關於 academia meaning ，我們在網路上蒐集到這些相關的討論、資訊與評價

#胰臟癌👫 #標靶治療🎯 開發 #抗癌藥物 15年磨一劍 想想那台 #小挖土機🚢 ⛏
　　
胰臟癌是相當棘手的癌症，確診時，患者的腫瘤細胞通常已經轉移，增加治療難度...
　　
當年 #臺大醫院 醫師與本院 #李文華 院士分享臨床治療心得時，李院士意識到：若能結合臨床經驗與科學研究，有助於解決這個攸關全人類健康的重大問題，挽救更多生命！
　　
―
在李文華院士帶領下，由本院 #基因體研究中心、中國醫藥大學新藥開發中心組成的跨機構研究團隊，歷經多年研究，於今（2021）年宣布👉破解胰臟癌細胞的訊息傳遞機制，並且合成出 #多胜肽分子，可以 #阻斷致癌訊號傳遞，#抑制癌細胞的生長與轉移。

🎯實驗顯示能有效延長胰臟癌小鼠的壽命，而且不會影響正常的免疫反應。研究成果已發表在國際期刊《科學轉譯醫學》（Science Translational Medicine）
　
―
💥原來，在胰臟癌細胞表面大量出現的受體（存在於細胞膜上的蛋白質分子）「IL-17RB」，容易兩兩結合，形成同質雙聚體，遇到配體IL-17B後，就會召喚激酶「MLK4」，催化蛋白質磷酸化，有如按下開關般，啟動後續一連串致癌訊號🔔 🔔 🔔
　　
為了阻斷癌化訊號傳遞🔕🔕🔕，研究團隊設計出多胜肽分子，它是一組胺基酸序列，可在細胞內特定位置取代激酶MLK4，阻止激酶與受體交互作用。相較於團隊2015年研發出的抗體藥物，治療更為精準，而且不影響患者免疫力。

目前團隊致力研發效果更穩定的 #小分子藥物，以利胰臟癌患者進行 #標靶治療。
　　
🔴新聞稿：https://reurl.cc/v5oAoo
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Pancreatic cancer is known to be vicious, pancreatic ductal adenocarcinoma (PDAC) is the type that accounts for 95% of pancreatic cancer and so far it is still incurable. An added fact makes PDAC doomed lies in its tendency to have metastasis, meaning cancer cells have already spread to other organs, when diagnosed.
　　
In this study, “The results not only establish a clear pathway of how proximal signaling of IL-17RB occurs, but also provides insight into how this pathway is clinically significant in many pancreatic cancers.”, commented Dr. Chun-Mei Hu.
　　
🔴Press Release：https://reurl.cc/dV9A8g
―
　　
研究團隊成員：中央研究院李文華院士、胡春美助研究員和沈家寧副研究員；中國醫藥大學吳恒祥助理教授；臺大醫院田郁文醫師、張毓廷醫師、章明珠醫師和鄭永銘醫師。👏👏👏
　　
Team members are from Academia Sinica (Dr. Wen-Hwa Lee, Dr. Chun-Mei Hu and Dr. Chia-Ning Shen), China Medical University (Dr. Heng-Hsiung Wu) and National Taiwan University physicians (Dr. Yu-Wen Tien, Dr. Yu-Ting Chang, Dr. Ming-Chu Chang and Dr. Yung-Ming Jeng.👏👏👏

#研究團隊十五年青春 #迎戰癌中之王 #存活率最低的癌症

Initially wanted to faster graduate but my Prof & Uni asked me to challenge double doctorate so ok I'll wish me luck ya , will start pitching n combine my current spanish phd to another one ;)
Meaning will add on a few more years ;)

原本要赶快毕业
但是教授叫我挑战双博士
好吧，再加几年吧；）
继续挑战吧！

Nak Graduate cepat sebenarnya tapi
Prof kat spain suruh Saya utk
Cabar double doctorate
Ok , tambah lagi beberapa tahun ;)
Teruskan !

#academia
#phd
#spain

新刊預覽 👀⚡️⚡️⚡️

Voices of Photography 攝影之聲
Issue 29 : #被攝影史──成為影像的台灣
History of the Photographed:
Taiwan as an Image

延續我們對於攝影史的關注，本期審視屬於我們自身的攝影經驗──被攝影的歷史。從台灣的殖民史出發，自十九世紀中葉以降歷經的人類學調查採集、二十世紀初隘勇線推進下的暴力顯影，到帝國博覽會裡的「台灣」意象與人種展示──這是一段最為系統性地將台灣影像化的初始時期。我們如何成為被攝影的對象？如何化為一具科學標本和一幅想像圖騰？如何在視覺上被納編（或排除）於國族與文化的整頓編程，並糾結至今？此一影像的潛歷史──被攝影的歷史──是我們返視「攝影史」的一處起點。

藉此，本期試圖反詰「歷史」，思考致使我們「成為影像」、「進入攝影史」的支配與佈局，嘗試突破以往「攝影（者）的歷史」框架，開啟我們的「被攝影（者）的歷史」覺察，或許將能發現對我們而言更為重要的攝影的歷史遺產，生成屬於我們的另翼影像史觀。

專題中收錄的影像與文論，標記了我們在「被攝影」的歷史經驗裡的複雜和衝突──我們從已故人類學者胡家瑜對早年台灣人類學田野調查至戰後發展的介紹專論開始，探看影像採集的知識化歷程及當代意涵；黃翰荻追尋日本人類學者鳥居龍藏與森丑之助在殖民年代的台灣原住民族群踏查足印，細述二人巨大的歷史身影；高俊宏在總督府「理蕃時期」的諸多「討伐」寫真帖中，重新諦視「歸順者」肖像裡的幽微目光；瓦歷斯．諾幹以解／反殖民書寫，展現自身與族人生命經驗裡實切的影像歷史感知；松田京子則以東京拓殖博覽會中對殖民地的活人陳列展演，析解形塑「台灣」的視覺策略。

本期Artist’s Showcase單元，我們與藝術家葉偉立進行長篇訪談，呈現他這些年來以行動介入所構成的獨特影像場域，記錄其未曾間斷的勞作沉思。而在影像論述單元，本期新闢由影像研究者李立鈞執筆的科學攝影專欄，揭示平時隱沒在科學實踐中的「影像問題」，首篇從圖繪細菌與拍攝細菌在十九世紀引發的論爭談起，一探科學家對於攝影「客觀性」的認知辯證。謝佩君接續前期對於影像／視覺理論的引介，深入闡論歐美學界近年如何反駁過去以視覺機具作為現代性發展的線性觀點。黎健強探究香港攝影源流的連載系列，揭載「作為影像的香港」在1850年代末首次出現於可供西方觀眾賞玩的遠東立體照片。此外本期亦特邀黃建宏撰文紀念近期辭世的法國哲學家貝拿爾．斯蒂格勒，記述其影像哲理綿延的技術與時間之論。

在本期出版（焦頭爛額）之際，也正是《攝影之聲》邁入第十年的開端，回想起來真是一段不可思議的旅程。感謝所有的讀者共同撐起這份小刊，也要再次感謝參與《攝影之聲》、支持我們的朋友與工作伙伴，給予我們面對艱困的勇氣，繼續在蜿蜒的道路上行進。
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購書 Order | http://bit.ly/vop-29
台灣讀者免運費優惠中！
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As we continue on the topic of the history of photography, we turn to our own photography experiences in this issue – our history of being photographed. It takes root in Taiwan’s colonial history, from the collection of anthropological surveys in the 19th century, to the acts of violence at the defence lines as they pushed on during the Japanese colonial era in the early 20th century, as well as the exhibition of the “Taiwanese” imagery and ethnicity at various expositions held during the Japanese colonial rule. These form the beginnings of a systematic effort to visualize Taiwan. How did we become the photographed, a scientific specimen, a totemic image? How did we become visually part of (or excluded from) the rectification process of nationality and culture, that continues to trouble us till now? The veiled history of such an image – the history of being photographed – guides the beginning of our journey of looking back at the “history of photography”.

With this, we attempt to cross-examine “history” and think through the control and disposition that led us into “becoming an imagery” and “going into the history of photography”, hoping to break free from the existing framework of “the history of the photograph(er)” and enlighten our awareness of the “history of the photographed”. We reckon this could allow us to discover the historical heritage of photography that is even more important to us and generate our very own alternative view of the history of photography.

The collection of imagery and essays in this series marks the complexity and conflicts in our historical experience of “being photographed”. We begin with the late anthropologist Hu Chia-Yu’s field research of Taiwan’s anthropology from the early years to the post-war period as we explore the knowledge-based development and contemporary meaning of imagery collection. Huang Han-Di traces the footsteps of Japanese anthropologists Torii Ryuzo and Mori Ushinosuke in their study of the Taiwanese indigenous peoples in the colonial era, detailing the historical impact that they had. Kao Jun-Honn takes a second look at the faint gaze in the eyes of those who had pledged allegiance, as captured in the many portraits of the “submissives” kept at the Governor-General’s office during the Japanese rule. Walis Nokan expresses his and his fellow people’s real perception of the history of photography as they had experienced it in his de-/anti-colonization writings. Matsuda Kyoko analyses the visual strategy of shaping “Taiwan” through the living displays at the Tokyo Colonization Exposition of 1912.

In this issue’s “Artist’s Showcase”, we feature an in-depth interview with artist Yeh Wei-Li, showing our readers his unique field of imagery that extends from his art of intervention, a record of his neverending contemplation with regard to labor and art. Moving on to essays on visual imagery, we present a new scientific photography column by imagery researcher Lee Li-Chun, who unveils the “imagery problem” that underlies scientific practice, beginning with cognitive dialectics of “objectivity” of photography by scientists that stemmed from the debate sparked by illustrating and photographing bacteria in the 19th century. Hsieh Pei-Chun continues with her introduction to imagery/visual theory from an earlier issue, and explains in detail how Western academia has refuted the existing linear view of visual machinery as a modern development. Edwin K. Lai’s series on the origins and development of Hong Kong photography tells us about the first 3D photograph from the Far East that aimed to entertain a Western audience with “Hong Kong as an image” in the late 1850s. In addition, we specially invited Huang Chien-Hung to commemorate the French philosopher Bernard Stiegler, who had recently passed, and the continuous techniques and time that stems from his philosophy of imagery.

At the same time as we (run off our feet to) prepare for the publication of this issue, Voices of Photography is going into its 10th year, and what an incredible journey it has been. We sincerely thank all our readers for keeping us going, and express our heartfelt gratitude once again to all our friends and partners who have worked with us and given us the courage to overcome our difficulties to march on on this winding road.
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本期目錄 Contents
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文化調查、標本收藏與攝影
——十九世紀中葉起的台灣調查採集動力與歷史脈絡
Cultural Investigations, Material Collections and Photography:
Agencies and Historical Contexts in Taiwan Since the Mid 19th Century
#胡家瑜 Hu Chia-Yu

「空中鳥跡」與「依風彩畫」——寄鳥居龍藏與森丑之助
“The Trail of Birds in Flight” and “Paintings in the Wind”: A Letter to Torii Ryuzo and Mori Ushinosuke
#黃翰荻 Huang Han-Di

「不看」的能指——關於理蕃攝影中的「歸順者」之眼
The Significance of “Not Seeing”: On the Eyes of the “Submissives” in the Photography of the Aboriginal Taiwanese
#高俊宏 Kao Jun-Honn

關於日據時期老照片的解／反殖民書寫練習
Interpreting Old Photographs from the Japanese Occupation Period De-/Anti-Colonization Practice Writings
#瓦歷斯諾幹 Walis Nokan

人類的「展示」與殖民地再現——以1912年拓殖博覽會為中心
The “Exhibition” of Mankind and the Resurgence of Colonization: A Look at the Tokyo Colonial Exposition of 1912
#松田京子 Matsuda Kyoko

如何「做」視覺民族誌？——讀《學做視覺民族誌》
How to “do” a visual ethnography?: Understanding Doing Visual Ethnography
#顧錚 Gu Zheng

我們可以祛除帝國主義嗎？——《潛在的歷史》的指引
Can We Unlearn Imperialism?
Methods and Lessons from Potential History by Ariella Azoulay
史蒂芬．席海 #StephenSheehi

Artist’s Showcase: #葉偉立 Yeh Wei-Li

故事之野——訪葉偉立
A Field of Stories: Interview with Yeh Wei-Li
#李威儀 Lee Wei-I

「可怖的客觀性」——十九世紀的顯微攝影
“Dreadful Objectivity”: Photomicrography in the 19th Century
#李立鈞 Lee Li-Chun

偉大的否定——負影像史
The Great Disavowal: A Counter History of Image
#謝佩君 Hsieh Pei-Chun

追夢人的藥控——離散的「貝拿爾．斯蒂格勒」影像
Pharmakon by Dreamer: Discrete Image of Bernard Stiegler
#黃建宏 Huang Chien-Hung

浴火重生的香港攝影（上）——最早為香港留下照片的攝影師
Hong Kong Photography: Rising from the Ashes (I) – The Photographer Who Left Behind the First Images of Hong Kong
#黎健強 Edwin K. Lai

攝影書製作現場⑤ : 便利堂
Photobook Making Case Study #5: Benrido
#羅苓寧 Lo Ling-Ning

七等生 : 重回沙河
Qi Deng Sheng(1939-2020): A Return to Sand River
李威儀 Lee Wei-I

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更多訊息 More info :
www.vopmagazine.com

◎New Digital Single [嘘じゃない] ( English Title : "Believe" )
【Listen＆DL】​https://soushi.lnk.to/3gDs3bWS

崎山蒼志 - [嘘じゃない ("Bilieve")] Music Video
7/31(土)18:00 プレミア公開！

TVアニメ「僕のヒーローアカデミア」第5期（2クール目）エンディングテーマ
“"My Hero Academia” Season 5 Second Ending Theme Song
毎週土曜夕方5:30 読売テレビ・日本テレビ系全国29局ネット(※一部地域を除く)
#僕のヒーローアカデミア #週刊少年ジャンプ
http://heroaca.com

【嘘じゃない Special Site | "Believe" Special Site】
https://www.sonymusic.co.jp/Music/Info/sakiyamasoushi/usojyanai/

【嘘じゃない（Anime Size Lyric ver.）】
https://www.youtube.com/watch?v=EZ-crtDkHJc

【『僕のヒーローアカデミア』TVアニメ5期第2クールノンクレジットエンディングムービー】
https://www.youtube.com/watch?v=UNfXxvS8ZjA

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-Cast-
崎山蒼志
haru

-Staff-
Director: 大喜多正毅
Camera: 安田光
Camera Assistant: 高橋慶太
Light: 杉山泰則
Light Assistant: 鈴木裕介, 水足萌香
Hair&Make-up: 根本亜沙美
Stylist: 釘宮一彰 (崎山蒼志)
Textile Monster: NATSUKI HANYU (haru)
Casting: Oi-Chan
Production Manager: 池田飛鳥, 師田悠三
Driver: 鈴木令, 生田潤一郎, 古橋広美
Producer: 梅田知子

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9月22日(水) 「崎山蒼志「嘘じゃない」Release One-Man Live」
開場：東京・EX THEATER ROPPONGI
出演：崎山蒼志
時間：＜開場＞18:00 / ＜開演＞ 19:00
料金：前売り…4,500円 当日…5,000円（ドリンク代別）
その他チケットの先行予約ならびに一般発売情報は下記オフィシャルHPをチェック。
https://sakiyamasoushi.com/live/

＜問い合わせ＞
HOT STUFF PROMOTION　03-5720-9999

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◎Digital Single [逆行 | Gyakkou]
【Listen】​https://soushi.lnk.to/rYhw3ZAY
【MV】https://www.youtube.com/watch?v=aFR7TjHtG7s

◎Major Debut Album [find fuse in youth]
【CD】 https://soushi.lnk.to/OSiXhsx4
【AL LISTEN】 https://soushi.lnk.to/find_fuse_in_youth_YC
【[Samidare] MV】 https://www.youtube.com/watch?v=8jjswrh3agE
【[Heaven] MV】 https://www.youtube.com/watch?v=_czo_mif1-4
【[Undulation] MV】 https://www.youtube.com/watch?v=qgS9eZM_ABM
【[そのままどこか] MV】 https://www.youtube.com/watch?v=axhqitECl1Y
【[花火] MV】 https://www.youtube.com/watch?v=fcOzyWb1gKE

・HP　https://sakiyamasoushi.com/
・Twitter　https://twitter.com/soushiclub
・Instagram　https://www.instagram.com/soush.i_sakiyama/
・TikTok　https://www.tiktok.com/@sakiyamasoushi_official?

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■嘘じゃない

Words & Music: 崎山蒼志
Arrange: Naoki Itai, モチヅキヤスノリ

Acoustic Guitar: 崎山蒼志
Piano: モチヅキヤスノリ
Bass: 北村雄太
Drums: 坂本暁良
Electric Guitar: サトウカツシロ
Strings: MIZ, 三國茉莉, 館泉礼一, 渡邉雅弦
Programming & All other Instruments: Naoki Itai

Recorded & Mixed by 村上宣之
Vocal Recorded by 渥美隆三

息をして触れてきた優しさが
いつの日か 蓄えた優しさになる
一人を越えて 君と繋がれたなら
瞬きの間に 二度とない千を見るよ

誰かが伝う 意味のない と
捨てられた 悲しみに
湛えられた炎を見ろよ
嘘じゃないよ 
嘘じゃない

これからの未来は
何処へでも
繋がれる気がしてるの
悪夢の根源に
居た君を いつか必ず
救い出すから
救い出せるから

擦りきれた心と闇の中へ
今綻んだ関係を辿る途中で
枯れ果てたと感じてた記憶も
枯れちゃいない
そう微かに気づいたのさ

空がほら 広がってく
余計なものも 愛しく
泣けるほどに 痛ましいさ
笑顔を突き立てよう

これからの未来は
何処にでも
繋がれる気がしてるの
悪夢の根源に
居た君を いつか必ず
救い出すから

揺らぎあるものの為に
生きてきたんじゃないし
でもこの振動は
私を確かに 呼んでる
嘘じゃない
嘘じゃない

歪みある世界に立っている
心崩れ落ちる音
溢さぬよう 何度も作ったダムも忘れはしないよ

これからの未来は
何処へでも
繋がれる気がしてるの
悪夢の根源に
居た君を いつか必ず
救い出すから
救い出せるから


■"Believe" - Lyric

The pieces of warmth I've breathed and touched
will someday be amassed
If my path goes beyond alone and leads to you
I will see the vast scenery of a lifetime while I blink

Someone says it has no meaning
and throws away the sorrow
Look at the fire within it
Take my word
Take my word

The future from now
I feel that
my path can link to anywhere
The root of nightmare
where you have been, I promise that someday
I will get you out of there
I can get you out of there

Into the rusty mind and darkness
I trace back the frayed ties now, and
the memories I thought I have exhausted
are still there
I subtly knew

Look, the sky is stretching out
Even the frills seem so dear
and wrenching to make me cry
I will thrust a smile

The future from now
I feel that
it can lead to anywhere
The root of nightmare
where you have been, I promise that someday
I will get you out of there

The flickering things
are not what I have lived for
But this vibration
is indeed calling me
Take my word
Take my word

Standing on a distorted world
I hear the heart falling apart
I've made dams many times to keep it together

The future from now
I feel that
it can lead to anywhere
The root of nightmare
where you have been, I promise that someday
I will get you out of there
I can get you out of there


#崎山蒼志 #嘘じゃない #Usojanai #Believe #ヒロアカ #heroaca_a

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「凡是渴望在這個遺忘之島上尋找意義與故鄉的人必須勇敢承擔思想、記憶與認同的重量。」──吳叡人

香港民族位處於中國邊陲，努力尋找屬於自己的身份和歷史。香港大學學生會特意邀請了《想象的共同體：民族主義的起源和散佈》譯者吳叡人先生為我們分享，透過比較沖繩、香港及台灣民族主義的興起和流變，引發我們對於「自我」與「他者」的思辨。

日期：二零一五年四月二十一日（星期二）
地點：百週年校園LG.08室
時間：晚上六時至九時（五時半登記入場）
講題：沖繩、香港及台灣的民族主義興起
名額：150人
語言：國語（大會將提供英語即時傳譯）

講者：吳叡人
台灣桃園人，畢業於臺灣大學政治系、芝加哥大學政治系博士，專攻比較政治和政治理論等範疇。吳老師為《想象的共同體：民族主義的起源和散佈》的譯者，早年任職日本早稻田大學政治經濟學部講座教授，現任中央研究院臺灣史研究所副研究員。

主持：李啟迪
學苑前專題編輯、《香港民族論》的作者之一，現就讀香港大學社會科學學院，雙主修政治與公共行政和歷史。

‘He who desires to pursue meaning and origins on this island of oblivion must bear the weight of thoughts, memories, and recognition.’—Dr Wu Rwei-ren

At the periphery of China, the Hong Kong nationality has been pursuing our own identity and history. HKUSU has now invited Dr Wu Rwei-ren, the translator of ‘Imagined Communities: Reflections on the Origins and Spread of Nationalism’, to share his thoughts on such issue. A comparison of the rise and change of nationalism among Okinawa, Hong Kong, and Taiwan shall surely inspire our thoughts on the meaning of ‘ourselves’ and ‘the others’.

Date: 21 April 2015
Venue: LG.08, Centennial Campus
Time: 6:00 p.m.–9:00 p.m.
Topic: The Rise of Nationalism in Okinawa, Hong Kong, and Taiwan
Seats: 150
Language: Mandarin (instant English interpretation will be provided)

Guest speaker: Dr Wu Rwei-ren
From Taoyuan, Taiwan, Dr Wu graduated from the Department of Political Science at the National Taiwan University and earned his doctoral degree from the University of Chicago in politics with a research focus on comparative politics and political theory. As the translator of ‘Imagined Communities: Reflections on the Origins and Spread of Nationalism’, he was formerly the Chair Professor at the School of Political Science and Economics at the Waseda University, Japan. He is currently the associate research fellow at the Institute of Taiwan History of the Academia Sinica.

Host: Mr Lee Kai-tik, Jack
Mr Lee is a former Feature Editor of Undergrad, HKUSU and one of the writers of ‘Hong Kong Nationalism’. He is a student from the Faculty of Social Sciences of HKU and is currently majoring in Politics and Public Administration and History.