアでの評価も高まる。
http://shinomiya.main.jp
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

＜New Information＞
眉村ちあき
3rd New Album「日本元気女歌手」
2020.12.9 release！

［通常盤］CD　￥3,000（+tax）　
［限定盤］CD＋BD　￥5,500（+tax）　「2020.3.14 Mayumura Chiaki Naka-kon 2020」

?CD予約はこちら
https://TF.lnk.to/nippongenki1209

2020.12.14 眉村ちあき日本武道館LIVE
「日本元気女歌手 〜夢だけど夢じゃなかった〜」

会場：日本武道館
日時：12月14日（月） 開場18:00 / 開演19:00

［チケット料金］
アリーナ指定席8,000円（税込）
スタンド指定席8,000円（税込）
親子席 8,000円（税込・指定席）

? 10月19日10:00〜10月25日23:59
プレイガイド１次先行受付中！！

受付URL(ローチケ)：
https://l-tike.com/concert/mevent/?mid=329972

［配信チケット］
3,500円（税込）

?配信チケット販売中！！
Zaiko　https://mayumura.zaiko.io/e/yumejyanakattabudokan
ニコニコ生放送　https://live2.nicovideo.jp/watch/lv328448311

＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

＜眉村ちあき「冒険隊 〜森の勇者〜」MV＆MUSIC STAFF＞

監督・絵コンテ・作画・美術・色彩設計・撮影
Director・Storyboard・Key Animation・
Background Art・Color Planning・Composite

四宮義俊　Shinomiya Yoshitoshi
https://twitter.com/cagerow555

キャラクターデザイン・作画／Character Designer・Key Animation
南方研究所 MINAKATA.lab

美術／Background Art
皆川真紀　Minagawa Maki
酒向彩香　Sakoh Ayaka
quloe

動画・仕上げ／Between Animation・Scan & Paint
スタジオ 雲雀　STUDIO HIBARI CO.,LTD.
菅原朋枝　Sugawara Tomoe

撮影・3DCG／composite・3dcg
CLIP+BISON,LLC
大石智一　Oishi Tomokazu
小松学　Komatsu Manabu
八木昌彦　Yagi Masahiko

タイトル・文字／Title・subtitle
すい　Sui

制作デスク／Line Producer
金澤由太　Kanazawa Yuta

設定制作／Material Coordinator
野木絢火　Nogi Ayaka

制作進行／Production Advancement Manager
金子 寛　Kaneko Hirosi

宣伝プロデューサー／Promotions Produce
平井真貴　Hirai Masataka

制作／Animation Production
SUIRO
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

歌・作詞・作曲・トラックメイク
Vocal・Words・Music・Track Making

眉村ちあき　Mayumura Chiaki
https://twitter.com/rexno_chi

アレンジ・編曲／Arrangement
眉村ちあき＆兼松衆　Mayumura Chiaki＆Kanematsu Shu

ピアノ／Piano
兼松衆　Kanematsu Shu

ギター／Guitar
西田修大　Nishida Shuta

ベース／Bass
越智俊介　Ochi Shunsuke

ドラム／Drums
吉田雄介　Yoshida Yusuke
by the courtesy of cutting edge／8902 RECORDS

レコーディング・ミックス／Recorded＆Mix
須山克己　 Suyama Katsumi（OCTO）

レコーディングスタジオ／Recorded
Yellow Studio, Sound City Annex

マスタリング／Mastered
木村健太郎　Kimura Kentaro（KIMKEN STUDIO）

マスタリングスタジオ／Mastered
KIMKEN STUDIO

マネージャー／Artist Management
佐々木涼乃　Sasaki Suzuno（会社じゃないもん）

A&Rプロデューサー／A&R Producer
堀越勝也　Horikoshi Katsuya（TOY'S FACTORY）

#飛び出せ日本元気女歌手ツアー #眉村ちあき #冒険隊

《StarRingChild EP》
Mine / 曾屬於我的你
作詞 / Lyricist： aimerrhythm
作曲 / Composer：森本チカラ
編曲 / Arranger：玉井健二、大西省吾
歌 / Singer： Aimer
翻譯：夏德爾
English Translation: Thaerin

背景 / Background - 密閉空間でたくさんの百合に囲まれると眠ったまま死ねるらしい - ぺっちー :
https://www.pixiv.net/artworks/56719604

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
https://www.facebook.com/chschannel/

Check my Facebook page for more information!
https://www.facebook.com/chschannel/

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2467655

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/mine/

日文歌詞 / Japanese Lyrics :
二人を知って　季節を知った
心がそこに見えた
一人を知って　痛みを知った
心は色彩(いろ)を捨てた

窓辺の花びらは
五月の風に揺れて　消えた

聞かせて　君の歌を
あの笑顔で　その声を
浮かぶ景色でも　同じ花を見ていた
聞こえる？　I miss you
そう　泣きそうで　もう　負けそうで
あれは春の頃　想う　when you were mine

二人はいつも夢中になって 何かを探していた
痛みを知って　自分を知った
心は君がくれた

木陰の約束は
口づけの様に淡く　消えた

聞かせて　君の歌を
あの笑顔で　その声を
奏でてた夢は　同じ夢のままかな？
聞こえる？　I miss you
そう　泣きそうで　もう　負けそうで
あれは春の頃　歌う　when you were mine

静かに遠ざかる　陽だまりの音
もうちょっとで雨の季節
少しだけ泣いてた

聞かせて　I love you
あの笑顔で　その声を
あれは春の頃　想う　when you were mine

夢を見ていた　歌う when you were mine

中文歌詞 / Chinese Lyrics :
體會過兩個人的生活，讓季節也有了意義
而靈魂就存在於那樣的每一天裡
體會著一個人的孤單，了解了失去你的痛
心靈也就跟著失去了顏色

擱淺於窗邊的花瓣
盪漾在五月的風中，消逝了

請用那時的笑容，用那時的聲音
讓我聽聽你的歌聲
縱使是回憶中的景色也好，我們都注視著相同的花朵
聽的見嗎？我好想、好想你
是的，我已經快要守不住眼眶，已經，快要無法堅持……
那個時候你仍屬於我，思念，在春暖花開時

兩人，總是熱衷於探尋著某些事物
知悉了心痛的感覺，也了解了自己
我才知道這份自我，是你所給予的

那時在樹蔭底下的約定
如留下的吻一樣，淡淡的消失了

請用那時的笑容，用那時的聲音……
讓我聽聽你的歌聲
現在所演奏的夢想，仍然是當時的那一個嗎？
聽的見嗎？我是如此的、如此的思念你
已經想念的快要落淚，也已經想念的無法自己……
那是在春暖花開時的事情，那個你仍屬於我的時光，我唱著

雨，是陽光悄悄遠去的跫音
再過一會兒，便是雨的季節
於是，我稍微，哭了一場雨的時間

用當時的那副笑容，用當時的那個聲音
請告訴我，說你愛我，說你喜歡我
那已是春天時節的過往，回憶著，那個你仍屬於我的季節

我沉浸於夢中……唱著，那個你屬於我的曾經

英文歌詞 / English Lyrics :
When I came to know us, I learned of the seasons,
And saw my heart there.

But when I came to know being alone, I learned of pain,
And my heart cast away its color.

The flower petals at the windowsill,
Swayed in the May wind before fading away.

Let me hear your song;
With that smile… in that voice…
Even if it’s only in my imagination, I could see that same flower.
Can you hear it? I miss you,
And I feel like I’m about to cry… like I’ve already lost it…
It’s that time in spring I think of –
When you were mine…

We always got lost in each other,
Searching for something.

When I came to know pain, I learned of myself,
And you were the one who gave me my heart.

Our promise made under the cover of trees,
Fleeting as a kiss… faded away.


Let me hear your song;
With that smile… in that voice…
Is the dream you sang of then still the same now?
Can you hear it? I miss you,
And I feel like I’m about to cry… like I’ve already lost it…
It’s that time in spring I sing of –
When you were mine…

The sound of that spot in the sun moves silently into the distance;
It won’t be long before the rainy season…
As I cried the slightest bit.

Let me hear it: “I love you”,
With that smile… in that voice…
It’s that time in spring I think of –
When you were mine…

I sing of that dream I was having –
When you were mine…